Rough-draft versions of letters written by William Feldman, Executive Director of the Jewish Family Service Agency (JFSA), and Barry D. Eisen, President of the Jewish Family Service Agency, to Norman Kaufman, Executive Director of the Jewish Federation, and Paul Eisenberg, Chairman of the Endowment Committee, requesting financial aid from the Jewish Federation Foundation endowment fund to support the Jewish Family Service Agency's Elderly Services program. (Original order of pages is unclear, some pages may have been lost prior to donation.)
The records of Temple Beth Sholom date from 1945 to 2015 and include scrapbooks, photographs, bulletins, meeting minutes, by-laws, correspondence, and publications. The collection contains documentation of the Board of Directors, the Sisterhood, the Men's Club, the history of the congregation, events held by the temple, and construction of the temple building in Summerlin in Las Vegas, Nevada.
Oral history interview with Gabriel Garcia conducted by Monserrath Hernandez and Barbara Tabach on November 13, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Garcia discusses his early life in Arizona and moving to Las Vegas, Nevada in 1984. He remembers attending a sixth grade center, the Pacific Engineering and Production Company of Nevada (PEPCON) explosion, and attending Las Vegas High School. Garcia talks about Mexican culture in Las Vegas, car clubs, and becoming a graphic designer. Lastly, Garcia discusses his involvement with the Association of Latino Professionals for America, and the idea of diversifying the professional workplace.
Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]