The Baton Rouge, Louisiana Family Diary (1848-1860) is a single item that contains personal accounts, diary entries, as well as handwritten and newspaper recipes, in different hands, by approximately three individuals. The first diary section begins in 1848 and mostly contains personal religious reflections and meditations on church sermons and activities. The second set of diary entries cover the years 1858 through 1860 and concerns farming, crops, and general accounts. The farm was located in the Baton Rouge, Louisiana area and its primary crops were cotton, sugar cane, and corn. The third section of diary entries contain pages of handwritten recipes and some clipped from a local Baton Rouge newspaper. All the diarists are unidentified, but it was likely kept within a single family.

The American Institute of Graphic Arts (AIGA) Las Vegas Records (1998-2022) contain materials related to AIGA Las Vegas Chapter including board meeting agendas and minutes, financial records, and annual reports. The majority of the collection consists of annual design competition materials (referred to as "Peep Shows" until 2003 when it changed to "Work Shows"), which include invitations, marketing material, and program books. Also contained in the collection are event posters, national design competition materials, and AIGA annual design books and journals. The majority of the collection focuses on AIGA Las Vegas events.

The collection is comprised of drawings (1950-1990) completed by American architect Martin Stern and/or his architectural firm, Martin Stern Jr., AIA Architect and Associates, and contains 400 cubic feet of materials including 710 drawings from over 300 different projects involving over 100 buildings. Stern’s work focused on the resort centers of Las Vegas, Nevada; Reno, Nevada; Lake Tahoe, Stateline, Nevada; and Atlantic City, New Jersey. The materials feature hand-drawn architectural drawings, ranging from pencil and ink on tracing paper preliminary sketches to ink on Mylar (TM) construction documents, and a number of artist’s renderings, used for presentations and promotional materials. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The collection includes architectural drawings for: hotels, casinos, integrated casino resorts, office towers, multi-family residential developments, and custom single-family homes.

The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.

The MacDonald Ranch Architectural Records contain master plans, architectural drawings, civil drawings, and landscape drawings primarily detailing the community development process of MacDonald Ranch, one of the oldest and most affluent master-planned communities in Clark County, Nevada between 1972 to 2007. Included are also drawings for MacDonald Highlands and Green Valley Ranch.

The Ken Hanlon Jazz Music Manuscripts (approximately 1975-1990) is comprised of jazz music compositions that were gathered by the Arnold Shaw Popular Music Research Center at the University of Nevada, Las Vegas (UNLV) in Las Vegas, Nevada. The collection includes several scores and arrangements from Hanlon's ensembles, including the UNLV Jazz Band, Seventy-Six Trombones Ensemble, and the Si Zentner Ensemble.

The Story of Classic Las Vegas Oral History Interviews (approximately 2004-2006) contains video recordings of oral history interviews used for The Story of Classic Las Vegas documentary which was produced, directed, and edited by Lynn Zook. The documentary offers first person historical overviews of what it was like to live in Las Vegas, Nevada from the 1920s to the 1970s. Interviewees for theIndividuals interviewed for the project include individuals who represent a wide range of industries and culture that make up the Las Vegas population including politicians, attorneys, and entertainers. Materials also include a media kit for one of the interviewees Betty Willis which includes promotional materials about the documentary and a transcript of Willis's interview.