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Transcript of interview with Nancy Houssels by Caryll Batt Dziedziak, November 18 & December 14, 1998

Date

1998-11-18
1998-12-14

Description

What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.

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Transcript of interview with Marta Sorkin by Claytee White, March 2, 2009

Date

2009-03-02

Description

In this interview, conducted for the 50th anniversary of UNLV, Marta Sorkin discusses her family and her experience moving to California, and then to Las Vegas. Sorkin worked at the James R. Dickinson Library at UNLV and later in Lied Library, helping to implement and update various databases, and create displays on current topics. She briefly discusses her involvement with Hillel and the Jewish Federation of Las Vegas.

Marta Sorkin begins by reminiscing about her childhood in Far Rockaway Long Island, New York. She details the life her parents lived, which set an example for Marta and her two siblings. Through hard work, advanced education, and involvement in causes that were important to them, they created the template by which Marta lives her life. Marta describes her early work history, which included modeling, sales, library work, and working part time in her father's dry-cleaning plant. She and her daughter were living with her parents for a time in California, and they visited Las Vegas on weekends. It was during one of those visits that Marta met her second husband-to-be. They eventually married and decided to settle in Las Vegas. In Las Vegas, Marta enrolled at UNLV, became involved with the Preservation Association of Clark County, and volunteered at the Jewish Federation of Las Vegas. In addition, she completed her BA and MA degrees at UNLV and started working at the university's library. She details her work there, including creating display cases, working in the reference section, doing research for students and faculty, and compiling interviews. Marta also describes the fundraisers she spearheaded to help raise money for the various societies she was involved with: non-events, pancake breakfasts, dinners, and dance and band performances. In her closing comments she mentions an interview she did for Ralph Roske's class and expresses her appreciation for the career she's had at UNLV.

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Transcript of interview with Donald C. Brinkerhoff by Stefani Evans, September 30, 2016

Date

2016-09-30

Description

Las Vegas tourists who stop to admire the Mirage volcano, the Bellagio conservatory, the Wynn Las Vegas mountain, the Encore gardens, and the iconic Welcome to Las Vegas sign’s surroundings on the Las Vegas Strip likely do not realize that in each case they have sampled a unique landscape environment conceived by Don Brinkerhoff of Lifescapes International, Newport Beach, California. It is for producing work of this caliber that in 2016 the American Gaming Association selected Brinkerhoff to be the first designer inducted into the Gaming Hall of Fame. In this interview, the Los Angeles native and son of a working-class father and an artist/schoolteacher mother, explains how he spent his youth in an owner-built house in the modest suburb of El Monte, where he tended the family truck garden. Despite earning his degree in ornamental horticulture at California Polytechnic (Cal Poly), Don felt unschooled in the arts because the small school did not teach them. To fill that educational gap, Don took his wife and four children to Europe for two years, where he affiliated with the American Academy in Rome and worked for TAC (The Architects' Collaborative) in Greece among other adventures. The family spent another six months in Hawaii, where the children attended school and Don worked with a local landscape architect. The family’s unusual work, school, and travel experience more than completed Don’s arts education and shaped his world view and that of his daughter Julie in countless ways that came to silently benefit the Las Vegas built environment. Upon returning to California in 1968, Brinkerhoff opened his Orange County office, and Lifescapes International became the “go-to” firm to create water features for condominium projects. This work led to his first hotel-casino project at a Sun City golf course condominium project in South Africa, which in turn led to a telephone call from architect Joel Bergman inviting him to become one of three candidate landscape architects to work with Steve Wynn on what would become The Mirage hotel-casino in Las Vegas. Here, Brinkerhoff speaks to his design philosophy as ninety percent problem-solving and ten percent inspiration even as he describes organizing the signature tree for The Mirage, building the Mirage volcano, taking the idea for Bellagio’s conservatory from the DuPont family’s Longwood Gardens, of creating faux banyans in the Mirage atrium, of creating the model for the Las Vegas Strip median, and of building the mountain on Las Vegas Boulevard in front of Wynn Las Vegas to conceal the Cloud at the Fashion Show Mall. While the fortunes of Lifescapes International continue to grow and succeed worldwide, both Don and Julie credit Steve Wynn and their Las Vegas work: “Las Vegas has totally changed our lives.”

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Transcript of interview with Richard Steele and Zakeisha Steele-Jones by Claytee White, February 12, 2015

Date

2015-02-15

Description

Richard Steele became interested in professional boxing at a young age when he was introduced to world champion boxers Chalky Wright and Sugar Ray Robinson. He trained at Hoover Street Gym in South Central, Los Angeles, with trainer Eddie Futch. Richard joined and boxed for the United States Marine Corps and became Marine Corps Middleweight Champion in 1963. Born in Kansas City, Missouri in 1944 Richard and his family moved to Los Angeles, California in the early 1950s. His father was a bartender and his mother was an elevator operator. During the interview Richard’s daughter Zakeisha Steele-Jones discusses the various job titles her father has held, including professional actor and campus police officer. Most notably, Richard was the second Black professional referee in both Los Angeles, California, and Las Vegas, Nevada. A profound interview heralding key character traits, such as, perseverance, resilience, strength, and determination, Richard recalls being personally invited by Nelson Mandela to referee the WBC Convention in South Africa. Some of Richard’s most memorable title fights to date include, the Hearns and Hagler fight, Sugar Ray Leonard and Tommy Hearns, and four Mike Tyson fights. Zakeisha also interjects that her father currently manages and owns a boxing gym where he trains and mentors young Black and Hispanic aspiring boxing champions and referees.

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Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015

Date

2015-02-12

Description

Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.

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Transcript of interview with Cathy Morales-Jackson by Claytee White, May 5, 2010

Date

2010-05-05

Description

Catherine (Cathy) Morales-Jackson grew up in the suburban tranquility of Hazlet, New Jersey, with five siblings, a stay-at-home mom and her father, who served the community as mayor and as a school board member. In 1981, "on the day Princess Diana go married," Cathy moved to Las Vegas with her boyfriend/future husband and her mother-in-law. Life in Las Vegas was distinctively different than living in New Jersey she explains. For the next 15 years, they lived at Delta Gardens apartments on Paradise. She started working at UNLV's library as it was moving into a new building. He first position was in the periodicals and microfilm area and in binding. She contrasts both details of the campus and the city then with how it is today. At the time of this interview, Cathy was taking an early retirement at the age of 51. She provides a retrospective of a range of library topics: from the thousands of volumes she bound to the move to Lied Library, from a Celebrity Pancake fundraiser to staff parties, and from the implementation of a campus parking fee to the various library organizations that she has belonged to over the years. Cathy loved her years in the university libraries and feels that the current budget crises is the biggest change she has witnessed. Retirement came at an opportune time for her, but she worries about the future for others.

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Transcript of interview with Judy Lee (Johnson) Jones by Claytee D. White, February 22, 2007

Date

2007-02-22

Description

In the 1950s and 1960s, the Copa Room at the Sands Hotel and Casino featured glamorous showgirls. For a few years, the Houston Chronicle sponsored a contest that added the Texas Copa Girls to the line. In 1958, one of the winners was 17-year-old Judith Lee Johnson. For the "wild" but "naive" Judy, the experience was a period of funfilled freedom, followed by relentless encouragement of others to attend college, which she reluctantly did. To her surprise, she embraced the college life, took her studies seriously, and received an education degree. She also became Miss Houston. Four years later she returned to Las Vegas and the Sands. As she stepped into her role as a showgirl this second time, she was no longer the newbie. She experiences the lifestyle with more maturity. She talks about the celebrities she met, the lasting friendships she formed, performing in the Elvis movie Viva Las Vegas, and her trip around the world, a trip that included her personal dream of going to Paris. Judy shares details of her family heritage and she wonders to what extent she might have been living her mother's dream. Though her love of performance and theatre is keen, Judy channeled her passions into a 29-year career as an educator. She married a Marine in 1965, raised their children, moved with his career. She and her husband, Walter F. Jones, live in Virginia.

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University of Nevada, Las Vegas (UNLV) 41st commencement program

Date

2004-05-15

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

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Gabriel Garcia oral history interview: transcript

Date

2019-11-13

Description

Oral history interview with Gabriel Garcia conducted by Monserrath Hernandez and Barbara Tabach on November 13, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Garcia discusses his early life in Arizona and moving to Las Vegas, Nevada in 1984. He remembers attending a sixth grade center, the Pacific Engineering and Production Company of Nevada (PEPCON) explosion, and attending Las Vegas High School. Garcia talks about Mexican culture in Las Vegas, car clubs, and becoming a graphic designer. Lastly, Garcia discusses his involvement with the Association of Latino Professionals for America, and the idea of diversifying the professional workplace.

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University of Nevada, Las Vegas (UNLV) 9th commencement program

Date

1972-05-13

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

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