The William Fulton Papers (1993-1996) contains Fulton's research files used in writing his book, The Reluctant Metropolis: the Politics of Urban Growth in Los Angeles. The materials primarily consist of newspaper clippings that cover stories on the growth of Los Angeles residents moving to Las Vegas, Nevada, water, economic development, and the master planned community of Summerlin. The majority of newspaper clippings are from the Las Vegas Review-Journal and the Las Vegas Sun. The materials also include reports on economic and housing development in Southern Nevada as well as drafts of the book's Chapter 12, "Cloning Los Angeles" which discusses the growth of Las Vegas throughout the 1980s and 1990s.
Carol Terry's "Germans in Las Vegas" Oral History Project (2007) contain the oral histories conducted by Terry while researching for a chapter on Germans in Las Vegas, Nevada for The Peoples of Las Vegas book. Terry interviewed over 60 individuals and the collection contains the printed transcripts and audiocassettes from each interview.
The Production Company Audiovisual Collection consists of commercials, advertising, and political campaigns from approximately 1965 to 1995 created by The Production Company, a television production company founded by Thomas “Bob” Patrick in Las Vegas, Nevada. The collection consists of primarily 16 mm film and video formats such as VHS, U-Matic, Betacam, open reel, Type C, and quadruplex. The videotapes and films in this collection represent advertising and marketing for hotels and casinos, entertainment companies, politicians, and local businesses located in Las Vegas, Nevada.
Oral history interview with Emilia Marquez conducted by Maribel Estrada Calderón on July 5, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Claytee D. White and Emily Lucile are also present during the interview. Emilia Marquez was born in the United Stated and raised in Alexandria, Virginia, where her father worked as a bricklayer, until the age of twelve, when her father decided to move the family back to Uruguay. She describes acclimating to her new life in middle school and her shift from being perceived as an outsider in Uruguay to accepting Uruguay as home. She describes life in Uruguay and the positions that her family held while living there. After meeting and marrying her husband they trained to work in a casino. She trained as a slot machine operator, and her husband trained as a dealer. This eventually led them to leave Uruguay for the U.S. After the encouragement of her father and mother, she moved with her mother to Las Vegas to work in the casino industry. She describes working as a change person at the Luxor before moving to the newly opened Palms, where she worked until she left it to work at the Wynn. She ends the interview talking about various Uruguayan dishes and traditions, and a brief history of Uruguay. Subjects discussed in this interview: Uruguay, immigration, Las Vegas Strip, Latinx, Luxor.
The Boulder Station Hotel and Casino sign sits at 4111 Boulder Highway. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 4111 Boulder Hwy Sign owner: Stations Casino Company Sign details: This location opened in 1991 and is considered a locals casino. They have a similar train station theme to a few of the other Stations Casino properties used to have. This location also holds a movie theater. Sign condition: 5- still in very good condition and lights up very brightly at night still Sign form: Pylon, Porte cochere and semi-decorated shed Sign-specific description: The main pylon sign has a two white steel bases with a reader board on the bottom, a plasma t.v. screen on top of the reader board and the main portion of the sign with their logo above. Their main logo is a green train front with a yellow neon trim with curved maroon ovals on it stating "Boulder Station" and "Hotel-Casino" underneath it in channeled white letters that contain flashing incandescent. The porte cochere sign above their valet is in a rainbow shape stating "Boulder Station" in sparkling incandescent. With red letters underneath stating "Hotel" in red neon. Also on the main hotel tower there are the same "Boulder Station" letters in incandescent lights outlined in red neon as well. Also the word "Casino" is also in incandescent lights on the side of the building. There are also LED lights that are chasing outlining the whole building making a semi-decorated shed look. Sign - type of display: Neon, Incandescent, LED, LED plasma screen Sign - media: Steel and plastic for reader board Sign - non-neon treatments: Reader board and Plasma screen Sign animation: Flashing incandescents and Chasing LED lights Sign environment: This location is on Boulder Hwy on the way to Henderson/Boulder City. This location is near a residential areas and is a neighbor to a Motel 6. Sign - date of installation: Has been up since at least 2007 Sign - thematic influences: Their train theme is portrayed well in their pylon sign. Also the train theme could be considered an homage to early Vegas history as a railroad stop. Sign - artistic significance: The pylon sign is very similar to the Fiesta Rancho sign which is also a station casino with the reader board and plasma screen. This sign is almost identical in design to the old Palace Station sign. Survey - research locations: Palace Station sign. Surveyor Notes 1. Research locations (archAsessor's page, Boulder Station website https://boulderstation.sclv.com/ , Station's Casino website https://www.sclv.com/, google maps satellite/ road view Survey - research notes: Station's Casinos have 10 casinos in Las Vegas and have been present in the community for the past 40 years. Surveyor: Emily Fellmer Survey - date completed: 2017-09-27 Sign keywords: Pylon; Porte-cochère; Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Chasing; Plasma display
Part of an interview with Robert D. "Bob" Fisher on January 08, 2015. In this clip, Fisher discusses his time in Las Vegas and his involvement with Temple Beth Sholom.