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Leon Carter, Sr. Photographs

Identifier

PH-00443-DEACCESSIONED

Abstract

This collection has been removed from the University of Nevada, Las Vegas Libraries Special Collections and Archives' holdings by request of the donor. The collection was returned to the donor. Please contact special.collections@unlv.edu for further information.

The Leon Carter, Sr. Photographs (approximately 1948-2019) primarily contain photographic prints documenting Leon Carter, Sr.'s life living in Las Vegas, Nevada. Included are photographs of Carter, his brother John L. Carter, members of the Carter family, and snapshots from the Helldorado Days parade in the mid-1960s. The collection includes a photograph of Carter as a table dealer, a facsimile photograph of Carter when he played baseball in Canada in the early 1950s, and his yearbook portrait. Materials also include a brochure from Carter's political campaign running for County Commissioner in 1972, and a 1989 certificate of appreciation to Carter from the Las Vegas Breakfasters Lions Club.

Archival Collection

William White Postcard Collection

Identifier

PH-00335

Abstract

The William White Postcard Collection (approximately 1930-1940) consists of three postcards depicting the Hoover Dam (Boulder Dam) on the border of Nevada and Arizona. One postcard showcases Oskar J. W. Hansen’s “Figures of the Republic” sculptures near the Hoover Dam. Another postcard displays an interior view of the visitor’s gallery at the Hoover Dam. The final postcard depicts the Hoover Dam at sunset.

Archival Collection

The Whitney Family Collection of Bunkerville, Nevada Photographs

Identifier

PH-00122

Abstract

The Whitney Family Collection of Bunkerville, Nevada Photographs (approximately 1900-1930) consists of black-and-white photographic prints and negatives depicting Agnes Murphy Neve, Luke Whitney, Julia Whitney, and Alfred Syphus near the Whitney family ranch in Bunkerville, Nevada. One image portrays an overflow drainage pipe connected to the St. Thomas pond near Bunkerville, Nevada.

Archival Collection

Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, April 26, 1990

Date

1990-04-26

Description

Includes meeting agenda and minutes with additional informatino about the memorandum

Text

Dorothy Dorothy Papers

Identifier

MS-00352

Abstract

The Dorothy Dorothy papers (approximately 1913-1986) document the life of singer, songwriter, columnist, pilot, and farmer, Dorothy Dorothy. Materials contain genealogy records, correspondence, business and organizational records, local history, sheet music, artifacts, and two boxes of photographic prints. Also included are materials relating to her active involvement with animal rights campaigns.

Archival Collection

Transcript of interview with Todd S. Polikoff by Barbara Tabach, August 30, 2016

Date

2016-08-30

Description

In 2015, Todd S. Polikoff was named the President & Chief Executive Officer of the Jewish Federation of Las Vegas. (The organization is now known as Jewish Nevada). Todd is a graduate of Stockton University and earned his MBA at Cleveland State University. He has three children: Samuel, Shira and Jordan. Born in 1971 to a steelworker and hairdresser, Jack and Judy Polikoff, Todd grew up in Philadelphia, became a bar mitzvah there, and shocked his mother when he explained he was putting college on hold to move to Israel. In addition to stories about these life memories, Todd also traces his career path to decision-making to a meaningful trip to Moscow a where a defining moment helped him understand his own relationship with Judaism. To the time of this interview, Todd has invested over twenty years in leadership of Jewish Federation and AIPAC in states that include New Jersey, Delaware, Texas, Ohio and Nevada.

Text

Photographs of Aladdin Casino Hotel and Resort signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Aladdin Hotel Casino and Resort signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Aladdin Hotel (Las Vegas, Nev.)
Site address: 3667 Las Vegas Blvd
Sign owner: Aladdin Gaming LLC
Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances.
Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair.
Sign form: Pylon; Fascia
Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel; Plastic
Sign animation: Chasing
Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle.
Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own.
Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel
Sign - date of installation: 2000
Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated

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