Search Results
Ricki Barlow City Council Papers
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Abstract
The collection is comprised of correspondence, maps, reports, and economic development plans from Ricki Barlow, the Las Vegas City Council representative for ward five, dating from 2006 to 2015. The collection includes information about development plans for West Las Vegas, Nevada and downtown Las Vegas, Nevada.
Archival Collection
Stanley Mallin Papers
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Abstract
Collection consists of the 1974 lease agreement between Circus Circus and William Bennet and William Pennington, and a 1981 Desert Inn Country Club 25th Anniversary scrapbook.
Archival Collection
Southern Nevada Historical Society Records
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Abstract
The Southern Nevada Historical Society Records document the management and development of the Southern Nevada Historical Society (SNHS) as well as various historical projects in Las Vegas and Southern Nevada that the society sponsored from 1948 to 1983. The records include SNHS correspondence (1951-1978), meeting minutes (1958-1983), and accounting information (1959-1980). It also contains copies of the SNHS Backtrails Newsletter, promotional material for events, membership lists, and research materials for various projects related to the history of southern Nevada and Las Vegas.
Archival Collection
Cork Proctor Photograph Collection
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Abstract
The Cork Proctor Photograph Collection (1960s-1980s) primarily contains black-and-white photographic reproductions of early Las Vegas, Nevada; the Cal-Neva Lodge at Lake Tahoe, Nevada; and various celebrities. The collection also includes black-and-white photographic prints of the Helldorado Parade. Cork Proctor was a comedian who performed throughout Nevada and the United States.
Archival Collection
University of Nevada, Las Vegas Alumni Association Records
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Abstract
The University of Nevada, Las Vegas (UNLV) Alumni Association Records (approximately 1970-2009) primarily contain photographic prints of homecoming, graduation, award ceremonies, luncheons, career days, sports, and other events. Also included in the collection are photographic prints of UNLV merchandise, faculty, staff, students, and alumni, as well as subject files with correspondence, reports, brochures, university anniversary planning documents, promotional materials, meeting minutes, and newspaper clippings. Additional materials include contact sheets, negatives, a floppy disk, VHS tapes, a Betacam tape, and keychains.
Archival Collection
University of Nevada, Las Vegas Faculty Senate Records
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Abstract
The University of Nevada, Las Vegas (UNLV) Faculty Senate Records (1957-2001) primarily contain meeting agendas, minutes, correspondence, notices, and additional documents pertaining to the Nevada Southern University Faculty Senate and the UNLV Faculty Senate, as well as associated committees such as the Curriculum Committee, Graduate Program Evaluation Committee, and Status of Women Committee. The collection also includes constitutions, bylaws, handbooks, merit allocation lists, and reports.
Archival Collection
Nevada Consolidated Copper Company Photograph Albums
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Abstract
The Nevada Consolidated Copper Company Photograph Albums (1906-1907) contain two photograph albums from the mining company's chief engineer's office. The photograph albums include cyanotype and black-and-white photographs depicting the construction of the smelting plant, equipment, railroad, and landscape of Ruth, Nevada.
Archival Collection
Barbara and John Kizziar Photograph Collection
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Abstract
The Barbara and John Kizziar Photograph Collection primarily contains black-and-white photographic prints and negatives of Hoover Dam (Boulder Dam) construction during John Kizziar’s time working for Six Companies Inc. between approximately 1986 and 1992. These images are reproductions of originals taken from between approximately 1930 and 1945. They detail John Kizziar’s work life during the dam’s construction, as well as events and scenes associated with the dam. Other images portray billboards and streets in Boulder City, Nevada. The collection also depicts other locations in Nevada, including Las Vegas, Mount Charleston, Black Canyon, the northern Mojave Desert, and the Colorado River ferry crossing between Nevada and Arizona.
Archival Collection
Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content
