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Babe Pier Papers

Identifier

MS-01150

Abstract

The Babe Pier Papers (approximately 1962-2012) include promotional materials, photographs, and audiovisual materials documenting the career of Las Vegas, Nevada-based comedian and impressionist, Babe Pier. Materials include Pier's show reels, fliers, posters, and photographs of Pier as a solo entertainer and as part of comedy groups such as the Vagabonds and the Happy Jesters. The collection includes recordings of Pier's appearances on television shows like the Mike Douglas Show and Milton Berle's comedy special as well as his comedic boxing charity fights. Materials also contain personal photographs of Pier and his family, including his wife, Cindy Raft, who managed an entertainment agency and was also an entertainer in Las Vegas.

Archival Collection

Chris Giunchigliani Political Papers

Identifier

MS-01035

Abstract

The Chris Giunchigliani Political Papers (1986-2019) document Giunchigliani's career as a member of the Nevada Assembly as well as her involvement as a Clark County Commissioner. The majority of the collection is a "newspaper and document archive" which consists of media articles and newspaper clippings collected by Giunchigliani's office that mention Giunchigliani throughout her political career. The collection also includes campaign materials such as mailers and photographs. Interviews Giunchigliani did with local news networks in Las Vegas, Nevada as well as televised campaign advertisements for the Clark County Commission election are represented in the collection. Other materials include legislative research files for bills on gypsum reclamation, development near Red Rock Canyon, education reform, and funding to build an NFL stadium in Las Vegas. The collection also includes a certificate of commendation from Senator Harry Reid and thank you cards from schoolchildren.

Archival Collection

Allied Arts Council of Southern Nevada Records

Identifier

MS-00187

Abstract

The Allied Arts Council of Southern Nevada (AACSN) Records are comprised of the organizational records of the Allied Arts Council, a Las Vegas, Nevada-based non-profit organization that promoted the arts and cultural life in Southern Nevada from 1971 to 1999. Materials include meeting minutes, financial records, correspondence, membership information, publications, event information, project files, photographs, audio cassettes, VHS, and U-Matic tapes.

Archival Collection

Julian Taber Collection on Gambling Addiction

Identifier

MS-00578

Abstract

The Julian Taber Collection on Gambling Addiction (1977-1988) includes papers, proposals, internal reports, memoranda, and newspaper articles chronicling the work of Julian Taber, an early specialist in the field of gambling addiction. The majority of the collection relates to Taber’s work and pilot programs at the Brecksville Veterans Administration (VA) Hospital in Brecksville, Ohio, with select materials pertaining to an alcohol dependency treatment program he coordinated at the VA hospital in Reno, Nevada.

Archival Collection

Underground House of Las Vegas Collection

Identifier

MS-00594

Abstract

The Underground House of Las Vegas Collection (1964-2004) consists of newspaper clippings, magazine articles, books, photographic prints, and digital images detailing the construction and history of Girard "Jerry" B. Henderson’s "Underground House," a Las Vegas underground dwelling completed in 1978.

Archival Collection

"The Art of Las Vegas Hard Core" Collection of Punk Rock Fliers and Photographs

Identifier

MS-00605

Abstract

"The Art of Las Vegas Hard Core" Collection of Punk Rock Fliers and Photographs (1980-2013) includes fliers and photographs that document the Las Vegas, Nevada punk rock scene in the 1980s. The collection contains photocopied fliers from bands such as The Ramones, The Germs, Misfits, Meat Puppets, Wasted Youth, Black Flag, FSP, TSOL, Circle Jerks, Shattered Faith, Agent Orange, Self Abuse, Bad Attitude, and many others. The collection also contains digital images and scans of fliers of a slideshow of punk bands that played in Las Vegas in 1984.

Archival Collection

Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Description

Photos show Mandalay Bay signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

Letter and envelope from Mary Etta Syphus, Provo, Utah to John M. Bunker, Logan, Utah

Date

1894-04-07

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.

Text

Economic Opportunity Board of Clark County (Nev.): memos, agendas, and meeting minutes

Date

1970-01-14 to 1970-02-25

Description

From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains memos, agendas and minutes from meetings of the Clark County Economic Opportunity Board from January 1970 through February 1970.

Text

Epilogue: UNLV Yearbook, 1969

Date

1969

Description

Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas

Mixed Content