Joan Massagli spent her childhood in the Tacoma, Washington area, singing three-part harmony—a member of a musically talented family that included five children and an aunt and uncle who raised all the kids to enjoy music. By high school in the early 1950s, she and her two older sisters were regulars on a local TV show. In 1956, the Sawyer Sisters act was formed and they were soon obtaining regular gigs in Las Vegas. Their popularity continued form 1957 to 1964 and they played many of the major hotels, usually as a warm up act for headliners that includes a list of names such as Roy Clark, Louis Prima, Shecky Greene, and Delia Reece. At first the Sawyer Sisters included older sister Nanette Susan and Joan. When Nanette quit to raise her family, youngest sister Kate stepped into what was called a "lively and lovely" trio. Joan met her future husband and musician Mark Tully Massagli, while performing in the early 1960s. Caring for ailing parents while working mostly in Las Vegas, the couple made Vegas home. Even after the Sawyer Sisters name faded from the Strip's marquees, Las Vegas remained home to the Massagli's, who raised their children here. Today they live in the Blue Diamond Village area and recall the changes that have occurred on the Las Vegas Strip—especially from an entertainer's point of view.
Oral history interview with Andres Dominguez conducted by Marcela Rodriguez Campo, Laurents Bañuelos-Benitez, and Barbara Tabach on February 11, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Dominguez discusses his upbringing in Las Vegas, Nevada and growing up on the Eastside. He talks about the history of barbering in his family, and his path to becoming a barber. Dominguez describes the process of acquiring the barbershop at the El Cortez Hotel and Casino, and the significance of the location to his family. Lastly, Dominguez discusses his perspective on life, the importance of networking, and his decision in naming his shop Speakeasy Barbershop LV.
Oral history interview with Carolyn G. and Oscar B. Goodman conducted by Claytee D. White on October 18, 2014 for the Southern Nevada Jewish Heritage Project. In this interview, Carolyn G. and Oscar B. Goodman discuss their early childhoods and education. They tell the story of their marriage, family life, and careers. The Goodmans go into further detail on the growth of Las Vegas, Nevada as a community as well as a tourist destination.
Oral history interview with Charles Lee Hank III conducted by Claytee D. White and Barbara Tabach on April 10, 2019 for the Remembering 1 October Oral History Project.
Charles Lee Hank III describes his experience with police growing up in Chicago and the dichotomy he feels now as a police officer for the Las Vegas Metropolitan Police Department (LV Metro). Hank discusses the events of the October 1 shooting at the Route 91 Festival, the chaotic experience he and other officers experienced as they looked for the shooter in the Mandalay Bay, and the aftermath as a member of the Las Vegas community and as an officer of LV Metro.
Subjects discussed include: Las Vegas Strip Area Command.
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: Nevada Southern University, Las Vegas, NV
Folder from the Frontier Hotel and Casino Collection (MS-00297) -- Entertainers file. Copyrighted songs have been redacted. Original physical materials are available for viewing in the UNLV Special Collections and Archives reading room.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains poems, quotations, essays, and short stories. It also contains Living Blues magazine (autumn 1971), a concert poster for vibraphonist Jay Hoggard, magazine clippings, visual art, letters, programs, and The Nixon Theater booklet (season 1903 and 1904, not digitized in its entirety).