This interview conducted by Cork Proctor and is part of the Arnold Shaw Collection at UNLV University Libraries Special Collections. It has been added to the Southern Nevada Jewish Heritage Project with Mr. Morris?s permission. In this conversation, Morris reflects upon his career, how he got started as a musician, and the wide range of influential artists he has worked with over the years, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on his albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration.

Hank Greenspun discusses coming to Las Vegas in the 1940s, his journalistic endeavors, and some of the politics that affected him.

No release form is on file for this interview. The interview is accessible onsite only, and researchers must seek permission from the interviewee or heirs for quotation, reproduction, or publication. Please contact special.collections@unlv.edu for further information.

On March 1, 1977, Michael Boyd interviewed Rowena Gonzalez (born 1946 in Wichita Falls, Texas) about her life in Nevada. Gonzalez first talks about her family background and residential history before discussing the way of life in Texas and eventually in Las Vegas. Several topics covered in the interview include Gonzalez’s recollections of the atomic testing, the building of the Hoover Dam, and Howard Hughes. The two also discuss tourism, the properties on the Strip and in Downtown Las Vegas, and early means of transportation.

In 2002, Marty Walsh and her husband purchased a home in the John S. Park Neighborhood. Three aspects attracted them to their 1941-built home: the quality construction; the aesthetics and details of the house; and the "old-fashion human element" that she associated with her grandparents. Marty describes their relocation to Las Vegas after living for nine years in Ireland and her joy of discovering the John S. Park community. For her there is a neighborliness that they found in the form of the Neighborhood Watch. She feels the neighborhood still has work to do, but the gentrification has had splendid results as new "urbanites" replace original homeowners. From her artist point of view, she also provides thoughts about the impact the artist community of musicians, painters, and creative artists has had on the neighborhood. Even though she is relatively new to Las Vegas, she is well researched in the historic aspects of John S. Park location: once a fertile plot of land where

Emilio Muscelli was in his mid-80s when he sat for this oral history interview. With a thick Italian accent he recalled his career as a Las Vegas maitre d' that spanned decades of Strip history. Emilio arrived in America in 1948, landed a job at the Copacabana in New York City. His boss was Jack Entratter, who brought Emilio to Las Vegas when he opened the Sands in 1952. Over the decades he has witnessed the ups and downs of Las Vegas economy and has befriended many celebrities along the way. He reminisces during this interview about his friendship with singer Bobby Darin, actor Cary Grant and meeting a laundry list of others. He fondly speaks of those he worked for and their contribution to the growth of Las Vegas.