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"An Impact of the Moulin Rouge Hotel on Race Relations in Las Vegas": paper by Roosevelt Fitzgerald

Date

1989-04-06 to 1989-04-08

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. Presented to the National Social Science Association, Reno, Nevada.

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Transcript of interview with Jan Kennedy by Barbara Tabach, September 7, 2011

Date

2011-09-07

Description

Jan Kennedy was born (1924) Janet Parmelee, the daughter of a Connecticut physician and a homemaker. In high school she met Norman Kennedy, who she would marry after both had attended college and to whom she was married for 64 years. Until 1963, their roots seemed to be taking hold in the Seattle area. That is until Norm was offered an attractive career opportunity as a weather man at the Nevada Test Site. They settled in and enjoyed a zest-filled life with their four sons and a dynamic group of friends who they often entertained at their cabin in Mount Charleston. In addition, Jan managed to volunteer for a list of organizations including UMC Hospital/Southern Nevada Memorial Hospital; Clark County Museum Guild; Salvation Army Women's Auxiliary; church deacon; Assistance League; Red Hats—keeping herself ever busy and joyfully satisfied.

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Transcript of interview with Gwen Walker by Claytee White, July 15, 2014

Date

2014-07-15

Description

Gwendolyn K. Walker arrived in North Las Vegas in 1962 from Houston, Texas, as a five-year-old with her parents, two brothers, and her cousins. The Walker family at first moved to a rented house on D Street, and Gwen attended Kit Carson Elementary School for first grade. Her mother enrolled in nursing school, so she sent Gwen back to Delhi, Louisiana, to be raised by her grandmother. In Delhi Gwen picked cotton with her aunt while she was in the second grade. Gwen returned to North Las Vegas to live with her mother and complete elementary school at Jo Mackey before matriculating to J. D. Smith Elementary School for junior high school and then to Clark High School. Later she attended UNLV. Gwen and her mother joined Saint James Catholic Church at H Street and Washington Avenue, but after she returned from Delhi she joined Second Baptist Church, where she became close with a cohort of friends that remained strong even as she experienced racism and bullying and love for the first time.

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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter scrapbook: "Spirit of AKA Theta Theta Omega style"

Date

2002 to 2003

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014).

Mixed Content

Transcript of interview with Otto Merida by Claytee White, May 18, 2017

Date

2017-05-18

Description

When looking back on his legacy in the Latinx community of Las Vegas, Otto Merida (1945 - ) takes great pride in being a Latin Chamber of Commerce [LCC] co-founder with Arturo Cambeiro. With the LCC, they forged a powerful economic entity that continues to provide the local Latino community with social and political influence. Growing up during the 1950s in Havana, Otto Merida fondly remembers his childhood despite living under the dictatorship of Fulgencio Batista. There were the murmuring sounds of explosions from afar on the way to baseball games, but also the warm Sunday family meals of Cuban soup with fideos. In this interview, he talks about the rising communist powers inspired by revolutionary Fidel Castro and the events that led his family to place him in the Peter Pan Program in 1961. The Peter Pan Program sent unaccompanied Cuban children to the United States to avoid potential instruction by Castro’s government. Merida still holds on to his mother’s final request upon leaving Cuba-“I want you to remember the address where we live and the phone number: Josefina 68-entre primera y segunda-La Víbora, Havana con el teléfono X4304.” As a part of the Peter Pan Program, Merida experienced a nomadic childhood living in barracks in Miami and a three-story home in Wilmington, DE. The only connection he had to his family were a series of letters he exchanged with his mother, until they reunited years later in Miami. For Merida, life on 79th Street and Biscayne Boulevard in Miami was defined by the values of his family and other Cubans and African Americans in his neighborhood. v Merida earned his bachelor’s degree in Political Science from the University of Florida. He credits his sister-in-law with a pivotal role in his decision to pursue a higher education. His engagement in politics continued through his involvement with the Cuban Circle, the first Hispanic community to be involved with politics in Las Vegas. He describes the migration of Cubans to the casino scene of Las Vegas and the presence of Cubans in the community. His work with the Cuban Circle inspired him to develop a political presence for Hispanics in the community. While travelling across the United States before settling in Las Vegas, Merida made many significant relationships while working with associations such as the Fitchburg Chamber of Commerce and Volunteers in Service to America [VISTA]. Living in Las Vegas, Otto Merida worked as an educator and community organizer. In the late 1970s, Merida and Arturo Cambeiro collaborated to create the Latin Chamber of Commerce of Las Vegas. For Merida, the Chamber consistently goes above and beyond the vision he and Cambeiro had created when they first opened their doors. From the creation of the Latino Youth Leadership Program at UNLV to their work alongside political figures such as Senator Catherine Cortez-Masto, Merida is extremely proud of the various accomplishments of the Chamber. Now as President Emeritus, Otto Merida continues to dedicate himself to the Chamber as a volunteer and serves as one of the many Latinx Voices of Southern Nevada that have shaped the greater Las Vegas community.

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Transcript of interview with Fluff LeCoque by Joyce Marshall, May 5, 1997

Date

1997-05-05

Description

This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.

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Epilogue: UNLV Yearbook, 1977

Date

1977

Description

Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas

Mixed Content

Chet Buchanan oral history interview: transcript

Date

2017-11-28

Description

Oral history interview with Chet Buchanan conducted by Barbara Tabach on November 28, 2017 for the Remembering 1 October Oral History Project. Chet Buchanan begins this interview with a discussion of his move to Las Vegas, Nevada in 1999 after he was offered a job as a radio show host for 98.5 KLUC. He talks about the specifics of his job, including his career background as well as the Chet Buchanan Toy Drive. For this interview, he specifically goes into detail on his coverage of the Las Vegas October 2017 mass shooting and discusses being in San Diego, California at the time, yet still striving to reach people through his broadcast with the help of CBS San Diego. Throughout the interview, Buchanan examines his desire to make a difference in the community with his show and his interactions with the public.

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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Tea Rose Talk" newsletters

Date

1999-03
1999-09
1999-10

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

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Interview with Henry Eloy Peluaga, April 22, 2005

Date

2005-04-22

Description

Narrator affiliation: Miner, Walking Boss, Reynolds Electrical and Engineering Company (REECo)

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