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Sands Hotel Public Relations Records

Identifier

MS-00417

Abstract

The Sands Hotel Public Relations Records document the history of the Las Vegas casino and hotel from 1952 to 1977. It is comprised primarily of photographs, mostly 8x10 black-and-white prints, color prints, and transparencies. Most were produced by the Las Vegas News Bureau. Also included are newspaper clippings, brochures, press releases, and inter-office memos relating to the advertising and promotion department. Materials also include reels of 16mm film of the Sands opening, various shows and events including Frank Sinatra and Dean Martin's "Summit Meeting" performances with the Rat Pack, and footage from various television productions filmed at the Sands.

Archival Collection

Karl Carsony Papers

Identifier

MS-00807

Abstract

The Karl Carsony Papers (1918-2011) are comprised of photographs, newspaper clippings, ephemera, and artifacts representing Karl (Schrom) Carsony's acrobatic career and personal life. The bulk of the materials in this collection date from approximately the early 1950s through the late 1970s. The materials also include vacation photographs of Karl (Schrom) Carsony and his wife, Margot Meyers. The materials also include promotional photographs, posters, and fliers for the Carsony Brothers, which was an acrobatic show consisting of Karl Carsony and his twin brothers, Joe and Bert Schrom.

Archival Collection

Transcript of interview with Arlene Blut by Barbara Tabach, May 28, 2015

Date

2015-05-28

Description

In this interview, Arlene discusses her family and important friendships; her relations with and impressions of the disparate Las Vegas Jewish communities; the meaningful ways her Jewish relationships in Duluth, Winnipeg, and Las Vegas intertwine; her theatrical, professional, and philanthropic work; the reasons she and Jerry became active Zionists; and their support for Israeli causes. Her liberal sprinkling of Yiddish terms enriches her speech as it exemplifies her deep cultural attachment to and identification with her Jewish heritage, despite the fact that her wide and diverse circle of friends remains predominantly non-Jewish.

Actor, director, friend, mother, producer, wife, and volunteer extraordinaire Arlene Piekoff (now Blut) arrived in Las Vegas in 1971 with two young children and husband, Michael Peikoff, who was opening a surgical practice. Arlene was born and raised in Duluth, Minnesota, where she attended a Conservative Jewish temple but had mostly non-Jewish friends. She met Michael at the University of Minnesota, and they married before he began medical school in Winnipeg, Manitoba, Canada. Arlene and Michael followed his residencies and fellowships to California, Michigan, and Manitoba before they came to Las Vegas Through her brother in law and Ayn Rand?s intellectual heir, Leonard Peikoff, Arlene was exposed to Ayn Rand Objectivism, a philosophy that still influences her political outlook. After her 1975 divorce she began working at the Jockey Club; founded the Meadows Playhouse, Las Vegas?s first professional black box theater; and started Renta Yenta, the valley?s first full-service event planning business. In 1980 she married tax attorney Jerry Blut in a Renta-Yenta-produced, Fiddler-on-the-Roof-themed wedding at Paul Anka's Jubilation Restaurant.

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Transcript of interview with Pat Merl by Claytee White, October 9 & 28, 2008

Date

2008-10-09
2008-10-28

Description

Patricia 'Pat' Merl plans for college did not materialized after graduation from a New Jersey high school in the late 1960s. Instead she took a receptionist job. The by the age of 19, it was her interest in dance classes that would lead her to audition to be a professional dancer for the Rockettes of Radio City Music Hall fame. Her days and weeks were filled with rigorous rehearsals and performances, but it was also an exciting time for a young and spirited girl. A side trip to Las Vegas in 1971 during her first ever vacation opened her to a new world of possibilities for a professional dancer. So without a job, she decides to remain in Las Vegas and explore the options. It became the beginning of a wide and varied career in the live entertainment industry. Pat's dancing resume includes working in many of the Las Vegas chorus lines of the 1970s, provides a flavor of what the work was like then and how it changed during the era. She includes the story of Frank Rosenthal and

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Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015

Date

2015-02-12

Description

Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.

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Transcript of interview with Kenny Kerr by Dennis McBride, May 29 & 30, 2001

Date

2001-05-29
2001-05-30

Archival Collection

Description

In the years following this interview, Kerr continued entertaining, although he never returned to the Las Vegas Strip. Kerr performed at OUTfest Phoenix, at Palm Springs’ Awesome August celebrations, Las Vegas’ National Coming Out Day event, and for the Gay and Lesbian Community Center’s Youth Service’s Division. Kerr also gave shows at small bars and restaurants such as Café Nicolle and DeStefano’s in Las Vegas, the Wilde Goose in Cathedral City, California, and the Plush Room in San Francisco. There were rumors that Kerr was set to replace emcee Joey Arias in Cirque du Soliel [2004] and Frank Marino in La Cage [2005], but neither turned out to be true. Instead, Kerr performed in such local gay nightclubs as Flex, Sasha’s, Krave, Suede, and, on July 31, 2012, at the Onyx Theatre in Commercial Center. In 2006, Kerr made peace with his former rival, Frank Marino. Kerr’s son, Kristin Vidal, made Kenny a grandfather with his own son, Alexander. It was clear during his July 2012 performan

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Transcript of interview with Joyce Marshall-Moore by Emily Powers, March 25, 2008

Date

2008-03-25

Description

Joyce Marshall-Moore came to Las Vegas from Chicago in December of 1953. Only eight years old at the time, she clearly remembers the road trip with her father Royce (known as "Mousie"), her mother Agnes, and her two brothers. They left Chicago, where it was snowing, and arrived in Las Vegas on a cold snowy day! Joyce attended school at Sunrise Acres ES until eighth grade and then went to Rancho High School, graduating in 1962. She recalls that her father worked for a time at the El Rancho Vegas and that her mother found work at Southern Nevada Memorial Hospital. Agnes Marshall (nee Rasmussen) took her nurse's training in Buffalo, New York, and then worked at Buffalo General Hospital and Millard Fillmore Hospital. Later she joined the army and was stationed in Memphis, Tennessee, working at Kennedy General Hospital where she met Royce and married him. They moved to Chicago where she found work at Ravenswood Hospital. After their move to Las Vegas, Agnes was hired at Southern Nevada Memorial Hospital. She became disenchanted with nurse-patient interactions at the county hospital and found employment at Las Vegas Hospital. She worked there until 1976 and then was hired at Las Vegas Convalescent Center. Agnes followed her dreams and traveled during this period as well. Agnes worked with Doctors Lund, Allen, Woodbury, Sulvane, and Hardy, among others. Joyce recalls that Dr. Hardy, a cousin and look-alike to Oliver Hardy, was one of her mother's favorites. She shares anecdotes and memories of these and other doctors. Joyce remembers many aspects of her mother's life, including the fact that she took care of neighbors as well as her family and patients. She often worked double shifts and the pay was nominal, but she loved her job because of the relationships with her patients. Agnes passed away in 2006 at the ripe old age of 91.

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