The sign for Backstage Bar & Billiards sits at 601 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 601 Fremont St Sign owner: DJ Lethal co-owned with DJ Scotty Sign details: This building dates back to 1957. Triple B opened in 2012 as a billiard hall bar and concert venue. It is filled with a lot of Rock Memorabilia which includes a "turntable library" which they claim showcases over 8 decades of rock history. This location was furnished by rock outfitter Anvil Cases. This property got its name by being "backstage" to the adjoining Fremont Country Club. Sign condition: 5- looks relatively new and still in great condition Sign form: Variation of a Bull Nose Sign Sign-specific description: Their entrance is on the corner of 6th (going South) and Fremont with a blue bull nose type sign in a triangle shape. The base of the triangle sign is right above the entrance. The triangle border has a blue (argon) strip with incandescents lining both sides of the neon tubing. At the base of the sign there is a blue (argon) curved platform (half circle placed adjoining to the base of the triangle). On this platform there are 5 separate strips of argon tubes. Above the platform states "Backstage Bar & Billiards" in white cursive channeled letters. Above the words Backstage and Billiards there are two martini glasses with a pool ball and flag in each glass. At the top of the triangle portion of the sign there is their logo "Triple B" in cursive with Triple in Blue and B in white. Below the bull nose sign there is a reader board that wraps around the building. This reader board is also lined with incandescent light bulbs. In the middle of the of the reader board there is a black background rectangle with 3 rhombus's lined in incandescent light bulbs in a design. Sign - type of display: Neon, incandescent and reader board Sign - media: Steel and Plastic Sign - non-neon treatments: Reader Board Sign animation: Flasher for incandescent light bulbs Sign environment: Fremont East district East District, next to other bars and restaurants. This location is right across the street from the El Cortez. Also they claim to be "backstage" to the adjoining Fremont Country Club which inspired their name. Sign manufacturer: Ultra Signs' recently bought out by Jones Las Vegas ( of Jones SIgns) who did not have records of this sign. Sign - date of installation: 2012 when the bar opened Sign - thematic influences: On Fremont many of the entrances are at the corner intersections, so the bull nose sign has been prominent design type to draw attention to the entrance of the company. This is remnant of the Golden Nugget and Binion's Horseshoe put up their bull nose signs in 1961. Sign - artistic significance: The curved platform at the bottom of their bull nose sign looks like an old retro movie theater style sign platform that you would see in the 1940's/50's. Particularly with their reader board with incandescent light bulbs speaks to this era as well. Survey - research locations: Assessor's page, triple B website http://www.backstagebarlv.com/ , Las Vegas Weekly Newspaper article https://lasvegasweekly.com/nightlife/lowball-diary/2012/dec/05/triple-b-fills-downtowns-watering-hole-hole/ Survey - research notes: Fremont Bars.com has a photo of their main sign being installed. http://www.fremontstreetbars.com/2012/11/29/welcome-to-the-neighborhood-backstage-bar-billiards/ Survey - other remarks: The Ultra Signs logo is visible on the left side of the sign. Surveyor: Emily Fellmer Survey - date completed: 2017-08-11 Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Bullnose; Marquee
Growing up just one block away from New York’s “Museum Mile” and surrounded by cultures from every corner of the world, it’s easy to say that Lynnette Arvelo Sawyer was destined to create her own museum dedicated to the cultures she grew up with. Lynette is a proud Puerto Rican and Afro-Latina from El Barrio of East Harlem in New York; her roots extend from the island of Puerto Rico to the Canary Islands off the coast of Africa.
The Lee and Thomas Beam Music Center Architectural Records (1998-1999) contain architectural drawing sets for the Lee and Thomas Beam Music Center's design and construction. Located on the University of Nevada, Las Vegas campus, the Lee and Thomas Beam Music Center provides professional and liberal arts education to students seeking a career in the study and creation of music. The school enrolls more than 400 music majors and attracts students throughout America and internationally.
The Washington University, School of Fine Arts Collection of Calendars consists of thirty-three calendars created by students in the Washington University, School of Fine Arts created in 1983.
Wells drilled previously were not sufficient to solve area water problems. Wittwer recommended consulting with the United States Geological Survey and State Engineer before any more wells were drilled. Report signed by John H. Wittwer as County Extension Agent. Project Number: State Office No. 282, Clark Co. No. 22. Name of Project: Domestic water supply for Bunkerville & Mesquite.
The Maria LaCavera Papers (1947-2017) contain the papers of professional dancer Maria LaCavera. The collection documents the career of LaCavera dancing in Las Vegas, Nevada at the Flamingo Hotel in 1947, and the Last Frontier Hotel in 1949 as one of the Ramona Girls dancing in the Danny O'Neil Varieties Act. Materials include photographs of LaCavera and other Ramona Girls, newspaper clippings, correspondence, LaCavera's American Guild of Variety Artists (AGVA) employment contracts, Fabulous Las Vegas magazines, and hotel receipts. Other items of note include photographs of the 1949 Helldorado parade, a Frontier Hotel Ramona Room menu, and Frontier Hotel ephemera. There is also a copy of a self-published biography of LaCavera, written by her daughter-in-law Kristin Meyer entitled From Bon-Air to the Last Frontier. The collection also contains the digital images used to illustrate the book.
The Stocker Family Papers (1860-1982) document the family’s personal, political, and business interests including Mayme Stocker’s 1931 Nevada gaming license and Harold Stocker’s involvement in the Nevada Republican party. The collection contains family correspondence, political documents and planning materials, and business records related to the family’s gaming and real estate interests.