The Dolores Brownhofer Neonis Photograph Collection (approximately 1940-1970) contains photographic prints, negatives, and a slide depicting the Brownhofer family at restaurants, bars, and casinos in Las Vegas, Nevada.
Archival Collection
The Young Audiences New York, Nevada Humanities Photograph Collection (approximately 1970-1979) contains black-and-white photographic prints, slides, and negatives of the Las Vegas, Nevada chapter of the Young Audiences New York arts organization. Images include scenes of concerts, workshops, and chapter outings at public parks. There are images of specific bands within the chapter such as the Brass Quintet, Vocal Quartet, and Woodwind Quintet. Lastly, there are images of celebratory banquets honoring members of the Las Vegas chapter.
Archival Collection
The Stuart and Flora Mason Photographs (1940-1999) contain photographs of hotels, casinos, and other buildings constructed by Taylor International Corporation, which was owned by the Mason Family. The photographs depict the Aladdin, Venetian, Tropicana, Riviera, MGM Grand, and International hotels and casinos in Las Vegas, Nevada. The photographs also depict buildings in Miami and Coral Gables, Florida, and San Juan, Puerto Rico.
Archival Collection
The John Wittwer Collection on Agriculture in Nevada (1898-1972) contains the professional papers and records of John Wittwer in his capacity as an Agricultural Extension agent for the University of Nevada from 1921 to 1954. The records are primarily annual reports containing text, photographs, newspaper clippings, and charts that provide a rich chronicle of the conditions of agriculture and ranching in southern Nevada from 1898 to 1972, with the bulk of the material dating from 1929 to 1955. These conditions span water issues, such as flood control and irrigation, to the general difficulties of sustaining agriculture and viable food production in a desert environment. The reports come from the Agricultural Experiment Stations in Clark and Lincoln counties and most contain both a statistical report and a narrative summary.
Archival Collection
A loose paper version of "Law School Study for the University of Nevada, Las Vegas" by Willard H. Pedrick and Lorne Seidman, photocopied from the Southwestern-Nevada Law Review, Volume 10, 1978. From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).
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Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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On February 18, 1951, Fred Wilson interviewed Mary Ellen Osborn Lake (born 1870 in Mercer County, Missouri) and her son, Thomas Lake (born 1889 in Missouri). Wilson first asked Mary Ellen questions about when she first arrived in Las Vegas, Nevada in 1904. Much of the relatively brief interview involved questions related to the first Methodist churches in Las Vegas and the Lakes’ involvement and recollections of the locations and members of the church community.
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Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
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