Meet A Friendly Machine-Gun Crew! poster from the Las Vegas United Jewish Appeal asking for contributions to aid Jewish refugees. The text across the the front reads: "MEET A FRIENDLY MACHINE-GUN CREW! "America will lose the entire near East -- except for Israel! As long as ISRAEL is HELPED BY AMERICAN JEWRY, Israel can survive as our ONE FRIENDLY OUTPOST in the Near East!" - a statement made by General "Lightening Joe" Collins, former Chief of Staff, United States Army, at the Army and Navy Club, Washington, D.C., on July 1. 1958. TODAY IS AN EMERGENCY!! 80,000 persecuted Jewish refugees from Poland and Moslem lands must be helped to get to Israel - and quickly! Your contribution to the UNITED JEWISH APPEAL will help the emergency SPECIAL RESCUE FUND of $100,000,000 - and will help build up the newborn state of Israel - to remain strong - well-armed -- fiercely proud of its freedom - ready and able to remain YOUR ONE FRIENDLY OUTPOST IN A HOSTILE PART OF THE WORLD! -wouldn't you feel a little more secure with a friendly outpost guarding your freedom in the Near East? Las Vegas United Jewish Appeal Post Office Box 1981 Las Vegas, Nevada. Carl Cohen, chairman/Co-chairmen: Moe Dalitz and Jacob Kozloff/Nevada State Chairman: Edward Levinson"
Dancer Charles Nur Fernald first came to Las Vegas in 1963 to perform for five weeks in the Kay Starr Show at the Sahara Hotel and again in 1964 working with Donn Arden for three months at the Desert Inn Hotel. Born in Detroit, Michigan, in 1939, Charles moved several times to various places in Arizona and southern California with his parents, Charles Knox Fernald and Marguerite Marie Higgins Fernald, and half-siblings before settling in Hollywood, California, where he remained (except for his short stints in Las Vegas) from 1961 to 1967. In January 1968 Charles came to Las Vegas to perform with Sid Caesar and Imogene Coca at the Flamingo Hotel. After the show closed Charles auditioned for Donn Arden to dance in the Lido de Paris show at the Stardust Hotel, where he remained for sixteen years, 1968 through 1984. He remains the only male dancer who performed with Lido through five different, consecutive productions. In 1969 Charles met his partner, Aquiles Garcia, who was a dancer at the Dunes Hotel. The couple remain in Las Vegas and have been together forty-five years. Charles’s father was very poor and left school after the third grade to go to work and help support his family. He was born in 1889 in Philadelphia, Pennsylvania, the fifth of eleven children. As an eight-year-old he became a “groundhog,” a digger of New York’s underwater tunnels, who helped build the Holland Tunnel. At fifteen he made more money than his father selling newspapers, fresh fruit, and clothing door to door or from the street corner. According to Charles, his father “drank too much, ate too much, smoked too much, and loved too much.” As an only child, Charles’s mother had a very different upbringing from his father, although her family too was very poor. She was born in Detroit in 1902 to a railroad switchman father and mother who not only scrubbed the floors of wealthy Detroiters but also cooked meals for twenty-one boarders at a rooming house. Marguerite’s parents worked hard so they could send their only child to Catholic school and the Detroit Conservatory of Music.
On February 21, 1980, Andrew Bannister interviewed Vincent “Vince” Hart (born on July 7, 1945 in Jerusalem, Palestine) in Hart’s office about his experience with youth soccer, both as a coach and as a player. Hart discusses his family background and his residential history in the United Kingdom and the United States before explaining the development of the men’s soccer team at the University of Nevada, Las Vegas. He describes his impact on the program and his hopes for future student athletes. The two then delve into a discussion of the fundamentals of soccer and different strategies that are commonly used. They then conclude with a brief description of Vince’s experiences with meeting a variety of professional soccer players at the Las Vegas Stadium.
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On the 1980 Las Vegas Chaz Nightclub not allowing Black individuals.