Oral history interview with Andrew Walsh conducted by Barbara Tabach and Claytee D. White on February 13, 2019 for the Remembering 1 October Oral History Project. In this interview, Walsh recalls his early life in New York City, New York, and working for the New York Police Department. He then recalls moving and joining the Las Vegas Metropolitan Police Department in 1998. He discusses his current position as Deputy Chief/Division Commander of Tourist Safety, his role in the aftermath of the October 1, 2017 mass shooting at the Route 91 Harvest Festival, and community healing.
Thomas discusses her early life in Thistle, Utah before moving to Las Vegas, Nevada in approximately 1931, where her father worked on the Hoover Dam (Boulder Dam) construction. Thomas then talks about her early schooling in Boulder City, Nevada, her experiences as a swing and dance band musician, Block 16 in the Clark Las Vegas Townsite, and her memories of Las Vegas hotels and casinos. Other subjects Thomas covers include Las Vegas entertainers, entertainment venues, and women in the music industry during the 1930s.
In this interview, Joyce Mack discusses meeting her husband, Jerry Mack, in Los Angeles,their early life as a couple, and moving to Las Vegas at the suggestion of Jerry's father, Nate Mack. She discusses how Jerry met Parry Thomas and their banking and real estate investments. Mrs. Mack talks about the opening of the Thomas and Mack Center at UNLV, and the development of the strip hotels, and discusses her children.
Joyce Mack: wife to Jerry Mack and matriarch of one of the most influential families of Las Vegas history. During this oral history conversation, she begins by tracing her family ancestry from Kiev to New York to Omaha and then Los Angeles, where she was born and raised. At a UCLA fraternity party in the early 1940s, a teenage Joyce Rosenberg was swept off her feet by her older brother's friend Jerry Mack. Jerry was from Boulder City, Nevada and had attended school in Las Vegas. In 1946, the couple married and took an extended honeymoon throughout the United States and Cuba. Soon afterwards, Jerry's father Nate Mack, a businessman and real estate developer encouraged the newlyweds to come to Las Vegas. She tells of Jerry sharing his vision of the valley's future. Thus began a successful journey that traverses decades of Las Vegas history and breathtaking growth in which the Macks were active participants and leaders. Joyce recalls the people the first met, who they raised their children side-by-side with and became lasting friends. These people were other Las Vegas pioneers including the Greenspuns and mostly importantly her husband's partnership with Parry Thomas which created the Bank of Las Vegas. It was their partnership she explains that reduced the presence of the mob element. As members of the small Jewish community of the late 1940s, the Macks would participate in the founding of Temple Beth Sholom.
Oral history interview with Lisa Hank conducted by Barbara Tabach on May 31, 2019 for the Remembering 1 October Oral History Project.
Lisa discusses her move to Las Vegas in the early 1990s from California for a job with the Las Vegas Metropolitan Police Department, and her current position as head of the Police Employee Assistance Program (PEAP). Lisa talks about the night of October 1 and the aftermath of the shooting, both in her work and personal life. She is the wife of Charles Hank III, police officer and another interviewee for the Remembering 1 October Oral History Project.
Subjects discussed include: well-being in aftermath of 1 October; PEAP preparation; healing.
Oral history interview with Martin Lopez-Castillo conducted by Nathalie Martinez, Elsa Lopez, and Barbara Tabach on January 11, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Martin Lopez Castillo was born in a small town in the State of Mexico. He immigrated to Phoenix, Arizona in the early '90s where he worked in construction and landscaping. Eventually, he made his way to Colorado where he began working as a cook. He moved to Las Vegas with his family in the early 2000s where he arrived in Las Vegas' Downtown. He worked in the mine by Primm, Nevada before becoming a gardener. His work has allowed him to see the changes that have happened in Southern Nevada, and he recounts the changes that have happened in Downtown Las Vegas since the 2008 recession. He is a self-taught English speaker and an avid chess collector. Subjects discussed include: Immigration, Chess, Landscaping, Teaching, and Downtown Las Vegas.
Rita Deanin Abbey is an Emeritus Professor of Art at the University of Nevada, Las Vegas. She taught drawing, painting, and color theory and innovated interdisciplinary courses with the sciences at UNLV from 1965 to 1987. The University of Nevada, Las Vegas, Marjorie Barrick Museum and the Palm Springs Desert Museum (presently Palm Springs Art Museum), Palm Springs, CA collaborated to present the Rita Deanin Abbey 35 Year Retrospective, which was held February 16-March 5,1988 at UNLV and March 25-June 5,1988 at the Palm Springs Art Museum. Abbey received her Bachelor of Fine Arts degree in 1952 and her Master of Arts degree in 1954 from the University of New Mexico, Albuquerque, NM. She also studied at Goddard College, Plainfield, VT; the Art Student s League, Woodstock, NY; the Fians Hofmann School of Fine Arts, Provincetown, MA; and the San Francisco Art Institute, San Francisco, CA. She was an artist in residence in the studios of Toshi Yoshida, Tokyo, Japan, John Killmaster, Boise, ID; Methow Iron Works, Twisp, WA; Tamarind Institute, University of New Mexico, Albuquerque, NM; the Mason Gross School of the Arts, Rutgers, The State University of New Jersey, New Brunswick, NJ; Shidoni Foundry, Tesuque, NM; Bill Weaver Studio, Chupadero, NM; Savoy Studios, Portland, OR; and Carlson & Co., San Fernando, CA. Abbey, who works in the areas of painting, drawing, printmaking, sculpture, porcelain enamel fired on steel, stained-glass, and computer art, has had 60 individual exhibitions and has participated in over 200 national and international group exhibitions. She is represented in private and public collections in the United States, the Middle East, Europe, and South America. Abbey has published several articles in journals, and six books: Rivertrip, Northland Press, Flagstaff, AZ, 1977; Art and Geology: Expressive Aspects of the Desert, Peregrine Smith Books, Layton, UT, 1986 (co-authored by G. William Fiero); the Rita Deanin Abbey Rio Grande Series, Gan Or, Las Vegas, NV, 1996; In Praise of Bristlecone Pines, The Artists' Press, Johannesburg (presently located in White River), South Africa, 2000; Isaiah Stained- Glass Windows, Gan Or, Las Vegas, NV, 2002; Seeds Yet Ever Secret, Poems and Images, Gan Or, Las Vegas, NV, 2013. She has been the recipient of many commissions and grants and has won several awards, including the Bicentennial Commission for the State of Nevada, 1976; the Governor's Seventh Annual Visual Arts Award for the State of Nevada, 1986; and the Chairman's Award of Excellence at the 1987 International Exhibition of Enamelling Art, Ueno Royal Museum, Tokyo, Japan. From 1988-1990, Abbey fabricated Northwind, a steel sculpture (17ft. x 27 ft. 5 in. x 25 ft. 10 in., 7 tons), installed in Las Vegas, NV. Abbey was invited by the Gallery Association of New York State to exhibit four of her works in its 1989-1991 traveling exhibition, Color and Image: Recent American Enamels. In 1992, the Markus Galleries, Las Vegas, NV, and the Nevada Symphony presented an exhibition of art by Abbey, which inspired Virko Baley s Piano Concerto No. 1. The world premiere performance of the concerto was held in 1993 at the National Opera House, Kiev, Ukraine. In 1993, Abbey constructed Spirit Tower, a cor-ten steel sculpture (20 ft., 11 tons), which was commissioned by the Las Vegas-Clark County Library District for the Summerlin Library and Performing Arts Center. Abbey was invited by the Pacific Division of the American Association for the Advancement of Science to lecture on Art and Geology at San Francisco State University for the 75th Annual Meeting, on June 19-24,1994. She was one of three artists from the United States invited to participate in the exhibition, Enamel Today, at Villa am Aabach, Uster, Switzerland, June-July, 1995. Additionally in 1995, Abbey completed a series of cast bronze sculptures at Shidoni Foundry, Tesuque, New Mexico. Commissioned in 1998, Abbey completed the Isaiah Stained-Glass Windows in 2000, sixteen 10 ft. x 2 ft. stained-glass windows for the main sanctuary of Temple Beth Sholom, Las Vegas, NV. Also in 2000, she completed Holocaust, a stainless steel sculpture (14 ft. 3 in., 4.5 tons), installed in Las Vegas, NV. In 2003 her bronze sculpture, Ner Tamid, was installed in Temple Adat Ami, Las Vegas, NV. Snakewash, a cor-ten steel ground sculpture (62 ft.), was completed in November 2003. Abbey fabricated steel sculptures and cast small and large bronzes from 2004 through the present. In 2006 she completed and installed Guardian of All Directions, a stainless steel sculpture (14 ft., 1.5 tons). The Guggenheim Hermitage Museum and Young Collectors Council visited the studio and home of Rita Deanin Abbey, Las Vegas, Nevada October 15, 2006. During March 2008, Women's History Month, Abbey was recognized for her contributions to the Arts by Mayor Goodman and Members of the Las Vegas City Council. Hidden Pass, a 2-inch steel plate sculpture (16 x 28 ft. 8 in. x 13 ft., 22 tons), was installed in 2010. Between July 16-December 23, 2011, Abbey exhibited in Blast from the Past, '60s & '70s Geometric Abstraction at Palm Springs Art Museum, Palm Springs, California. The City of Las Vegas Office of Cultural Affairs, Las Vegas Arts Commission presented Abbey the Lifetime Achievement Award for Excellence in the Arts on May 25, 2012. Balanced Arc, an outdoor bronze sculpture (8ft. 8 in. x 9 ft. x 7 ft. 4 in., 1600 lbs.), completed in 2012, was installed in April 2013. The Western Museums Association 2014 Annual Meeting in Las Vegas, NV, toured The Art of Rita Deanin Abbey at the Desert Space Museum October 5, 2014. Abbey participated in the fall group exhibition Macrocosm/Microcosm: Abstract Expressionism in the American Southwest at the Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 2, 2014-January 4, 2015. Her artwork was also shown in the Recent Acquisitions exhibition at the Marjorie Barrick Museum, University of Nevada, Las Vegas, June 19-September 19, 2015. Currently, Abbey is working on new sculptures, paintings, and enamels. vii