The Las Vegas PRIDE Parade Records (2016-2017) contain administrative files that document how the Southern Nevada Association of PRIDE, Inc. (SNAPI) organized the 2016 and 2017 PRIDE parades in Las Vegas, Nevada. Materials include correspondence with event organizers, parade participant information, and PRIDE event guides.

The Thunderbird Hotel Records are comprised of material that documents the work of the Las Vegas, Nevada hotel's entertainment department from 1964 to 1973. The records consist of photographs, memorandum, newspaper clippings, and publicity materials.

The UNLV Libraries Collection of Anchor Gaming Promotional and Publicity Materials includes annual reports, equity reports, financial reports, newspaper clippings, press kits, and promotional materials for Anchor Gaming in Las Vegas, Nevada, dating from 1994 to 2001.

The Kathy Augustine Papers date from 1977 to 1997 and are comprised of the documents of Augustine's political career as an Assemblywoman and State Senator in Nevada. The collection includes political correspondence relating to State Senate Bills (SB) and Assembly Bills (AB), material from Augustine's Assembly campaign, and newsletters from Desert Express, Sage, and Sagehen. The collection also includes other correspondence related to Augustine's time in office, and social events.

The Arlene Mathews Smith Photograph Collection (1910-1945) is comprised of photographs of people and places in and around Panaca, Nevada. The collection contains a photograph album featuring Smith, her family and friends, and various residents and events around the area. Included as part of the collection are photographs from the Last Frontier Hotel in Las Vegas, Nevada.

The T. David Horton Photographs of Pioche, Nevada contain black-and-white photographs of several buildings in Pioche, Nevada in the 1960s. The collection contains photographs of the Pioche Power and Light Company, Pioche’s mine, crushing plant, cemetery, and oversize photographs of the town.

The Breck Wall Photograph Collection, approximately 1960 to 1980, consists of black-and-white photographic prints depicting comedian and entertainer, Breck Wall, and other cast members of the comedy revue, “Bottom’s Up!” in Las Vegas, Nevada. Images include scenes from sketches performed on the show, group shots of the cast members off-set, and portraits of Wall.