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Displaying results 86031 - 86040 of 86661

Nadine Tobin Collection of Helldorado Photographs

PH-00107

Abstract

The Nadine Tobin Collection of Helldorado Photographs, approximately 1940 to 1959, contains black-and-white photographic prints depicting parade floats during Helldorado Days celebrations in Las Vegas, Nevada. Also included is one image of a primary school class in Las Vegas.

Archival Collection

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First Good Shepherd Lutheran Church Photograph Collection

PH-00152

Abstract

The First Good Shepherd Lutheran Church Photograph Collection, approximately 1930 to 1950, consists of black-and-white photographic prints and negatives depicting the construction of the Good Shepherd Lutheran Church in Las Vegas, Nevada. Also included are images of parish leaders and the ground breaking ceremony for the grand opening.

Archival Collection

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Castaways Hotel and Casino Photograph Collection

PH-00270

Abstract

The Castaways Hotel and Casino Photograph Collection, approximately 1963 to 1987, consists of black-and-white and color photographic prints and negatives. Images depict the exterior of the entrance to the property, the mega-pylon sign, the pool area, and the “Gateway to Luck” replica temple in the courtyard area. The interior images depict various hotel rooms and suites, a couple dining, and a performance by Rusty Isabel, an entertainer in the Kon Tiki Lounge inside the property.

Archival Collection

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Index card envelopes cataloging films released between 1937 and 1977; includes titles, release details, credits, and newspaper and magazine clippings highlighting each film's premiere, approximately 1950 to 1977

Level of Description

File

Archival Collection

Howard Hughes Film Production Records

To request this item in person:

Collection Number: MS-01036
Collection Name: Howard Hughes Film Production Records
Box/Folder: Box 431 (Restrictions apply), Box 432 (Restrictions apply), Box 433 (Restrictions apply), Box 434 (Restrictions apply), Box 435 (Restrictions apply), Box 436 (Restrictions apply), Box 437 (Restrictions apply), Box 438 (Restrictions apply), Box 439 (Restrictions apply), Box 440 (Restrictions apply), Box 441 (Restrictions apply), Box 442 (Restrictions apply), Box 443 (Restrictions apply), Box 444 (Restrictions apply), Box 445 (Restrictions apply), Box 446 (Restrictions apply), Box 447 (Restrictions apply), Box 448 (Restrictions apply), Box 449 (Restrictions apply), Box 450 (Restrictions apply), Box 451 (Restrictions apply), Box 452 (Restrictions apply), Box 453 (Restrictions apply), Box 454 (Restrictions apply), Box 455 (Restrictions apply), Box 456 (Restrictions apply), Box 457 (Restrictions apply), Box 458 (Restrictions apply), Box 459 (Restrictions apply), Box 460 (Restrictions apply), Box 461 (Restrictions apply), Box 462 (Restrictions apply), Box 463 (Restrictions apply), Box 464 (Restrictions apply), Box 465 (Restrictions apply), Box 466 (Restrictions apply), Box 467 (Restrictions apply), Box 468 (Restrictions apply), Box 469 (Restrictions apply), Box 470 (Restrictions apply), Box 471 (Restrictions apply), Box 472 (Restrictions apply), Box 473 (Restrictions apply), Box 474 (Restrictions apply), Box 475 (Restrictions apply), Box 476 (Restrictions apply)

Archival Component

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Chet Buchanan oral history interview: transcript

Date

2017-11-28

Archival Collection

Chet Buchanan oral history interview

Description

Oral history interview with Chet Buchanan conducted by Barbara Tabach on November 28, 2017 for the Remembering 1 October Oral History Project. Chet Buchanan begins this interview with a discussion of his move to Las Vegas, Nevada in 1999 after he was offered a job as a radio show host for 98.5 KLUC. He talks about the specifics of his job, including his career background as well as the Chet Buchanan Toy Drive. For this interview, he specifically goes into detail on his coverage of the Las Vegas October 2017 mass shooting and discusses being in San Diego, California at the time, yet still striving to reach people through his broadcast with the help of CBS San Diego. Throughout the interview, Buchanan examines his desire to make a difference in the community with his show and his interactions with the public.

Text

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