Search Results
William Hillman Shockley Photograph Collection
Identifier
Abstract
The William Hillman Shockley Photograph Collection (1875-1925, 1951) contains black-and-white photographs documenting mining operations at the Mount Diablo Mine and Millworks in Candelaria, Nevada. It also includes photographs of nearby operations including the Northern Belle Mine and the Princess Mill. The collection contains photographs of Shockley, his son, William Bradford Shockley, as an infant, as well as images of Shockley’s brothers, Walter A. Shockley and George Shockley.
Archival Collection
Grace Hayes Photograph Collection
Identifier
Abstract
The Grace Hayes Photograph Collection consists of black-and-white photographic prints and negatives from approximately 1890 to 1980. The collection includes personal photographs of Hayes and her son Peter Lind Hayes and publicity photographs from Hayes's entertainment career.
Archival Collection
Tonopah, Nevada Mining Town Photograph Album
Identifier
Abstract
The Tonopah, Nevada Mining Town Photograph Album (approximately 1908) consists of twenty-two photographs in a leather-bound album. The photographs depict businesses, townspeople, street scenes, and mining operations in Tonopah, Nevada and the surrounding areas of Goldfield, Nevada and Mina, Nevada. Also included are photographs of a fire on May 12, 1908 that destroyed a block of commercial buildings in Tonopah, which were taken by local photographer E. W. Smith., and views of the downtown area both before and after the fire.
Archival Collection
University of Nevada, Las Vegas Arboretum Project Records
Identifier
Abstract
The University of Nevada, Las Vegas Arboretum Project Records are comprised of documents, brochures, and photographs dating from 1976 to 2012 documenting both the creation and operations of the Arboretum at the University of Nevada, Las Vegas (UNLV). The collection includes photographs of planning the Arboretum, the opening ceremony, and aerial photos of the UNLV campus. The brochures include guides to the Arboretum, lists of types of plants grown, and information on the Xeric Garden.
Archival Collection
Sadie and Hampton George Papers
Identifier
Abstract
The Sadie and Hampton George Papers (1874-1948) consist primarily of the incoming and outgoing correspondence of Sadie Kiel George and her husband, Hampton George, regarding proposed land and mineral rights sales. The collection also includes some personal correspondence, and two of the most significant letters in the collection deal with the deaths of brothers William and Edward Kiel, Sadie's uncles, who were found dead at the Kiel Ranch in October 1900. Also included in the collection are receipts, cancelled checks, tax notices, mining claims, and land deeds.
Archival Collection
Daly v. Daly Collection
Identifier
Abstract
The Daly v Daly Collection documents materials produced for and as a result of the lawsuits between Suzanne Daly (formerly Tim Daly), a male-to-female transgender woman, and Nancy Toews Daly from 1980 to 2003. The collection primarily focuses on the motions filed with the Nevada District Courts and Nevada Supreme Court and transcripts of the divorce, the battle for parental rights, and an allegation of civil rights violations.
Archival Collection
Sylvia Alvarado interview, April 12, 2019: transcript
Date
Archival Collection
Description
Interviewed by Rodrigo Vazquez, Monserrath Hernández, and Barbara Tabach. Sylvia Alvarado talks about growing up in North Las Vegas and her Catholic upbringing in a Mexican household. Her studies in Journalism & Media Studies led her to her career as a radio host on English and Spanish-speaking programs. She also talks about speaking "pocha" Spanish and the Latinx influence in radio programming.
Text
Amber Diskin oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Amber Diskin conducted by Barbara Tabach on January 5, 2018 for the Remembering 1 October Oral History Project. In this interview, Amber Diskin discusses her experience at the Route 91 Harvest music festival during the October 1, 2017 mass shooting in Las Vegas, Nevada. Diskin talks about finding her way home after escaping the crowds and letting her family and friends know she was not hurt. She speaks of the aftermath of the shooting, including how her children were affected, the post-traumatic stress disorder she developed, and how the shooting has affected her love of concerts. As a native Nevadan, she shares her views of Las Vegas and how her sense of community deepened after this event. Diskin ends the interview by discussing her appreciation for the first responders and the gift baskets she helped distribute to hospitals, police stations, and the fire department.
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Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content