Christopher “Chris” Maestas (1965-2009) was an engaged educator and leader within the Chicano, Latinx, and Henderson communities. As he traced back his Latinx heritage, he explored his father’s hometown in Llaves, New Mexico, where he and his family were discriminated for their non-white demeanor; and his mother’s paternal Spanish roots; his grandfather came to work in Henderson, Nevada at the Basic Magnesium Industrial (BMI) plants during World War II. The Chicano and Spanish cultures played a significant part in defining his role within the community. For Chris, Chicanos were “people that lived in the southwestern United States particularly southern Colorado, New Mexico and northern Arizona that were originally Mexican citizens before the treaty (Treaty of Guadalupe Hidalgo) was signed and then after the treaty was signed they became Americans.” In this interview, he dives into the difference between Chicano and Spanish cuisine and gives his own tips on how to make Spanish chile relleno. Chris discussed what life was like in Henderson living in Henderson Camp when his grandfather emigrated from Spain in 1943. He described the evolution of the Henderson community in the 50s through his parents’ experiences living in the Hispanic communities of Victory Village and Carver Park. During his childhood in the early 70s, Chris recalled living in Henderson when it was known as Basic and living in a small town-site house. One of his most special recollections was from the summer of 1980, when his family purchased their first set of air-conditioning units. As a passionate teacher and 1984 alumnus from Basic High School, he advocated student engagement as Student Council Advisor. Chris was also an active member of the St. Peter the Apostle, Catholic Church, Knights of the Columbus group and LUPE (Latinos United for Perfect Equality) Club. The LUPE club promoted equality for the Hispanic community and family values. Chris described their Saturday picnics at BMI Park and the annual Henderson Industrial Days festival.
The Fergusons Motel sign, restored by Downtown Project, sits at 1028 Fremont Street. Information about the sign is available in the Southern Nevada Neon Survey Sheet. Site address: 1028 Fremont St Sign owner: 1028 Fremont LLC (Assessor) /Downtown Las Vegas Project (Bruzda, 2016; Millward, 2017; Schoenmann, 2013; Snel 2014) Sign details: The building was constructed in 1946 (Assessor). The business opened originally as the Franklin Motel (RoadsideArchitecure.com). The motel may have been renamed Ferguson's in 1962 (Las Vegas motels-Then and Now). The current sign probably dates from the late 1950's or 1960's and is not from the Franklin (RoadsideArchitecture.com). Downtown Project partners purchased Fergusons Motel in December 2012 and the property was closed as of 2013 (Schoennmann, 2013). The Downtown Project planned to convert the motel's 69 rooms into retail shops, offices, taverns and a restaurant (Schoenmann). As of May 2017, no construction had been completed and The Downtown Project had altered its plans to instead use the site for residences, restaurants and art space (Millward, 2017). Sign condition: Condition is 5. The sign has been reconditioned to look like new. Sign form: Pole Sign-specific description: The sign is mounted on a rectangular metal pole which is painted yellow. Attached to the street side of the pole are several metal cabinets joined to form an "L" shape which points toward the motel. The bottom cabinet contains the word "KITCHENS", which runs horizontally in white painted sans serif letters and white sans serif skeleton neon letters. Below "KITCHENS" is a white plastic light box. Below the lightbox are two rows of intertwining clear light bulbs. The bottom of the metal cabinet is shaped like two undulating waves. Over the top of "KITCHENS" is a small cabinet which spells out "VACANCY" in white san serif letters which are covered by clear skeleton neon sans serif letters spelling out, "Sorry NO VACANCY". The word "MOTEL" runs vertically down the sign in white painted and white neon letters, all san serif. Neon tubes outline the letters while another tube runs down the center. Running down the street side of the sign are three intertwining rows of clear light bulbs. The top of the cabinet is painted green in the shape of a chevron or boomerang. The bottom sides of the boomerang intersect at a perpendicular angle and the top is curved. The tip of the boomerang juts out from the sign toward the hotel. The interior of the boomerang is traced by three rows of skeleton neon. On top of the boomerang is a yellow circle outlined in light blue. The blue outline contains 16 clear light bulbs. The yellow interior of the circle has 16 spiral rows of clear light bulbs running from the exterior to the interior of the circle. The yellow pole which supports the sign runs through a lozenge shaped blue metal cabinet. The cabinet states, "FERGUSONS" in Googie style white letters and skeleton neon and "DOWNTOWN" is sans serif white letters and skeleton neon. Above the cabinet, attached to a pole, is a white statue of a climbing figure which is similar to other figures on Fremont Street and was likely added to the sign by the Downtown Project. Sign - type of display: Neon and incandescent Sign - media: Steel and plastic. Possibly fiberglass for the climbing figure. Sign - non-neon treatments: Incandescent light bulbs, light box Sign environment: In the East Fremont district this motel is surrounded by other motels many of which are also currently closed. Sign - date of installation: Circa late 1950's/ 1960's Sign - date of redesign/move: The sign is probably from the late 1950's or 1960's (RoadsideArchitecture.com). A postcard from the 1960's shows the background of the "MOTEL" portion of the sign painted black (Garofalo, 2011). Below "FERGUSONS" hung two smaller signs: the top sign displayed the AAA symbol and the words, "Phone", "Pool" and "T-V" (Garofalo, 2011). The lower sign displayed three badges (auto clubs?). Sign - artistic significance: The sign design style is Googie. Survey - research locations: Bruzda, N. (2016 May 2). Construction planned for Fergusons Motel in downtown Las Vegas still yet to be seen. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/business/construction-planned-for-fergusons-motel-in-downtown-las-vegas-still-yet-to-be-seen/ Clark County Assessor. Parcel No. 139-35-201-006. Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Garofalo, M. (2011 November 1). Still standing-Fergusons[sic] Motel [Photograph]. Retrieved from https://www.flickr.com/photos/vintageroadtrip/6305057708/in/photolist-aBa4Zw-qeNAZa-fxWx3V-54q1dr-7qs1A1-81uYMJ-9i1MAF-pUfCjM-m57jkW-8BzGrN-nM1Nyq-zCCx9s-EJBciL-BkTrgS-zpiF94-aW6aKv-2ZFRQ4-opLfq5-riESKk-n8Wdz-qmMWgN-riESNg-FW15N3-dvx2N-7As5GF-aC7z44-omUMSx-qmMWKy-5XLHvx-evbtLo-onbi7i-635ftN-UhMyz7-8sfVoW-BVWgRY-m8qWB8-ev8mFD-6sadvS-8FdMPf-pBdbtQ-etP68R-pfCeRE-54HNiA-9uFAxg-3b4UbW-FWTWBt-pjCShX-8Bv6mp-aUDgVc-qUKBLu Las Vegas motels-Then and now. (n.d.) Retrieved from http://stefanidrivesvegas.com/2.html Millward, W. T. (2017 May 8). Plans to turn Fergusons Motel into mixed-use campus advance. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/local/local-las-vegas/downtown/plans-to-turn-fergusons-motel-into-mixed-use-campus-advance/ RoadsideArchitecture.com. Fergusons Motel. Retrieved from http://www.roadarch.com/signs/nvvegas2.html Schoenmann, J. (2013 July 3). Joe Downtown: Ferguson Motel being converted into taverns, retail spaces. Las Vegas Sun. Retrieved from https://lasvegassun.com/news/2013/jul/03/joe-downtown-ferguson-motel-being-converted-tavern/ Snel, A. (2014 August 5). New plans proposed for rundown Fremont Street motel. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/business/new-plans-proposed-for-rundown-fremont-street-motel/ Surveyor: Mitchell Cohen Survey - date completed: 2017-08-16 Sign keywords: Steel; Plastic; Fiberglass; Incandescent; Pole sign; Neon
Oral history interview with José Luis Meléndrez conducted by Laurents Bañuelos-Benitez on November 20, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Meléndrez discusses his family background and early life in Baja California. He talks about his father's decision to migrate to the United States, and attending Catholic schools in California, Nevada, and Texas as the family moved around the country. Meléndrez recalls moving to Las Vegas, Nevada in 1990, enrolling at the University of Nevada, Las Vegas (UNLV), and his involvement with the Boy Scouts of America affiliated program, Learning for Life. Later, Meléndrez describes attending the University of Michigan, earning a master's degree in social work, and becoming executive director for the office of Community Partnerships in the UNLV School of Public Health. Lastly, Meléndrez discusses the future of the Las Vegas Latinx community, and becoming a founding member and chair for the Nevada Minority Health and Equity Coalition.
Oral history interviews with June Monroe and Kazuko Atomura conducted by Cecilia Winchell and Stefani Evans on July 14 and July 19, 2022 for Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In the first interview, Kazuko Atomura describes her childhood in Taiwan and Tokyo, Japan, and shares both happy and difficult mememories of that time. Atomura eventually moved to Los Angeles, California, where she reconnected with a man she previously met in Japan. She married him and together had their daughter, June Monroe, and another son while living in Corpus Christi, Texas. After difficult medical procedures involving Atomura's husband and Monroe's younger brother, Brian, the family relocated to Las Vegas, Nevada. Monroe recalls attending Las Vegas High School and Bonanza High School, and the struggle of making new friends as a young person. In the second interview, the mother and daughter discuss racism, discrimination, and identity. Kazuko Atomura recalls her many experiences with discrimination as a result of both her appearance and language barriers. June Monroe discusses how she came to be proud of her Japanese heritage, while Atomura discusses some of the community activities she has been involved in since living in Las Vegas including the Japanese Culture Club and odori dancing. Then, both Atomura and Monroe discuss Monroe's brother, Brian, who received two kidney transplants; one from Monroe's father and one from Monroe herself. Atomura talks about the shrines she has built for Brian, the experience of him being on dialysis, care taking, and his final days. Monroe shares about her activism with organ donation, being regularly involved with the Nevada Donor Network and helping to pass significant pieces of legislation within the area of organ donation.