Ramon "Ray" Martinez was born in Park City, Utah, but spent part of his childhood in Pioche Nevada. His mother and father both worked in aircraft factories and the Navy shipyards during WWII. Ray graduated from high school in 1953 and went on to the University of Utah on a Munich Scholarship. Before graduation he joined the Air Force, became an electronics technician, and got married. In 1959, Ramon left the Air Force and re-enrolled in college, graduating in 1964 During this time he supported his growing family by working for the FAA and teaching' at Weltech College. After college, he worked for a short while and then entered an electronics technology program near Rochester, New York. It was during this period that he saw an ad for department chair in electronics technology at Nevada Southern University. In 1968, Ray interviewed at Nevada Southern and was hired. He and his family moved to Las Vegas and he began teaching mechanical engineering courses like status and dynamics. He used NSF summer grants to further his education with two summers at Louisiana State and Utah State, and then two summers at Worcester Polytechnic Institute, where he completed his master's degree. Ramon was here when Nevada Southern University changed its name to University of Nevada Las Vegas and the engineering department became part of the College of Math and Science. He made the move out of trailers into a high-tech building, has seen the change from slide rules and calculators to computers, and helped develop master's and PhD programs. He was involved in much of the work of accreditation, and taught his students much more than status and dynamics. He taught them how to negotiate job interviews, write concise technical reports, and be appreciative of the education they received in other disciplines.
LaVerne Ligon was born in 1942 in Washington D.C. Around the age of nine, she started dancing at the Jones-Haywood School of Ballet, which started her career in dance. She took her first job as a professional dancer when she was eighteen with the Capitol Ballet Company. She moved to Las Vegas, Nevada in 1973. In 1974, she successfully auditioned for a touring cast of Hello, Dolly! After completing that show, Ligon performed in a number of productions in Las Vegas, including Hallelujah Hollywood and Jubilee. She retired from dancing in the early 1980s after sustaining an injury and she opened the Simba Talent Agency, a dance school for at-risk youth. She also worked for Family Services, but is now retired. She continues to work on projects with the Simba Talent Agency. BJ Thomas was born in 1935 in Plain Dealing, Louisiana. He moved to Las Vegas in 1968 after working for the Post Office in San Francisco. He worked a number of jobs for two years before beginning to pursue work as a stage hand. Thomas worked for shows at the Tropicana and Caesars Palace. He is currently retired. Leonard Polk Jr. was born in 1948 in Monroe, Louisiana. He and his mother moved to Las Vegas in 1949 when he was just two months old. His father worked on the Hoover Dam. Polk grew up in West Las Vegas and remembers the movement to integrate the schools in the city. As a young adult, he joined the Marines and served a tour of duty in Vietnam. Polk began to work for shows in Las Vegas after he finished his military career. He worked for the Aladdin Baghdad Theater and for the MGM Grand Hotel. He is currently retired, but remains active with the First African Methodist Episcopal Church.
Gladys Neville's story begins in Crowley, Louisiana, in 1915. She grew up as one of eleven children, graduated from high school in 1933, and entered nursing school at Charity Hospital in New Orleans. After earning her RN in 1937, she continued to work at Charity for four years, then joined the Army and served in the European Theater for three years. Gladys details her experience in nursing school, explaining that students were given on-the-job training. With that training and four years of nursing after that, she was well qualified to join the 24th General Hospital overseas deployment in WWII. It was during her stay in Florence, Italy, that she was married and not too long after that, the war ended and she and her husband were transferred back to the States. Her husband's work for Bank of America took them to Laguna Beach, Salt Lake City, and Idaho Falls. Their children were bom during this period and Gladys took a 20 year hiatus from nursing. In 1962 they moved to Las Vegas and in 1964 Gladys decided to take a refresher course at Southern Nevada Memorial Hospital (now University Medical Center). After that refresher course, Gladys was hired for a full-time day shift at UMC. She and the interviewer share many details about the hospital's physical appearance, the staffing, location of surgeries and burn units, and how the RN's encouraged LPN's to continue their training and become nurses. Gladys concludes her interview with further recollections of her military nursing experience. She also gives more details about her war-time wedding. Among her final comments, she mentions the stress of working full time when her husband was ill.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains newspaper clippings, jewelry designs, a "Basic Principles of Parliamentary Law and Protocol" booklet by Marguerite Grumme (not digitized in its entirety), event programs (including Las Vegas school graduations and reunions), "Nevada Nuclear Waste Storage Investigations" booklet (November 1980), "Black Women: The Unsung Heroines, Black History Week 1979" booklet, and other miscellaneous booklets (not all are digitized in their entirety).
Rita Deanin Abbey is an Emeritus Professor of Art at the University of Nevada, Las Vegas. She taught drawing, painting, and color theory and innovated interdisciplinary courses with the sciences at UNLV from 1965 to 1987. The University of Nevada, Las Vegas, Marjorie Barrick Museum and the Palm Springs Desert Museum (presently Palm Springs Art Museum), Palm Springs, CA collaborated to present the Rita Deanin Abbey 35 Year Retrospective, which was held February 16-March 5,1988 at UNLV and March 25-June 5,1988 at the Palm Springs Art Museum. Abbey received her Bachelor of Fine Arts degree in 1952 and her Master of Arts degree in 1954 from the University of New Mexico, Albuquerque, NM. She also studied at Goddard College, Plainfield, VT; the Art Student s League, Woodstock, NY; the Fians Hofmann School of Fine Arts, Provincetown, MA; and the San Francisco Art Institute, San Francisco, CA. She was an artist in residence in the studios of Toshi Yoshida, Tokyo, Japan, John Killmaster, Boise, ID; Methow Iron Works, Twisp, WA; Tamarind Institute, University of New Mexico, Albuquerque, NM; the Mason Gross School of the Arts, Rutgers, The State University of New Jersey, New Brunswick, NJ; Shidoni Foundry, Tesuque, NM; Bill Weaver Studio, Chupadero, NM; Savoy Studios, Portland, OR; and Carlson & Co., San Fernando, CA. Abbey, who works in the areas of painting, drawing, printmaking, sculpture, porcelain enamel fired on steel, stained-glass, and computer art, has had 60 individual exhibitions and has participated in over 200 national and international group exhibitions. She is represented in private and public collections in the United States, the Middle East, Europe, and South America. Abbey has published several articles in journals, and six books: Rivertrip, Northland Press, Flagstaff, AZ, 1977; Art and Geology: Expressive Aspects of the Desert, Peregrine Smith Books, Layton, UT, 1986 (co-authored by G. William Fiero); the Rita Deanin Abbey Rio Grande Series, Gan Or, Las Vegas, NV, 1996; In Praise of Bristlecone Pines, The Artists' Press, Johannesburg (presently located in White River), South Africa, 2000; Isaiah Stained- Glass Windows, Gan Or, Las Vegas, NV, 2002; Seeds Yet Ever Secret, Poems and Images, Gan Or, Las Vegas, NV, 2013. She has been the recipient of many commissions and grants and has won several awards, including the Bicentennial Commission for the State of Nevada, 1976; the Governor's Seventh Annual Visual Arts Award for the State of Nevada, 1986; and the Chairman's Award of Excellence at the 1987 International Exhibition of Enamelling Art, Ueno Royal Museum, Tokyo, Japan. From 1988-1990, Abbey fabricated Northwind, a steel sculpture (17ft. x 27 ft. 5 in. x 25 ft. 10 in., 7 tons), installed in Las Vegas, NV. Abbey was invited by the Gallery Association of New York State to exhibit four of her works in its 1989-1991 traveling exhibition, Color and Image: Recent American Enamels. In 1992, the Markus Galleries, Las Vegas, NV, and the Nevada Symphony presented an exhibition of art by Abbey, which inspired Virko Baley s Piano Concerto No. 1. The world premiere performance of the concerto was held in 1993 at the National Opera House, Kiev, Ukraine. In 1993, Abbey constructed Spirit Tower, a cor-ten steel sculpture (20 ft., 11 tons), which was commissioned by the Las Vegas-Clark County Library District for the Summerlin Library and Performing Arts Center. Abbey was invited by the Pacific Division of the American Association for the Advancement of Science to lecture on Art and Geology at San Francisco State University for the 75th Annual Meeting, on June 19-24,1994. She was one of three artists from the United States invited to participate in the exhibition, Enamel Today, at Villa am Aabach, Uster, Switzerland, June-July, 1995. Additionally in 1995, Abbey completed a series of cast bronze sculptures at Shidoni Foundry, Tesuque, New Mexico. Commissioned in 1998, Abbey completed the Isaiah Stained-Glass Windows in 2000, sixteen 10 ft. x 2 ft. stained-glass windows for the main sanctuary of Temple Beth Sholom, Las Vegas, NV. Also in 2000, she completed Holocaust, a stainless steel sculpture (14 ft. 3 in., 4.5 tons), installed in Las Vegas, NV. In 2003 her bronze sculpture, Ner Tamid, was installed in Temple Adat Ami, Las Vegas, NV. Snakewash, a cor-ten steel ground sculpture (62 ft.), was completed in November 2003. Abbey fabricated steel sculptures and cast small and large bronzes from 2004 through the present. In 2006 she completed and installed Guardian of All Directions, a stainless steel sculpture (14 ft., 1.5 tons). The Guggenheim Hermitage Museum and Young Collectors Council visited the studio and home of Rita Deanin Abbey, Las Vegas, Nevada October 15, 2006. During March 2008, Women's History Month, Abbey was recognized for her contributions to the Arts by Mayor Goodman and Members of the Las Vegas City Council. Hidden Pass, a 2-inch steel plate sculpture (16 x 28 ft. 8 in. x 13 ft., 22 tons), was installed in 2010. Between July 16-December 23, 2011, Abbey exhibited in Blast from the Past, '60s & '70s Geometric Abstraction at Palm Springs Art Museum, Palm Springs, California. The City of Las Vegas Office of Cultural Affairs, Las Vegas Arts Commission presented Abbey the Lifetime Achievement Award for Excellence in the Arts on May 25, 2012. Balanced Arc, an outdoor bronze sculpture (8ft. 8 in. x 9 ft. x 7 ft. 4 in., 1600 lbs.), completed in 2012, was installed in April 2013. The Western Museums Association 2014 Annual Meeting in Las Vegas, NV, toured The Art of Rita Deanin Abbey at the Desert Space Museum October 5, 2014. Abbey participated in the fall group exhibition Macrocosm/Microcosm: Abstract Expressionism in the American Southwest at the Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 2, 2014-January 4, 2015. Her artwork was also shown in the Recent Acquisitions exhibition at the Marjorie Barrick Museum, University of Nevada, Las Vegas, June 19-September 19, 2015. Currently, Abbey is working on new sculptures, paintings, and enamels. vii