Longtime Las Vegas broadcaster Robert D. "Bob" Fisher works during the taping of his weekly radio show "America's Diabetes Hour" broadcast from the Beasley Group's 2920 S Durango Drive location on KDWN AM 720. Fisher came to Las Vegas in 1992 to become the founding president and CEO of the Nevada Broadcasters Association (NVBA). He held that position for 22 years.
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Longtime Las Vegas broadcaster Robert D. "Bob" Fisher works during the taping of his weekly radio show "America's Diabetes Hour" broadcast from the Beasley Group's 2920 S Durango Drive location on KDWN AM 720. Fisher came to Las Vegas in 1992 to become the founding president and CEO of the Nevada Broadcasters Association (NVBA). He held that position for 22 years.
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Raymonde "Ray" Fiol at her Summerlin neighborhood home. A Jewish Holocaust survivor whose parents were killed in Auschwitz, Fiol was hidden by a Christian family of resistance fighters during her childhood in Nazi-occupied Paris, France. She married an American service member, Phil Fiol, in 1957. Upon retirement, the couple moved to Las Vegas around 2003 and Raymonde became active in the local Holocaust Survivors Group.
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Names etched in stone adorn the Palm Mortuary / King David Memorial Garden at Congregation Ner Tamid on the Greenspun Campus for Jewish Life, Learning & Spiritual Renewal.
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The Wasserman Ark and Bima is a feature of the Joyce & Jerome Mack Sanctuary in Congregation Ner Tamid on the Greenspun Campus for Jewish Life, Learning & Spiritual Renewal.
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An issue of the Saharan Magazine from the Sahara Hotel and Casino in Las Vegas, Nevada. Some of the headlines in the magazine include: "Liberace Heads Show with Special Appearance of "Day of Decision" Artist", "Sahara Maestro Louis Basil Tells All (about work with Super Stars)", "Sahara news in pictures", "Crowds Hail Opening of $3 Million Sahara-Tahoe Theatre, largest in U.S.", and "We Get Visitors!"
Mixed Content
Interview with Irving Kirshbaum by Cheryl Rogers on February 23, 1979. In this interview, Kirshbaum discusses the Riviera Hotel where he began working in 1955. He also talks about the landscape of the Las Vegas Strip in the 1950s, and the state of gambling, comps, customer service, and dealer training. The interviewer asks about the treatment of minorities at the Riviera, and in Las Vegas generally, and the effect of corporate ownership on casinos.
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The manuscript synopsis for the television series Good Ole Hank is accompanied by a letter from Harry Cohn of Columbia Pictures (Hollywood, Calif.), rejecting the proposal.
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This interview conducted by Cork Proctor and is part of the Arnold Shaw Collection at UNLV University Libraries Special Collections. It has been added to the Southern Nevada Jewish Heritage Project with Mr. Morris?s permission. In this conversation, Morris reflects upon his career, how he got started as a musician, and the wide range of influential artists he has worked with over the years, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on his albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration.
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Hank Greenspun discusses coming to Las Vegas in the 1940s, his journalistic endeavors, and some of the politics that affected him.
No release form is on file for this interview. The interview is accessible onsite only, and researchers must seek permission from the interviewee or heirs for quotation, reproduction, or publication. Please contact special.collections@unlv.edu for further information.
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