An issue of the Saharan Magazine from the Sahara Hotel and Casino in Las Vegas, Nevada. Some of the headlines in the magazine include: "Liberace Heads Show with Special Appearance of "Day of Decision" Artist", "Sahara Maestro Louis Basil Tells All (about work with Super Stars)", "Sahara news in pictures", "Crowds Hail Opening of $3 Million Sahara-Tahoe Theatre, largest in U.S.", and "We Get Visitors!"

The February 1966 edition of The Saharan Magazine, a magazine created by the Sahara Hotel and Casino in Las Vegas, Nevada. Headlines in the magazine include: "Sahara Winder Lineup: Kinds and DeCastros", "Canadian Tops Winners in Sahara Anniversary", "Sahara Airlines Attendance Soars Over 6,000 Mark", "Sahara Becomes "Shooting Headquarters" in 1966", and "Thunderbird Cash Binge!"

Bound compilation of four issues of the Holocaust Survivors' Group essays and poems.

Art Marshall is one of the founders of the Marshall-Rousso chain of women's dress shops that started in casinos in Las Vegas. He is also a banker, a member of the Nevada Gaming Commission, is active in the Anti-Defamation League and the Jewish Federation of Las Vegas, is an art collector, and is a philanthopist, especially for Jewish faith-based causes and for the University of Nevada, Las Vegas.

Interview with Irving Kirshbaum by Cheryl Rogers on February 23, 1979. In this interview, Kirshbaum discusses the Riviera Hotel where he began working in 1955. He also talks about the landscape of the Las Vegas Strip in the 1950s, and the state of gambling, comps, customer service, and dealer training. The interviewer asks about the treatment of minorities at the Riviera, and in Las Vegas generally, and the effect of corporate ownership on casinos.

Hank Greenspun discusses coming to Las Vegas in the 1940s, his journalistic endeavors, and some of the politics that affected him.

No release form is on file for this interview. The interview is accessible onsite only, and researchers must seek permission from the interviewee or heirs for quotation, reproduction, or publication. Please contact special.collections@unlv.edu for further information.

This interview conducted by Cork Proctor and is part of the Arnold Shaw Collection at UNLV University Libraries Special Collections. It has been added to the Southern Nevada Jewish Heritage Project with Mr. Morris?s permission. In this conversation, Morris reflects upon his career, how he got started as a musician, and the wide range of influential artists he has worked with over the years, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on his albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration.