This pamphlet contains statistics about Jewish Family Service Agency services provided to the community, and sponsorship advertisements from local businesses.
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Interview with Harry Sax by Barbara Tabach on April 8, 2015. In this interview, Sax discusses his family history and upbringing in Chicago, and his military service in Munich. He returned to Chicago and became business partners with Michael Schulson, with whom he opened several Arby's outposts, and expanded to Las Vegas in 1968. He talks about life in Las Vegas in the 1970s and the competition in the fast food industry. He then talks about the reform congregation in Chicago and his connection to Judaism throughout his life. He describes himself as a "closet Jew" before becoming president at Congregation Ner Tamid in 2007. Sax discusses the programs at Ner Tamid for all ages, and his continued involvement in the community.
In 1939, Harry Sax was born in Chicago, Illinois, the son to first generation American Jews. He spent his childhood on Chicago's South, where his family belonged to a progressive Reform congregation. After graduating from Hyde Park High School, he continued his education at Indiana University. In college, Harry was a member of the ZBT Jewish fraternity, participated in a singing group, and was a cadet in the Reserve Officers' Training Corps. Upon graduating from college, Harry was stationed in Munich, Germany as a second lieutenant in the Quartermasters Corps. In addition to his required military duties, he also participated in an after-hours acting group; through this group, he was hired as an extra and for small roles, including The Great Escape. When he finished his service, Harry returned to Chicago, where he connected with a high school friend, Mike Schulson. The two became partners and purchased Arby's franchises in Chicago and Las Vegas. Thus, in 1968, while his partner remained in Chicago, Harry moved to Las Vegas and opened two franchise locations in two weeks. Though it took a few years to stabilize the business and overcome competition, he opened a third location in 1972 on South Decatur, what was then the western edge of the city. Today, Harry has nineteen locations in Las Vegas, with additional franchises in Reno and Barstow, California, and employs nearly 300 people. After about twenty years as a "closet Jew" in the city, Harry reconnected with Judaism and joined Congregation Ner Tamid in the late 1990s. He served on its board, eventually becoming vice president and then president (2007-09). He also dedicated himself to have a bar mitzvah, following up on his Jewish education and confirmation as a teenager. Harry has also served on the Anti-Defamation League's board as well as an active member of the Chamber of Commerce.
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Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.
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