The Norman Kaye Papers span the years of 1952 to 1969 and are comprised of material from the career of Norman Kaye, a Las Vegas lounge entertainer and longtime poet laureate of Nevada. The materials contain correspondence, newspaper clippings, music manuscripts and poetry, and audio recordings from the Mary Kaye Trio.
The Nevada Consolidated Copper Company Photograph Albums (1906-1907) contain two photograph albums from the mining company's chief engineer's office. The photograph albums include cyanotype and black-and-white photographs depicting the construction of the smelting plant, equipment, railroad, and landscape of Ruth, Nevada.
The Donald Welch Photograph Collection (approximately 1961-1981) is comprised of photographs of various golf tournaments hosted at the Desert Inn Country Club in Las Vegas, Nevada collected by Welch throughout his career as the Desert Inn's head golf professional. In particular, the collection includes two photograph albums depicting the Ladies Professional Golf Association (LPGA) Sealy golf tournament in the early 1970s and a 25th anniversary Desert Inn Country Club commemorative photograph book from 1981.
Letter from Bennett calling attention to Nevada Senate Bill No. 155. Senate Bill 155 gives the Las Vegas Valley Water District power in levying taxes and issuing bonds in ways contrary to its original act. According to Bennett, it would create an unfair tax burden on the Los Angeles & Salt Lake Railroad Company and should be defeated. Senate Bill 155 is referenced below.
Part of an interview with Lovee duBoef Arum on November 1, 2016. In this clip, Arum discusses her childhood, family life, and what brought her to Las Vegas.
Oral history interview with Marietta "Margie" Llorente Gonzales conducted by Cecilia Winchell, Vanessa Concepcion, and Stefani Evans on November 1 and 22, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Margie Llorente-Gonzales discusses her upbringing in Manila, the Philippines and her family history within the country, recalling the lives of her parents, grandparents, and great grandparents. She talks about her childhood, educational pursuits, and courtship with her husband in the Philippines. Margie shares how she and her husband immigrated to the United States, how she adapted to her new life as an immigrant dependent on her extended family, and how she and her husband came to settle in Las Vegas. She talks about her artistic pursuits in the forms of dance choreography and performing, scriptwriting, broadcasting, and publishing newsletters. Margie also discusses her employment at McCarran Airport and her political activism, canvassing, and committee work in the Philippines and the United States.