The Kiel Family Photographs (approximately 1854-1989) contains glass plate negatives of members of the Kiel and George families, as well as neighbors from the Stewart and Wilson ranches and ranch workers. The majority of the photographs were taken at the Kiel Ranch site in North Las Vegas, Nevada. The collection consists of the original glass plate negatives, as well as photographic print and negative duplicates made using the originals.
The Alice Key Papers (1936-2004) consist of documents detailing Alice Key’s life and work in the African American community, historic preservation, and labor relations in Las Vegas, Nevada. Included in the collection are awards and certificates documenting Key’s achievements, invitations and programs to events, political and civic correspondence, and magazine and newspaper articles both about Key and written by her. The collection also contains photographs.
The Antonio Morelli Papers include materials spanning from the 1910s to the 1970s that chronicle the professional and private life of longtime Sands Hotel and Casino orchestra conductor and musical director, Antonio Morelli and his wife Helen. The collection includes snapshots from Morelli's early life, three scrapbooks, one box of sound recording tapes, and a box of slides from Thailand. The collection also documents Morelli’s efforts to provide classical music concerts for the Las Vegas, Nevada community and his involvement with the Guardian Angel Church on the Las Vegas Strip.
The Richard B. Taylor Papers (1920-1993) document Richard Taylor's career and interests as a longtime Las Vegas, Nevada businessman and local historian, including his work as an executive at the Hacienda Hotel and Casino. The materials also include maps, development plans, and local publications for the Nevada communities of Laughlin and Mount Charleston, as well as publicity and promotional materials for these projects. As an amateur historian, Taylor also collected information on Las Vegas, Laughlin, and Mount Charleston.
Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
Joy Snyder, born and raised in Pennsylvania, is the daughter of Jean Dasinto and stepdaughter of Ray Hunt. Though she was raised thinking she was an only child, she shares that as an adult, she was contacted by an aunt who gave her information about an Austrian half-sister. The half-sister had tracked the family through WWII records on her biological father! Joy was raised in a very large extended Italian family (her maternal grandmother was first-generation Italian) and became the first in her family to attend college. She had decided early on that she wanted to be a nurse and chose to attend Temple University Hospital in Philadelphia. She recounts memories of her earliest work there, which began the first week of school. After graduation from nursing school, Joy married her childhood sweetheart, William (Bill) Snyder. They made the move to Las Vegas in 1978 and Joy found work right away at Desert Springs Hospital. She worked there about six months and then took maternity leave after the birth of their second son. When she returned to work, it was at Sunrise Hospital (early 1979) in the newborn nursery. Joy comments on many aspects of her career, including the informal approach to health care, the effects of desert climate on mothers and newborns, and the changes she has seen at Sunrise Hospital. She also comments on adoption practices in Las Vegas, drug-addicted babies, and cultural attitudes that appear during the birthing process. Today Joy is retired and her husband Bill is close to retiring. They feel a strong connection to Las Vegas (Bill has a school named after him), but maintain a second home in New York for their trips back East to visit friends and family. They also keep up with various community activities, including book clubs and running clubs for the children at William Snyder Elementary School.
Oral history interview with Jessica Hutchings conducted by Barbara Tabach on March 21, 2018 for the Remembering 1 October Oral History Project. In this interview, Jessica Hutchings discusses her experience flying to Las Vegas, Nevada on the night of the October 1, 2017 mass shooting. She speaks of her flight's detour to Phoenix, Arizona, and her discovery of the shooting. Hutchings explains how Congregation Ner Tamid, where she is a cantor, contributed to the community healing after the tragedy, including their organization of vigils, a music fundraiser called "Vegas Strong in Song," and discussing the event with teenage Hebrew School students who had questions and concerns about the shooting.