From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On Christmas during the author's youth, and before and after the end of slavery in the U.S.
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Part of an inverview with Sonny Thomas conducted by Barbara Tabach, February 28, 2013. Thomas describes job options when he arrived in Las Vegas in 1959.
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Meeting minutes include reports from committees of the board, correspondence, and balance sheets.
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An inspection of the pipeline showed that in many places, the asphalt was coming off the pipe and there were quite a few leaks. Maintenance would allow it to last perhaps a year longer, but then it would need to be replaced.
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Music brought Jay Poster to Las Vegas for a brief time in 1974. Jay wanted to pursue a musical career and his cousin was a professional musician with the Nat Brandwynne Orchestra at Caesars Palace. To Jay?s disappointment, within a few months his cousin Jack Poster left Las Vegas for a road tour. So Jay decided his best strategy was to return home to San Diego and his studies at San Diego State University. It would be over a decade later before Jay returned to Las Vegas to live and this time it became permanent. This time it was not for music. For beyond his musical talent, Jay had a gift for connecting with people of all of ages and walks of life. He was good at sales and his day job selling office furniture offered him the opportunity to transfer to Las Vegas in 1986. Within a few years, however, it was a recruiter for Palm Mortuaries who introduced Jay to his defining career moment and to Allen Brewster, a prominent Jewish leader and founder of King David Cemetery and Mortuary. It was 2001. Jay has been King David?s ever since and is the General Manager. In this interview, Jay describes his personal and spiritual growth through his career in funeral services and his respect for the Jewish traditions of burial and grieving. In addition, his passion for music has also soared and he talks about his participation in the Shabbatones at Congregation Ner Tamid and Desert Winds, a community based performance organization. He shares his love of traditional Jewish klezmer music and the Meshugginah Klezmorim.
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