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Aruba Hotel (Thunderbird) Neon Survey document, August 30, 2017
Date
Archival Collection
Description
Site name: Thunderbird Hotel and Casino (Las Vegas, Nev.)
Site address: 1215 S Las Vegas Blvd
Sign owner: 1215 Las Vegas Blvd LLC; C.F. Saticoy, LP
Sign details: The building was constructed in 1964 (Assessor). A vintage postcard from 1967 shows the Lotus Inn Motel and a Sambo's restaurant (VintageVegas.com, 2017). The hotel was renamed the Monte Carlo Inn in 1979, but reverted in the 1980's to the Lotus Inn (VintageVegas, 2017). In 1985, it became the Tally Ho (VintageVegas). Casino owner Bob Stupak renamed it the Thunderbird in 1986 or 1987 (VintageVegas). Stupak proposed building 15-story, $400 million resort hotel called the Titanic on the site, but vocal opposition from residents of the nearby John S. Park neighborhood and a trademark controversy derailed the project (Knightly, 2014). The property was renamed the Aruba Hotel in the early 2000's and became the Thunderbird in 2016 (O'Brien, 2016; VintageVegas). As of April 2017, a 15-story residential building was planned for the site (Carter, 2017).
Sign condition: Condition is 5, excellent. The lower portion of the sign is wrapped in plastic. The exposed upper portion of the sign shows the cabinet, paint and neon all in new condition. All of the neon tubes are intact and functioning.
Sign form: Blade
Sign-specific description: The lower portion of the rectangular metal cabinet is wrapped in black plastic. "THUNDERBIRD" is spelled out in white blocks and red serif letters which run vertically down both sides of the plastic wrap. The upper portion of the cabinet is exposed. The cabinet is topped by a bird shape facing the street. The bird and visible part of the rectangular cabinet are painted forest green. Both sides of the bird are covered in white, blue, pink, yellow and green skeleton neon. Underneath the bird , a horizontal yellow skeleton neon tube is visible.
Sign - type of display: Neon
Sign - media: Steel
Sign environment: Las Vegas Blvd north of the Strip. Property is surrounded by other motels and wedding chapels.
Sign - date of installation: c. 2007
Sign - thematic influences: Tropical, Caribbean and Old Vegas. The parrot on top of the sign closely resembles the symbol of the former Thunderbird hotel on the Las Vegas Strip. The property has used the Thunderbird name intermittently since the 1980's, even when it was the Aruba hotel and the word "THUNDERBIRD" appeared over an "Aruba" sign. (Vegas24Seven, 2012)
Survey - research locations: Assessor's website
Survey - research notes: Carter, J. (2017 April 27). Fights are brewing over a proposed 15-story building downtown. Las Vegas Weekly. Retrieved from https://lasvegasweekly.com/intersection/2017/apr/27/fights-are- brewing-over- proposed-building- downtown/ Knightly, A. M. (2014 August 31). A history of landmarks never built. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/news/a-history- of-landmarks- never-built/ O'Brien, J. (2016 January 21). Thunderbird Hotel reopening with former Arts Factory owner at helm. Retrieved from http://vegasseven.com/2016/01/21/thunderbird-hotel- reopens/ http://www.vegas24seven.com/substance-cd- release-sinicle- the-great- circuiting-mechanical- death-a- sinners-confession- at-the- aruba-hotel- saturday-june- 30th/ Vegas24Seven.com. (2012). Substance CD Release, Sinicle, The Great Circuiting, Mechanical Death, A Sinners Confession at The Aruba Hotel Saturday June 30th . Retrieved from Vintage Vegas. (2017 February 16). Archive: Lotus Inn Motel, c. 1967. Retrieved from http://vintagelasvegas.com/post/157345077754/lotus-inn- las-vegas Zeitzer, I. (2007 June 29). On The One, The Aruba Hotel " Las Vegas, NV- 6/22. Retrieved from http://www.jambands.com/reviews/shows/2007/06/29/on-the- one-the- aruba-hotel- las-vegas- nv-6-22#ixzz4rBUwxlkh
Surveyor: Mitchell Cohen
Survey - date completed: 2017-08-30
Sign keywords: Blade; Neon; Steel
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C. A. Earle Rinker Papers
Identifier
Abstract
The C. A. Earle Rinker Papers (1880-1960) contain materials that document the history of early twentieth century Goldfield, located in central Nevada, as well as the life of Rinker. Materials in the collection include correspondence, mining prospectuses, maps, ledgers, souvenirs, photographic negatives, and ephemera that document mining and daily life. Also included is biographical material that tells the story of Earle Rinker and his family before 1906 and after 1909, documenting his life in Indiana and Illinois.
Archival Collection
Homer Rissman Architectural Records
Identifier
Abstract
The collection is comprised of architectural records (1947-2001) of American architect, Homer Rissman and the architectural firm, Rissman and Rissman Associates Ltd, a partnership of Homer Rissman and his brother Marshall. The collection includes 825 items from over 40 major projects and over 110 minor projects. The Rissmans' work represented in the collection focused on Las Vegas, Reno, and Lake Tahoe, Nevada, Los Angeles, Southern California, and Arizona, with Homer's early career design work in Chicago, Illinois. The materials feature hand-drawn architectural drawings, ranging from pencil and ink on tracing paper preliminary sketches to ink on Mylar (TM) construction documents, and a number of artist’s renderings, used for presentations and promotional materials. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The collection includes architectural drawings for: hotels, casinos, integrated casino resorts, office towers, multi-family residential developments, and custom single-family homes.
Archival Collection
UNLV University Libraries Collection on Nevada Mining
Identifier
Abstract
The Nevada Mining Collection is comprised of records that document mining and mines in Nevada from 1842 to 1966. The majority of the collection includes records of various mines and mining companies located in the Esmeralda, Lincoln, Clark, White Pine, and Nye counties, dating from 1900 to 1928. The collection includes financial, administrative, and business related records; photographs of miners, mining camps, and towns; correspondence; maps; newspaper clippings, pamphlets, newsletters, and booklets.
Archival Collection
Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015
Date
Archival Collection
Description
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, March 30, 1989
Date
Archival Collection
Description
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Untitled unpublished manuscript by Roosevelt Fitzgerald
Date
Archival Collection
Description
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. "Injustice Blacks Have Suffered…" ending with Naomi Long Madgett's poem "Midway."
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