Jan Kennedy was born (1924) Janet Parmelee, the daughter of a Connecticut physician and a homemaker. In high school she met Norman Kennedy, who she would marry after both had attended college and to whom she was married for 64 years. Until 1963, their roots seemed to be taking hold in the Seattle area. That is until Norm was offered an attractive career opportunity as a weather man at the Nevada Test Site. They settled in and enjoyed a zest-filled life with their four sons and a dynamic group of friends who they often entertained at their cabin in Mount Charleston. In addition, Jan managed to volunteer for a list of organizations including UMC Hospital/Southern Nevada Memorial Hospital; Clark County Museum Guild; Salvation Army Women's Auxiliary; church deacon; Assistance League; Red Hats—keeping herself ever busy and joyfully satisfied.

On September 28, 1998, K.J. Evans interviewed former United States Senator Howard Cannon (born 1912 in St. George, Utah) about his life and political experiences. Also present were his wife, Dorothy Cannon, his daughter, Nancy Downing, and another participant identified as Caroline Rose. Cannon first talks about his family background and his parents’ occupations before mentioning his involvement in a music band and his pastime of flying aircraft. He then discusses his first political involvement and mentions his work for the Las Vegas City Attorney’s Office. Evans then asks about Cannon’s service with the Air National Guard and his combat experiences during World War II, specifically on D-Day. The interview then moves to a discussion on some of the work Cannon fulfilled as a senator, particularly military-based projects and black projects, and his work in creating Nellis Air Force Base. Evans later asks Cannon questions about his interaction with presidents, his thoughts on the Vietnam War, his support for civil rights, and his politically liberal stance as a lawmaker. Cannon also provides details on his relationships with Senators Walter Baring and Alan Bible, his interaction with Lyndon B. Johnson, and his campaign against Chic Hecht.

On an unknown date (likely 1999-2000) and time, K.J. Evans interviewed Ralph Denton, an adviser to former Governor Grant Sawyer and political figure in Nevada for many years. Denton first talks about his personal friendship with Sawyer, their education in law school, and his eventual work on campaigning for and working with Sawyer after he became governor. Denton then explains the controversy regarding Denton’s accepting of complimentary services (comps) at hotels. He later describes his work as a Clark County Commissioner and then talks about working as district attorney in Esmeralda County, Nevada. Denton then talks about the influences that led him to be interested in a career of law and later speaks more about working with Grant Sawyer, specifically about serving as his adviser, afterwards providing the argument on why he believes Sawyer was the greatest governor of Nevada. Toward the latter part of the interview, Denton describes his work on improving civil rights and some of the challenges that came with that. The two also discuss how the practice of law has changed over time. To conclude the interview, Denton describes his experience in running for governor and how he would have served as governor if he had been elected.

Jim Hodge describes an active and success filled life in this narrative. Born and raised in the South, Jim enlisted in the Navy at the young age of 17, just as World War II was winding down. His primary job was that of a cook. He became smitten with the life of an entertainer after participating in a play and headed for Hollywood in 1952. It was there that he auditioned for Donn Arden, who organized and directed Las Vegas shows. Though he didn't get the part, he did get hired to be a singer for a show featuring Betty Grable. Thus his career was launched and would span the heyday of Las Vegas entertainment from the 1950s to the 1970s. Jim talks about the people, shows and places that touched his life. He also offers thoughts about the changes in the Vegas entertainment scene as well as shares his relationship with his church over the past 40 years.

Kimberly Harney-Moore and her three siblings were raised in the John S. Park Neighborhood in the 1960s and 1970s. Their parents, Tim and Kathleen Hamey, were educators. A nostalgic feeling for the neighborhood remains; perhaps, rekindled when she had close friends buy a house across the street from her childhood home. In this interview, Kimberly talks about the inviting character of the area's architecture, mentions a few names of neighbors she babysat for, and fondly recalls her job at Luv-Its Custard shop. There was a time when she would drive through the old neighborhood and be saddened by the lack of upkeep and the changes, but today it is a place being reborn to a new generation. Note: Tim Harney and Kathleen Harney, Kimberly parents, are also participants in the Voice of the Historic John S. Park Neighborhood oral history project.

In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.

In 1976, when Bob Campbell accepted the city manager position in Henderson, Nevada, he and his family had just endured nearly a month of sub-zero temperatures in their native Missouri. Southern Nevada's mild winter coupled with the promise of developing the 8,600 acres that would become Green Valley convinced Bob and his wife, Pat, to make the move. Bob came to Henderson with a degree in public administration and city manager experience in two Missouri towns, but Green Valley offered something akin to "an artist having a blank canvas on which to plan and create." In this interview, Bob talks about the ways his career in public administration blossomed in Southern Nevada. After about five years with the City of Henderson, Campbell joined Mark Fine and American Nevada Corporation to develop Green Valley; five years after that, he moved to Southwest Gas Corporation to work with Bill Laub and later, Kenny Guinn. From about 1989 to 1997, he helped develop Lake Las Vegas. In 1994, Bob and Pat together formed The Campbell Company, a private consulting firm whose clients included Transcontinental Properties' Lake Las Vegas project as well as Henry Chen's Ascaya. v Much of the interview focuses on the Lake Las Vegas project: its original visionary, false starts, and its tumultuous development as an arm of the Bass brothers of Fort Worth, Texas; their developer, Ronald Boeddeker of Transcontinental Properties in Santa Barbara, California, and Boeddeker's appointee, Alton Jones. Along the way Campbell shares the strategies employed by the Wednesday morning group of Henderson boosters who met at Saint Peter's Catholic Church and who succeeded in gaining the necessary local, state, and federal approvals to move the project forward. He reveals the intimidation, physical threats, and sexual harassment suffered by those who questioned the way Jones did business. Overall, though, he explains why he continues to respect the Bass brothers and is still proud of Lake Las Vegas, "proud that we got it on, and proud that it's turned out to be what it is."