Oral history interview with Dennis Ritz conducted by Claytee D. White on September 29, 2017 for the Boyer Early Las Vegas Oral History Project. In this interview, Ritz discusses his early life in rural Pennsylvania. He recalls his initial interest in entertainment, moving to Las Vegas, Nevada in 1965, and becoming an entertainment director for hotels and casinos. Ritz talks about the influence of organized crime in Las Vegas, and the various shows he worked on.

Oral history interview with Patricia and Robert Schnider conducted by Claytee D. White on October 22, 2018 for the Boyer Early Las Vegas Oral History Project. In this interview, Robert discusses his early life and arriving to Las Vegas, Nevada in 1955. He remembers attending Nevada Southern University (now University of Nevada, Las Vegas) and his father's ownership of the Capri Motel. Patricia discusses her upbringing in Las Vegas, and growing up homesteading. Lastly, Patricia and Robert describe entertainment in Las Vegas during the late 1950s.

Oral history interview with Marinka Melanie Hunter conducted by Claytee D. White on April 15, 2019 for the Boyer Early Las Vegas Oral History Project. In this interview, Hunter discusses her early life in Cuba and immigrating to the Unites States in 1959. She remembers moving to New York City, New York, becoming a burlesque dancer, and performing internationally. Lastly, Hunter talks about burlesque shows in Las Vegas, Nevada, and the Burlesque Hall of Fame.

Oral history interview with Dick Franco conducted by Su Kim Chung on July 14, 2021 for the Boyer Early Las Vegas Oral History Project. Richard Francis or Dick Franco, his stage name by which he is more commonly known, has been juggling for over 50 years, having learned the art while he was still in high school. Taught by prominent juggling legends in Vaudeville and Las Vegas, Franco would go on to perform all over the world. He began as an opening act with the Harlem Globetrotters in the US, but he then traveled Europe and was featured in variety and production shows in Blackpool, London, Monte Carlo, and Berlin among others.

Franco won specialty awards in Monte Carlo and Paris for his juggling prowess. In the US, Franco performed extensively in Las Vegas at the shows Hallelujah Hollywood, Lido de Paris, Folies Bergere and Jubilee. He then performed many shows in Branson, MO before becoming an entertainment agent and producer in Las Vegas. His wife and daughter traveled all over the world with him and both would perform in his acts.

Oral history interview with Heather Victorson conducted by Nancy Hardy on June 26, 2003 for the Boyer Early Las Vegas Oral History Project. In this interview, Victorson discusses her early life in Nairobi, Kenya and London, England. She remembers being enrolled into the Royal Ballet School, and her experience dancing in show productions for the Royal Ballet Company. Victorson talks about winning a dancing audition that required her to move to Las Vegas, Nevada, dancing in the Lido de Paris show at the Stardust, and wearing showgirl costumes. Victorson describes lounge shows, working topless for the first time, and dancing in Vive les Girls. Lastly, Victorson discusses the future of Las Vegas dance shows.

Oral history interview with Floyd Sweets Harrison conducted by Claytee D. White on September 16, 2016 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Harrison discusses his upbringing in New York City, New York and his involvement in the King Charles Unicycle Troupe. He remembers joining the Ringling Bros. circus in 1968, touring around the country, and his experience as an African American entertainer during that time. Harrison talks about performing in Las Vegas, Nevada, the entertainment industry during the 1980s, and performing for community events. Later, Harrison recalls touring with Siegfried and Roy, and the King Charles Unicycle Troupe becoming an independent show in Las Vegas. Lastly, Harrison discusses the future of circus shows in Las Vegas.

The Keith Boman Papers on the Smith Center for the Performing Arts consist of materials documenting the construction of the Smith Center for the Performing Arts in Las Vegas, Nevada from approximately 2009 to 2010. The collection includes documents from the construction oversight committee, financial budgets, and board of directors meeting agendas.