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"1995 Year in Review": video, 1995 December 31

Level of Description

File

Scope and Contents

Highlights the following hotels and experiences opening, beginning planning, or implosion: Hard Rock hotel; monorail between Bally's and MGM; Texas Station; Fremont Street Experience; Bellagio, New York-New York; Monte Carlo; Paris Las Vegas; Stratosphere; Landmark implosion. Second half covers unions, Bob Stupak, Huntridge Theater; large fires; tragic evets; Landmark implosion; Fremont Street Experience. Original media VHS, color, aspect ratio 4 x 3, frame size 720 x 486.

Archival Collection

Bob Stupak Professional Papers
To request this item in person:
Collection Number: MS-01016
Collection Name: Bob Stupak Professional Papers
Box/Folder: Digital File 00, Box 38

Archival Component

Judy Corbisiero oral history interviews

Identifier

OH-02543

Abstract

Oral history interviews with Judy Corbisiero conducted by Dennis McBride on September 05, 2003; and April 21, July 02, and December 10, 2004 for the Las Vegas Gay, Lesbian, Bisexual and Transgender Archives Oral History Project. In the interviews, Corbisiero recalls her early childhood in New York City, New York, coming out in the late 1970s, and meeting her then-partner, Janice Summers. She describes forming Summercor, Incorporated (a portmanteau of their last names) with Summers to produce women musicians, with a focus on lesbian artists, while living in New York. Corbisiero also talks about musicians she worked with, running political fundraisers during music events, and meeting her next partner, Gudrun Fonfa. She then explains moving to Las Vegas, Nevada with Fonfa in 1983 to promote women's music and culture in Las Vegas and throughout the West Coast.

Archival Collection

Letter from Hebrew Immigrant Aid Society (HIAS - FRANCE) Bureau de Bordeaux to David Bally (Bayonne, France), September 26, 1947

Description

Copy of letter from HIAS - FRANCE (Hebrew Immigrant Aid Society) regarding reimbursement or repayment for travel for Maurice Halfon.

Transcript of interview with Ronald Simone by Claytee White, May 5, 2009

Date

2009-05-05

Description

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

Text

Nightclubs, 1950s-1980s

Level of Description

Series

Scope and Contents

The nightclubs series is comprised of materials dating from the 1950s to the 1980s that document Donn Arden's work in nightclubs throughout the United States. Cities included are New York, New York; Los Angeles, California; Miami Beach, Florida; Las Vegas, Nevada; Reno, Nevada; and Fort Lee, New Jersey. Nightclubs include the Latin Quarter, Moulin Rouge, Riviera, and the Painted Desert Room at the Desert Inn Hotel and Casino. Also includes documentation on the Arden-Fletcher Dancers, Arden's line of dancers with dancer and choreographer Ron Fletcher.

Archival Collection

Donn Arden Papers
To request this item in person:
Collection Number: MS-00425
Collection Name: Donn Arden Papers
Box/Folder: N/A

Archival Component