Interviewed by Maribel Estrada Calderón. Farmersville is described as a small town between, Exeter and Visalia, California populated by Mexican American farm workers. It is in this small town, where UNLV History Professor Maria Raquél Casas spent her childhood raised along with her sisters and brothers. In her interview, Dr. Casas describes how growing up in this small town with her traditional Mexican family influenced the person she is today. While working alongside her family in the fields, Dr. Casas decided that she would strive to obtain an education. Through hard work and constant support from her sister, Dr. Casas attended Fresno State, where she discovered her love for history. Upon completing her undergraduate program, Dr. Casas made the decision to further her education by pursuing a master's at Cornell University. At Cornell, she faced discouraging professors who believed she would not be able to complete the master's program let alone pursue a PhD program. Despite these demoralizing professors, Dr. Casas completed her program and was admitted into University of California Santa Barbara's history program. Dr. Casas never forgot her roots or the significance of her presence in the majority white academic spaces she attended during her academic journey. When she arrived at UNLV, she continued to strive for more Latino representation in both the student population and in the school faculty. During her tenure at UNLV, Dr. Casas has served as an advisor for multiple Latino student organizations including MEChA and SoL. Dr. Casas has witnessed much progress in Latino representation at UNLV, but she believes there is still much work left to be accomplished.

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

On November 1, 1974, collector James M. Greene, interviewed widow and mine leaser, Bertha Gresh (born August 29th, 1883, in Cedarburg, Wisconsin) in her home in Nelson, Nevada. This interview covers early mining days, Bertha’s personal history, and the history of Nelson County. She also discusses her art, social activities, and the prizes she won as a visual artist in Nevada.

On March 11, 1978, Roberta Farmer interviewed Sally Halko (born 1921 in Gowen, Oklahoma) about her life in Las Vegas, Nevada. Halko first talks about her family background, education, traveling, and church membership. She later talks about the development Las Vegas casinos, racial minorities, housing growth, Lake Mead, and the first theaters.

From the Ralph Roske Oral History Project on Early Las Vegas collection OH-00897. On February 27, 1977, collector Michael K. Ericksen interviewed his uncle, schoolteacher, Jack E. Howard, (born June 18th, 1920 in Dewey, Oklahoma) in his home in Overton, Nevada. This interview covers Mr. Howard’s personal experiences and recollections about Southern Nevada. Mr. Howard’s wife, Mrs. Helen Howard, is also present during this interview, which offers a thirty year local overview.

Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

On February 18, 1979, Richard Fesler interviewed Jack W. Cornell (born 1918 in Manhattan, Nevada) about his experiences living in Nevada. The two first discuss historical buildings, including the Nye County Courthouse, and Cornell describes his family background and the different locations at which his ancestors lived. Cornell then talks about his experiences as an airplane mechanic for the Army Air Corps during World War II and the different countries he would visit during that time. The two also discuss the effects of the Depression, Cornell’s work in automotive body repair, and his recreational activities. Cornell also describes an experience in which he assisted an air escort for President Roosevelt, and he also describes when he witnessed one of the atomic tests. The interview concludes with Cornell’s thoughts on how the rural area in Manhattan has changed over time.