Oral history interview with Marietta "Margie" Llorente Gonzales conducted by Cecilia Winchell, Vanessa Concepcion, and Stefani Evans on November 1 and 22, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Margie Llorente-Gonzales discusses her upbringing in Manila, the Philippines and her family history within the country, recalling the lives of her parents, grandparents, and great grandparents. She talks about her childhood, educational pursuits, and courtship with her husband in the Philippines. Margie shares how she and her husband immigrated to the United States, how she adapted to her new life as an immigrant dependent on her extended family, and how she and her husband came to settle in Las Vegas. She talks about her artistic pursuits in the forms of dance choreography and performing, scriptwriting, broadcasting, and publishing newsletters. Margie also discusses her employment at McCarran Airport and her political activism, canvassing, and committee work in the Philippines and the United States.
The Margo Mansergh Papers (approximately 1920-2010) document the life of former showgirl and dancer Margaret "Margo" Mansergh Tomaszewski. Materials include photographs of Margo modeling, backstage at various shows, portraits, and personal family photographs as well as programs from her international career performing in the Lido de Paris and Pigalle Nightclub in London, as well as a number of shows in Las Vegas, Nevada, such as Vive Les Girls, Casino de Paris, Minsky's Burlesque, and Lido de Paris at the Stardust. The collection contains materials from Mansergh's modeling career, including photographs, book covers, and images of her as an extra in films. Digital images from the closing Stardust performance and an event for Miss Bluebell are also found in the collection.
The C. Vern Olmstead Professional Papers (1940-1975) contain materials related to Olmstead’s work as a prominent meat industry executive. The collection pertains to the preparation, cutting, storage, marketing, and distribution of meats including beef, pork, and poultry. Materials include reports, correspondence, newspaper and magazine clippings, photographic prints and slides, and publications regarding topics relevant to the handling and sale of meat in the United States and Canada.
The Garwood and Joan Van Family Papers (1920-2003) contain scrapbooks, photographs, newsletters, correspondence, and newspaper clippings collected by Garwood Van and his wife Joan Van.The collection includes material on Garwood's music career as a popular band leader in New York, California, and Las Vegas, Nevada as well as material about Joan's early life as a model and dancing career.
The George Stewart Personal Papers (1914-2014) are comprised of military records and personal papers of George Stewart, a fifty-year Las Vegas, Nevada resident. The collection includes information about the Clark County Republican Party, Stewart's service in the United States Army Air Corps, and documents and photographs from Stewart's childhood in the Boy Scouts of America during the 1930s and 1940s. The collection also contains a personal scrapbook containing photographs, fliers, and memorabilia from his early education and military training. Stewart also collected menus and keychains from local Las Vegas, Nevada country clubs and casinos.
The collection is comprised of University of Nevada, Las Vegas (UNLV) professor, Dr. Patrick W. Carlton's, research files dating from 1982 to 2011 in the "Oral History of the Public School Principalship" Project. The papers include research files about principals in Las Vegas, Nevada and Superintendents on the Clark County School District.
The Ann Valder Photograph Collection on Judy Bayley (1969-1971) consists of black-and-white photographic prints of Hacienda Hotel owner Judy Bayley, collected by Las Vegas, Nevada journalist Ann Valder. The collection is primarily comprised of photographic prints of Bayley at a 1971 event held in her honor at the International Hotel in Las Vegas, Nevada. The collection also includes photographic prints of Bayley at fundraisers for the American Cancer Society. Ann Valder was an editor and journalist for the Las Vegas Review-Journal and Valley Times, as well as a columnist for the Las Vegas Sun.
The Jack Schofield Papers are comprised of Dr. Jack Lund Schofield's scrapbooks, photographs, and awards from 1968 to 2014. Dr. Schofield was a Nevada System of Higher Education (NSHE) regent, member of the Nevada legislature, and teacher. The scrapbooks document Schofield's involvement with the University of Nevada, Las Vegas (UNLV) Aerospace program from the 1960s to the 1990s. The awards and photographs are from NSHE and document Schofield's involvement as a regent.
The UNLV Libraries Collection on Claes Oldenburg's Flashlight sculpture is comprised primarily of correspondence, photographs, and information dating from approximately 1972 to 1981, and 2011 about the planning and installation of the Flashlight at the University of Nevada, Las Vegas (UNLV) campus. The materials include correspondence between Brock Dixon, Dean of Administration, and the sculpture grant committee, the National Endowment for the Arts, and sculptors considered for the job such as Richard Serra and Claes Oldenburg. The collection also includes photographs of Flashlight maquettes and installation on campus and postcards depicting the Flashlight on the UNLV campus. Also included is a written history of the commissioned sculpture, a UNLV News Center article about the sculpture from 2011, and an autographed copy of Claes Oldenburg: Large Scale Projects, 1977 to 1980.
This collection contains material that documents the career of technology educator Jerry Morlan (1938-2000), primarily in Las Vegas, Nevada. The bulk of the materials date between 1986-1996 and refer to Morlan's role in integrating technology into the classroom in the Clark County, Nevada School District. They include numerous letters of thanks and recommendation from schools throughout the county, as well as Morlan's professional writings and newspaper clippings related to his advocacy of vocational learning in the industrial arts. Also included in the collection is a group of photographs that visually document student projects Morlan directed during the 1980s, as well as a videocassette program from 1991 that offered an introduction to technology.