Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

Whenever Paul Huffey drives through John S. Park Neighborhood he visualizes his youth and the times he spent with his childhood friend Michael Mack, who joined in this interview. Together they reminisced about their teen years in the 1950s and living in John S. Park Neighborhood. Paul's first home was Normandie Court, the first authentic motel in Las Vegas. In 1947, Paul's father purchased a lot on Paseo Park and built a home for his wife and only child. He describes life in that home as idyllic: no war or unemployment issues, a time when the Strip was "meaningless" unless you had a parent working there. An era when mothers, at least in his neighborhood, were stay-at-home moms and children freely roamed on their bicycles. Of their teen years, Paul and Michael recall their hi-jinks, discovering beer, and admiring pretty girls. In 1956, he graduated from Las Vegas High School, enlisted in the U. S. Army Reserve and enrolled in University of Nevada Reno. He taught history at Basic High School in Henderson for nine years.

Kim Krantz arrived in Las Vegas in 1953. She came as a seasoned performer having danced in large productions in Chicago, Montreal, New York and Florida. Born Delores Kalcowski in Jersey City, New Jersey, she adopted the name Kim Perrin while working at New York’s Latin Quarter. She had always loved the West and jumped at the chance to take the Latin Quarter show from New York City to Las Vegas. She came for a two-week engagement at the Desert Inn Hotel. The show was held over at that property for three months, and then it moved to the Riviera Hotel and Casino. Bill Miller approached her to join a new production at the Dunes Hotel. He and Harold Minsky were preparing “Minsky’s Burlesque,” the first show to use women born in the United States in a nude show. She opened with the original cast and stayed for two years. Kim retired in 1957 after she married Danny Krantz, the Food and Beverage Manager for the Flamingo Hotel. She raised four children in Las Vegas, but never lost touch with th

On September 28, 1998, K.J. Evans interviewed former United States Senator Howard Cannon (born 1912 in St. George, Utah) about his life and political experiences. Also present were his wife, Dorothy Cannon, his daughter, Nancy Downing, and another participant identified as Caroline Rose. Cannon first talks about his family background and his parents’ occupations before mentioning his involvement in a music band and his pastime of flying aircraft. He then discusses his first political involvement and mentions his work for the Las Vegas City Attorney’s Office. Evans then asks about Cannon’s service with the Air National Guard and his combat experiences during World War II, specifically on D-Day. The interview then moves to a discussion on some of the work Cannon fulfilled as a senator, particularly military-based projects and black projects, and his work in creating Nellis Air Force Base. Evans later asks Cannon questions about his interaction with presidents, his thoughts on the Vietnam War, his support for civil rights, and his politically liberal stance as a lawmaker. Cannon also provides details on his relationships with Senators Walter Baring and Alan Bible, his interaction with Lyndon B. Johnson, and his campaign against Chic Hecht.

On February 27, 1977, Roger Jablonski interviewed Betty Ham Dokter (born 1922 in Las Vegas, Nevada) about her life in Southern Nevada. Dokter first talks about her upbringing and education in Las Vegas before describing church activity and the first casino properties that were built. She later talks about presidential visits, economic changes in Nevada, the construction of Hoover Dam, and some of the social changes in Las Vegas. The latter part of the interview covers the topics of racial minorities, environmental changes, early grocery stores and movie theaters, and social clubs. The interview concludes with a brief discussion on Mt. Charleston.

The first part of this Shakespearean quote perfectly describes the deep admiration and love that Richard Leigon has for his father, International Brotherhood of Electrical Workers (IBEW) leader Ralph Leigon. The elder Leigon's major contributions include 39 various positions from the Nevada State American Federation of Labor and Congress of Industrial Organizations (AFL-CIO), Nevada State Democratic Party, and the Southern Nevada Building Trades Council. Richard speaks upon the early years of Las Vegas with the allure of atomic testing, going to school with future community leaders Jerome Mack, Shelley (Levine) Berkeley, and Beth Molasky as well as the role of the union in building Las Vegas. After graduating from Las Vegas High School, he attended Somona State University and obtained a degree in humanistic psychology where he furthered his father’s influence on becoming a ‘we’ person. He came back to Las Vegas to start his 40-year career as an active member of Local 357 as executive

In 1976, when Bob Campbell accepted the city manager position in Henderson, Nevada, he and his family had just endured nearly a month of sub-zero temperatures in their native Missouri. Southern Nevada's mild winter coupled with the promise of developing the 8,600 acres that would become Green Valley convinced Bob and his wife, Pat, to make the move. Bob came to Henderson with a degree in public administration and city manager experience in two Missouri towns, but Green Valley offered something akin to "an artist having a blank canvas on which to plan and create." In this interview, Bob talks about the ways his career in public administration blossomed in Southern Nevada. After about five years with the City of Henderson, Campbell joined Mark Fine and American Nevada Corporation to develop Green Valley; five years after that, he moved to Southwest Gas Corporation to work with Bill Laub and later, Kenny Guinn. From about 1989 to 1997, he helped develop Lake Las Vegas. In 1994, Bob and Pat together formed The Campbell Company, a private consulting firm whose clients included Transcontinental Properties' Lake Las Vegas project as well as Henry Chen's Ascaya. v Much of the interview focuses on the Lake Las Vegas project: its original visionary, false starts, and its tumultuous development as an arm of the Bass brothers of Fort Worth, Texas; their developer, Ronald Boeddeker of Transcontinental Properties in Santa Barbara, California, and Boeddeker's appointee, Alton Jones. Along the way Campbell shares the strategies employed by the Wednesday morning group of Henderson boosters who met at Saint Peter's Catholic Church and who succeeded in gaining the necessary local, state, and federal approvals to move the project forward. He reveals the intimidation, physical threats, and sexual harassment suffered by those who questioned the way Jones did business. Overall, though, he explains why he continues to respect the Bass brothers and is still proud of Lake Las Vegas, "proud that we got it on, and proud that it's turned out to be what it is."