Peter Perazzo, a land surveyor born and raised in Las Vegas, talks about his family, his Native American ancestry, and how construction and land surveying have changed over the years. Peter’s father, Frederick Perazzo, moved temporarily to Las Vegas from Reno in the 1940s to find employment. He worked as a draftsman, and later an architect. He designed public building and residential buildings around the valley as well as at Area 51 (Atomic Test Site). His temporary move became permanent in 1953 with the purchase of a family home in Northwest Las Vegas, across from Twin Lakes. Peter’s early life was spent playing in clover in the family’s yard and enjoying his four grandmothers. Peter began his land surveying career working for the Bureau of Land Management (BLM) in 1985. He describes how he became hooked on the profession and describes surveying terms like monuments, townships, and “the dumb end of the tape”. Later Peter worked for the Nevada Department of Transportation, where he wa

Gwendolyn K. Walker arrived in North Las Vegas in 1962 from Houston, Texas, as a five-year-old with her parents, two brothers, and her cousins. The Walker family at first moved to a rented house on D Street, and Gwen attended Kit Carson Elementary School for first grade. Her mother enrolled in nursing school, so she sent Gwen back to Delhi, Louisiana, to be raised by her grandmother. In Delhi Gwen picked cotton with her aunt while she was in the second grade. Gwen returned to North Las Vegas to live with her mother and complete elementary school at Jo Mackey before matriculating to J. D. Smith Elementary School for junior high school and then to Clark High School. Later she attended UNLV. Gwen and her mother joined Saint James Catholic Church at H Street and Washington Avenue, but after she returned from Delhi she joined Second Baptist Church, where she became close with a cohort of friends that remained strong even as she experienced racism and bullying and love for the first time.

Mike Montandon, former Arizonan and former three-term mayor of the City of North Las Vegas (1997-2009), is a natural storyteller. As he recalls municipal governance during a period of record-breaking growth, he talks of forming relationships with developers, legislators, and other municipalities; he speaks to land use, open space, parks, trails, conservation and the Bureau of Land Management (BLM) and Southern Nevada Public Lands Management Act (SNPLMA). He shares histories and stories of the Becker family's role in developing Clark County, of the Combs family's North Las Vegas pig farm; of the drama that routinely characterized BLM land auctions, and of why North Las Vegas spent millions of dollars to build its own sewage treatment plant. The guy who never ran for office in high school or college moved to North Las Vegas in 1992 and four years later was elected as mayor of one of the nation's fastest-growing cities. He ran because he realized the City was populated with people just l

Throughout his career, former Clark County School District Superintendent (1989–2000) Brian Cram took his father's words to heart. He heard them repeatedly over the years as he watched and later, helped, his father clean classrooms at Robert E. Lake Elementary School: this place—the classroom—this is the most important place. Cram was born in Caliente, where his father worked on the railroad. In 1939, when Cram was a toddler, the family moved to Las Vegas and his father found work first as a sanitation engineer at a hospital, and then at CCSD as a custodian. The elder Cram, who spent his formative years in the Great Depression, prided himself on doing "good, honorable work" as a custodian, because the work—the classroom—mattered. Even so, he wanted more for his son. Cram largely ignored his father's advice during his four years at Las Vegas High School, where he ran with The Trimmers car club, wore a duck tail and a leather jacket, and copped an attitude. Cram's swagger, though, d

It is February 20th, 1995, the world’s eyes are set on El Estadio Azteca, Mexico’s largest sports stadium. Inside the facility, in front of an estimated 130,000 people, Mexican legend, Julio César Chávez, is defending his WBC super-light weight title against the American, Greg Haugen. In front of his countrymen, Chávez is punishing Haugen, who disrespected him years earlier in Las Vegas. During the 5th round, Haugen is barely able to stand on his feet, as the record breaking crowd calls for him to be knocked out. Chávez continues to land a barrage of punches, until finally the third man in the ring that night decides to step in to put an end to it. The stadium erupts with cheers for El León de Culiacán. The history books remembers this fight as the largest outdoor fight in the history of the sport. Casual boxing fans will always remember Chávez and Haugen battling it out in the heart of Mexico, but a third man stood in the ring that night: Joe Cortez. Cortez was born to Puerto Rican parents in Spanish Harlem, New York City. Boxing was always a part of this Hall of Fame referee’s life. Cortez won multiple Golden Glove tournaments as an amateur boxer and had a successful, but short career as a professional boxer. Outside of boxing, Cortez also found success as military man, deli owner, hotel manager, and director of an ophthalmologist outreach program. Eventually, he would find himself back in the boxing ring, this time as a referee. His career as a referee took Cortez to the top of the boxing world. When he retired in 2012, Cortez officiated 176 World Championship Fights. In 2011, Cortez was inducted in the International Boxing Hall of Fame alongside, Mike Tyson, Julio César Chávez, Kostya Tszyu, Ignacio Beristain, and Sylvester Stallone.

Kim Krantz arrived in Las Vegas in 1953. She came as a seasoned performer having danced in large productions in Chicago, Montreal, New York and Florida. Born Delores Kalcowski in Jersey City, New Jersey, she adopted the name Kim Perrin while working at New York’s Latin Quarter. She had always loved the West and jumped at the chance to take the Latin Quarter show from New York City to Las Vegas. She came for a two-week engagement at the Desert Inn Hotel. The show was held over at that property for three months, and then it moved to the Riviera Hotel and Casino. Bill Miller approached her to join a new production at the Dunes Hotel. He and Harold Minsky were preparing “Minsky’s Burlesque,” the first show to use women born in the United States in a nude show. She opened with the original cast and stayed for two years. Kim retired in 1957 after she married Danny Krantz, the Food and Beverage Manager for the Flamingo Hotel. She raised four children in Las Vegas, but never lost touch with th

In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.