Daytime and nighttime views of the Aladdin Hotel Casino and Resort signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site name: Aladdin Hotel (Las Vegas, Nev.) Site address: 3667 Las Vegas Blvd Sign owner: Aladdin Gaming LLC Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances. Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair. Sign form: Pylon; Fascia Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text. Sign - type of display: Neon; Incandescent; Matrix Sign - media: Steel; Plastic Sign animation: Chasing Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle. Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own. Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel Sign - date of installation: 2000 Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated
Interviewed by Monserrath Hernández and Barbara Tabach. Jahaira Farias is a graduate of Western High School, a Marine Corps veteran, and a founder of a local chapter of the Women Marines Association. At the time of this oral history, Jahaira worked for US Congresswoman Susie Lee. Jahaira Farias was born in Las Vegas, Nevada, and grew up on the west side of town. She has summertime memories of her travels to Mexico, where she was able to connect with her family's heritage and language. During her years at Western High School, she participated in varsity sports and was the armed drill team commander. After graduation, Jahaira enlisted into the Marine Corps, where she specialized as a transport operator and hazardous material transporter and served two deployments in Iraq and Afghanistan. Her transition to civilian life included work in security at Caesars Palace. When she took a position with as district representative for Congresswoman Susie Lee, her focus was to assist veterans and immigrants. She helped Rep. Lee develop community outreach towards the Latinx community and Veterans. Jahaira is the president of the Las Vegas NV-3 Sagebrush Marines chapter of the Women Marines Association, an organization she helped establish and rebuild. The WMA helps veterans find their footing again through mentoring and support, and conducts community engagement by fostering the same camaraderie found in the Corps. After surviving a motorcycle accident, Jahaira's recovery is nothing short of miraculous, going from being in a wheelchair to competing in Tough Mudder. Now extremely active, Jahaira is an avid hiker and certified yoga instructor, specializing in trauma recovery. A polyglot, Jahaira formally studied Arabic and Russian, and speaks English, Spanish, and Pashto, and received an associate degree in Russian from the College of Southern Nevada.
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: Nevada Southern University, Las Vegas, NV
The Yucca Mountain Environmental Safety Collection (1970-2011) consists of reports and impact studies collected by Clark County's Nuclear Waste Division library for documenting Yucca Mountain's potential health and safety risks to Southern Nevada. The reports contain documents pertaining to potential environmental, health, financial, and safety risks from the Yucca Mountain Nuclear Waste Repository, which is located in Nye County, Nevada. The collection contains scientific and social studies in support of and opposition to the site. The bulk of the collection includes licensing reports, site selection studies, and impact studies from transporting, storing, and handling radioactive waste and spent nuclear fuel.
The Ray Cutright Collection of Winthrop A. Davis Photographs (approximately 1929-1939) consists of black-and-white photographic prints with some corresponding negatives and slides of the construction of Hoover Dam and the geographic terrain of southern Nevada during the early 1930s. Included are photographs of the geographic area around the dam site, Black Canyon, and Boulder City, Nevada. Photographs depict the construction of facilities and roads needed for the project.
The Alice Key Photograph Collection (1930s-1990s) is comprised of color and black-and-white photographic prints of activist, dancer, and journalist Alice Key with family, friends, political figures, and performers. Materials include photographs of Senator Howard Cannon, Louis Armstrong, and Bill Robinson, and signed professional head shots. Also pictured are Key's coworkers and unidentified performers.
The Oran K. Gragson Photographs depict Las Vegas, Nevada mayor and businessperson Oran K. Gragson from 1957 to 1981. The photographs primarily depict Gragson at political events with his wife Bonnie and other politicians such as U.S. senators Howard Cannon and Alan Bible, and Nevada Governor Paul Laxalt. The photographs also depict Gragson at groundbreaking ceremonies, Nellis Air Force Base, Las Vegas hotels and casinos, the mayor’s office, ribbon-cutting ceremonies, and with performers such as Wayne Newton, Sammy Davis Jr., and Lawrence Welk.