Gertrude (n?e Rightman) Rudiak was born in 1915 in North Dakota to Russian immigrants. She grew up in Wisconsin until 1924. That was the year the family drove to California via the Yellowstone Trail, a dusty, undeveloped road marked by yellow stones. In Los Angeles, her father practiced chiropractic, a holistic approach to well-being for which there was little knowledge at the time. Gertrude earned her music degree at University of California at Berkeley; a decision that did not lead to a career. She then attended a business college and got a job as a social worker in Northern California. In 1941, she met and soon married George Rudiak. It was the advent of World War II. George enlisted in the service and was assigned to Las Vegas Gunnery School (Nellis Air Force Base.) Since he had a law degree from University of California at Berkeley and passed the Nevada Bar exam, he found supplemental employment with local attorneys. Las Vegas became the Rudiaks? permanent home where they raised their five children. In this interview Gertrude recalls the stories of coming to live in Las Vegas of the 1940?s: their phone number was 1-2-3; the neighborhood they lived in longest being Scotch 80s and being part of the secular and Jewish communities.

Interview with Corinne Entratter Sidney by Claytee White on June 5, 2007. In this interview, Sidney talks about growing up with privilege in California, where her father served as the attorney general. She attended school at UCLA and took acting classes and signed with United Artists. She met Jack Entratter in Los Angeles and moved to Las Vegas and worked as a Copa Girl. She discusses Jack Entratter's generosity and influence in town, and his style, and their lifestyle together. She mentions the likes of Frank Sinatra, Lena Horne and Sammy Davis, Jr. and her extravagant life living at the Sands. After Jack's death in 1971, she moved back to Los Angeles, returned to acting, and wrote a newspaper column. On a visit to Las Vegas with George Sidney after Sidney's wife Jane died, Corinne and George began dating and were married shortly after. They moved back to Las Vegas together for a slower pace. She describes her love of Las Vegas and its continued growth.

Corinne Sidney's life story makes for fascinating reading. She was born in 1937, the daughter of Alice Polk, former Ziegfeld showgirl, and Carl Kegley, an attorney. She attended U. of C. Berkeley, transferred to UCLA, and was spotted by a talent scout who convinced her to enter a Miss USA contest. Corinne's runner-up status in the Miss USA contest led to job offers in acting, so she decided to study acting. This, along with her childhood lessons in ballet, piano, singing, tap dance and horseback riding, led to a contract with United Artists, freelance work, television parts, and plays. Around the age of 18, Corinne met Jack Entratter. Their relationship brought her to Las Vegas, where she worked as a showgirl at the Sands for a few months, and where she married Jack a few years later. They lived a fabulous lifestyle which included travel, beautiful homes, and friendships with noted celebrities. Corinne went back to acting in Los Angeles after Jack passed away, but then segued into writing a gossip column and hosting a television show. She reconnected with an old friend (George Sidney) by writing the obituary for his wife, and within a few months they were married. The Sidney's moved back to Las Vegas, where Corinne still makes her home today.

Tony was born the only son of the only son in Beloit, Wisconsin. Following his parents divorce when he was 12, he and his father went to live with his grandparents who, he admits, spoiled him. While neither of his parents played a musical instrument, Tony’s grandmother was a professional organist. In addition, Tony had an uncle who was a professional saxophone player and who was an inspiration to him. Tony’s dad was very supportive of his decision to learn trumpet and rented Tony an instrument, took him to his lessens, and sat with him while he practiced. Tony was firm in his convictions by the 9th grade that he was going to be a musician. Following high school, Tony was awarded a full scholarship to the Berklee School of Music in Boston which was a very prestigious music school. Tony repeatedly left school to go on the road which the school fully expected of their students. The last time he left the school he never went back. Tony states he got his degree on the road with experience from playing in bands like Stan Kenton, Tommy Dorsey, and with his idol Harry James. Tony took his career abroad when he took up residence in Cologne, Germany to play with a band there. Tony came to Las Vegas to play in a band with Buddy Rich which turned out to be of a shorter duration than he expected. Tony then played in Las Vegas and Reno for a time before going back on the road after realizing he preferred playing jazz on the road as opposed to playing in show bands. After eight years on the road, Tony returned to Las Vegas, got married, and settled down. Aptitude tests proved accurate when they showed Tony had a talent for things mechanical and metal as Tony went on to manufacture trumpets in addition to playing them. One can feel the love Tony has for his trumpets as he describes the process of creating them. After playing trumpet for almost 30 years, Tony decided it was time to concentrate on his photography for a while. Tony does not consider himself retired, but rather he likes to play, take pictures, and, of course, he practices the trumpet every day.

Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.

Interviewed by Layne Karafantis; Genevieve "Gene" Segerblom contributed in a multitude of ways to her home of more than fifty years--Boulder City, Nevada. She is a third-generation Nevadan and was born in Ruby Valley, Nevada, in 1918. Gene and her future husband Clifford moved from Reno where they both had attended the University of Nevada, Reno to Boulder City in 1940. After they came back from Panama in 1948 where Clifford had a photographing assignment, she ran a day care center and did freelance writing of articles about the Nevada landscape with her husband providing the photographs. Gene taught high school in Boulder City. She was elected city councilwoman in Boulder City in 1979. Gene served four terms in the State Assembly from 1993 to 2000. Her grandfather was a state senator and her mother was an assemblywoman. Today her son Richard "Tick" Segerblom serves in the State Assembly, so they are the only family to have had four generations serve in the Nevada legislature. She was involved in the creation and restoration of the Boulder City Hotel and Museum and was involved in the American Association of University Women, the Boulder City Chamber of Commerce, and the Community Club. Gene did charity work for other groups. too. The theater in the Boulder Dam Museum was named the Segerblom Theatre in her honor. She passed away on January 4, 2013, at the age of 94.

Houghton Hoot Peterson played trombone in his high school band in northern Minnesota where he grew up. That same instrument would lead him to be a member of the highly regarded Air Force jazz band called Airmen of Note after enlistment. Then during a short tour at Nellis Air Force base, Hoot decided that the Las Vegas entertainment scene might have career opportunities for him. He moved to Las Vegas in 1962, an era of celebrity performers and tourists who enjoyed the crowds and nightlife. Hoot's point of view was as a musician in the band, most often a Strip relief band. But he also has tales of famous musicians and late night jam sessions. Hoot's career spanned 20 years. Eventually the Las Vegas scene for live musicians began to change. When times got tough for Hoot, he worked as a carpenter and at a music store. In this interview he discusses his fascinating past and offers advice for today's musicians.