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Tonopah and Tidewater Railroad Records

Identifier

MS-00006

Abstract

The Tonopah and Tidewater Railroad Records (1905-1977) contain correspondence, purchase requisitions, bills of lading, freight reports, and waybills. Also included are a ledger book, a rubber stamp, and a booklet, "Diagrams of Locomotives and Tenders." Incorporated in 1904, the Tonopah and Tidewater Railroad operated for 35 years, connecting Ludlow, California with Beatty, Nevada by way of Death Valley on the Santa Fe Railroad main line. The records are concentrated on the later years of the railroad from 1930 to 1940.

Archival Collection

Frank Williams Papers on Early Nevada

Identifier

MS-00053

Abstract

The Frank Williams Papers on Early Nevada (1892-1946) consists of manuscripts written for the most part by Frank Williams, an early resident of Southern Nevada. The collection includes Williams' autobiography as well as histories of Goodsprings, Potosi Mine, Mesquite Valley, and the Yellow Pine Mining districts. Finally, this collection contains reports and material reflecting Frank Williams' two terms as University Regent (1909-1912 and 1923-1942) at the University of Nevada, Reno, and his four terms in the Nevada State Assembly.

Archival Collection

Marge Jacques Papers

Identifier

MS-00438

Abstract

The Marge Jacques Papers (1960-1990) comprise the personal papers of Marge Jacques, a prominent member of the Las Vegas, Nevada gay and lesbian community, and owner of the gay bar, Le Cafe. The papers contain correspondence, licensing records, financial statements, and artifacts from clubs that Jacques owned or managed. Also included are photographs, videotapes, audiotapes, newspaper clippings, and Gipsy Nightclub promotional material.

Archival Collection

Central Credit, Inc. Records

Identifier

MS-00542

Abstract

The Central Credit, Inc. Records (1956-1987) contain meeting minutes, employee records, business ledgers, newspaper clippings, membership applications, photographs, and reports. Also included are incorporation papers, a Code of Ethics, Credit Law, Tod Early's personal calendars/diaries, and audiovisual materials. Central Credit, Inc. had branches in Reno, Las Vegas, and Lake Tahoe, Nevada, and also in London.

Archival Collection

Larry Ruvo oral history interview

Identifier

OH-02236

Abstract

Oral history interview with Larry Ruvo conducted by David G. Schwartz on January 27, 2009 for the Remembering Jay Sarno Oral History Project. Ruvo begins by discussing his position as a front desk clerk at Caesar’s Palace in Las Vegas, Nevada in the 1970s. Ruvo then describes how Jay Sarno changed the casino industry by designing Caesar’s Palace with a single theme. Ruvo then chronicles how gaming gradually was legalized in more areas throughout the world and how Sarno capitalized on making Caesar’s Palace an iconic casino which made people want to travel to Las Vegas. Lastly, Ruvo discusses Sarno’s focus on offering both gaming and entertainment options for guests at Caesar's Palace.

Archival Collection

Celesta Lowe oral history interview

Identifier

OH-01151

Abstract

Oral history interview with Celesta Lowe conducted by Patrick W. Canlton on February 06, 2002 for the Boyer Early Las Vegas Oral History Project. Lowe begins by discussing her early life in Baker, California and her father’s role as a station agent for the Tonopah Tidewater Railroad during the 1920s and 1930s. Lowe then describes her family moving to Las Vegas, Nevada in the 1940s. Lowe chronicles the process state legislatures took to open Nevada Southern University in 1957 and her role as an administrative assistant in the main office of the school. Lowe recounts her career at Nevada Southern University, the expansion of the campus, and renaming it University of Nevada, Las Vegas. Lastly, Lowe talks about her switch from an administrative assistant to a librarian at UNLV.

Archival Collection

Roger D. Foley Papers on United States v. Cappaert

Identifier

MS-00020

Abstract

The Roger D. Foley Papers on United States v. Cappaert are comprised of materials collected by District Judge Roger D. Foley while performing his duties as judge in United States v. Francis Leo Cappaert, et al. from 1972 to 1976. The collection includes transcripts of the case, exhibits, and copies of motions filed with the Court in regards to this case, which centered on the protection of the Devils Hole pupfish in Nevada.

Archival Collection

Inspire Theater Neon Survey document, August 18, 2017

Date

2017-08-18

Description

Information about the Inspire Theater sign that sits at 107 S Las Vegas Blvd.
Site address: 107 S Las Vegas Blvd
Sign owner: Fremont LV Blvd LLC
Sign details: The original construction year of the building dates back to 1952. Though in 2013 the building was redesigned to open as the Inspire theater in 2014. The Inspire Theater offers a variety of venues including a 150 seated theater, a rooftop patio and multiple cocktail bars.
Sign condition: 5 - new sign with good quality day and night
Sign form: Blade and semi-decorated shed
Sign-specific description: The sign itself is all connected though it wraps around the whole building, it starts with a long rectangular blade with their logo then goes in a rectangle around the building and ends with their logo on a shorter blade with their logo. The longer white rectangular blade portion begins on the corner of the building above their rooftop lounge (which meets together back to back with a smaller rectangular blade). If you are going north on Las Vegas Blvd you will see the big blade which reads "INSPIRE" in channeled silver thin print font letters. The adjacent blade is a bit shorter, so you can see a portion of the big blade over the smaller one if you are looking at the building from the East Fremont District, with this overlay it looks like there is a letter "I" and a dash(-) underneath it. On the actual portion of the shorter blade there are the "INSPIRE" thin channeled font letters, which are identical in design to the other side of the sign but just a smaller font. The outside edges of these back-back signs are horizontally lined with neon tubing. These blades then continue around the building into two horizontally neon lined strips that make the building have a decorated shed feature to it. This then makes a rectangular feature around the whole building. In between the top of the rectangle and the bottom, there is a balcony where guests can hang out. Though on both the left and the right sides of the blade there are plasma screens that show advertisements for their property. Also on the west side of the building there are thin horizontal strips of LED/plasma lights that sparkle in an iridescent fashion.
Sign - type of display: Neon
Sign - media: Steel
Sign - non-neon treatments: T.V. screens, LED
Sign animation: Flasher and iridescent light flow
Sign environment: On the corner of South Las Vegas Blvd. and Fremont St. East, the first property on the south side of the Fremont St East District.
Sign - date of installation: 2014
Sign - thematic influences: The sign is incorporated into the architecture, as well as the sign wraps around the entire building which is remnant of the decorated shed look. The sign is related to the theater theme since the blade style sign was very prominent for the 1950's and 60's movie theater signs, such as the El Portal movie theater sign.
Sign - artistic significance: Their sign is very remnant of a 1950's Movie theater sign with the blade and wrap around of Neon, since they are a modern day theater it seems as if it's a retro throwback.
Survey - research locations: Inspire website, assessor's website
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-18
Sign keywords: Blade; Neon; Steel; LED; Flashing; Video screen

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Guadalupe Meza Redmond interview, December 7, 2018: transcript

Date

2018-12-07

Description

Interviewed by Claytee White. Rodrigo Vazquez also participated in the questioning. Guadalupe Redmond lived a wonderful life in Mexico while growing up. When Guadalupe was 17, her mother decided to immigrate the family to Las Vegas, Nevada, Guadalupe did not want to move but reluctantly did so. She taught herself English by watching TV. Then she decided she wanted to work and became a guest room attendant working downtown and on the Strip - Sundance (Fitzgerald's, now the D), Stratosphere, Aladdin, Planet Hollywood, Riviera, Hacienda - to name a few. As she moved about, she began to understand the importance of the Culinary Union Local 226. She is now an organizer who in 1989 participated in a 10-month Work and Walk strategy that was successful.

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