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Neil Galatz Scrapbooks

Identifier

MS-00723

Abstract

Collection is comprised of scrapbooks from 1948 to 2009 documenting the career of Las Vegas, Nevada lawyer Neil Galatz, his family, and his involvement with the local Jewish community. Contents include news clippings, photographs, event programs, and other ephemera.

Archival Collection

Las Vegas Founders Club Records

Identifier

MS-00789

Abstract

The Las Vegas Founders Club Records (1983-2013) consist mainly of photographic prints of players, general operations, and events surrounding golf tournaments in Las Vegas, Nevada. The tournaments include the Invensys Classic, Las Vegas Senior Classic, men's and women's Collegiate Championships, and the Las Vegas Invitational. Materials also include media press reports, newspaper and press clippings, and scrapbooks created by the Founders Club. The collection also contains digital photographs from various tournaments in Las Vegas.

Archival Collection

Leon Rockwell Photograph Collection

Identifier

PH-00008

Abstract

The Leon Rockwell Photograph Collection (approximately 1850-1979) contains black-and-white photographic prints, negatives, and slides, as well as postcards and tintypes. The images portray the lives of the Rockwell family in southern Nevada, their travels throughout New York and the western United States, and their immediate and extended family members. Also included are images of the volunteer and early firefighters of Las Vegas, Nevada, the Rockwell's family cabin at Mount Charleston, Nevada, and the Rockwell family home in Las Vegas. Portions of the images are from the Rockwell family travels across Nevada, Utah, New Mexico, Arizona, and California and depict historic locations such as Cove Fort, Utah; Rhyolite, Nevada; and Pueblo Grande de Nevada.

Archival Collection

Artemus W. Ham Family Papers

Identifier

MS-00056

Abstract

The Artemus W. Ham Family Papers (1857-1970) contain postcards written by family members, newspaper clippings about the Ham family, and a Nevada Senate Concurrent Resolution memorializing Artemus W. Ham, Sr. Also included are genealogy notes, a commencement program from Michigan Law School, and membership cards of Artemus W. Ham, Sr.

Archival Collection

Harry Hayden Whiteley Architectural Records

Identifier

MS-00134

Abstract

The Harry Hayden Whiteley Architectural Records are comprised of architectural records (1931-1970) created and/or maintained by the American architect Harry Hayden Whiteley and/or his architectural firm, known as Harry Hayden Whiteley and Associates. This collection includes 30.21 linear feet of materials including 45 items from over 30 projects. The collection focuses on his work in the Las Vegas and Reno, Nevada areas. The materials feature both architectural drawings and project files. Architectural drawings include pencil and ink on tracing paper preliminary sketches and mounted artist’s renderings used for presentations and promotional materials. Project files include project correspondence, photographs, and structural calculations. The drawings also contain work from the architect Paul Revere Williams. The collection includes architectural drawings for hotels, shopping plazas, residential developments, and office buildings.

Archival Collection

Hank Greenspun Papers

Identifier

MS-00138

Abstract

The Hank Greenspun Papers date from 1962 to 1966 and are comprised of draft manuscripts of the books Where I Stand: Records of a Reckless Man written by Hank Greenspun and Alex Pelle, and drafts of the manuscript Rebel with Many Causes, originally entitled Idol Smasher, a biography written about Hank Greenspun by Ed Reid.

Archival Collection

Transcript of interview with Adelaide Robbins by Lisa Gioia-Acres, April 18, 2008

Date

2008-04-18

Description

Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.

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Transcript of interview with Joan Massagli by Claytee White, August 19, 2010

Date

2010-08-19

Description

Joan Massagli spent her childhood in the Tacoma, Washington area, singing three-part harmony—a member of a musically talented family that included five children and an aunt and uncle who raised all the kids to enjoy music. By high school in the early 1950s, she and her two older sisters were regulars on a local TV show. In 1956, the Sawyer Sisters act was formed and they were soon obtaining regular gigs in Las Vegas. Their popularity continued form 1957 to 1964 and they played many of the major hotels, usually as a warm up act for headliners that includes a list of names such as Roy Clark, Louis Prima, Shecky Greene, and Delia Reece. At first the Sawyer Sisters included older sister Nanette Susan and Joan. When Nanette quit to raise her family, youngest sister Kate stepped into what was called a "lively and lovely" trio. Joan met her future husband and musician Mark Tully Massagli, while performing in the early 1960s. Caring for ailing parents while working mostly in Las Vegas, the couple made Vegas home. Even after the Sawyer Sisters name faded from the Strip's marquees, Las Vegas remained home to the Massagli's, who raised their children here. Today they live in the Blue Diamond Village area and recall the changes that have occurred on the Las Vegas Strip—especially from an entertainer's point of view.

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Transcript of interview with Charles T. "Blackie" Hunt by Cork Proctor, July 3, 2003

Date

2003-07-03

Description

Charles T. "Blackie" Hunt, born in Pottstown, Pennsylvania in 1930, started accordion lessons at age five. He recounts learning from experienced musicians, then teaching others at age twelve because his teacher was drafted. He attended West Chester State Teachers College where, among other accomplishments, he put together a group with Nick Carlino as tenor sax player. Blackie shares detailed memories of the many musicians with whom he worked and toured. They played in venues that included Harrisburg, Toronto, and Montreal, and eventually were offered a booking at the Sahara Hotel in Las Vegas. The group that Blackie worked with in Las Vegas, Tahoe, and Reno came up with the name "The Characters" (backward 'e'), and the show featured comedy and music. It was during this time that he met Lorraine (stage name Lauri Perry), who had her own group. They were married after a couple of years and Lauri joined The Characters. Blackie and Lorraine Hunt opened Blackie's Bar on Tropicana and Eastern Avenues in the seventies. He talks about the jazz sessions that took place and the musicians who sat in on them, and how he and Lorraine eventually decided to bow out of show business themselves. The Hunts went on to open the Bootlegger, a restaurant/piano bar on Las Vegas Boulevard. They started a little comedy/music session called "Off the Cuff', in which local or touring musicians, comedians, and singers often participate. Blackie and Lorraine have been part of the vibrant history of Las Vegas and the state of Nevada for many years, and continue to make their home here.

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Hernando Amaya oral history interview: transcript

Date

2018-10-18
2018-12-03

Description

Oral history interview with Hernando Amaya conducted by Laurents Banuelos-Benitez, Marcela Rodriguez-Campo, and Barbara Tabach on October 18, 2018 and December 3, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Hernando Amaya talks about his childhood and education in Bogota, Colombia. He discusses his start in journalism as a young man and working for El Espectador, the Colombian national newspaper. He discusses his experiences reporting on the narco-terrorism occurring in Medellin, Colombia and how this eventually led to his immigration to the United States. Amaya moved to Las Vegas, Nevada in 2001 and continued his career in journalism by working for local Spanish speaking papers and websites. He relates his civic involvement in the Las Vegas area, his work as the president of the Colombian Association of Las Vegas, and various other civic engagements. As a journalist, he asserts the importance of knowing one's culture, storytelling, learning history, and being active in the community.

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