On March 2, 1972, collector R. A. Grau interviewed former Justice of the Peace, Alma Athella Huffman (born May 2nd, 1909 in Bunkerville, Nevada) in her daughter’s home in Las Vegas, Nevada. This interview covers the history of Southern Nevada. Alma also offers an in-depth description of early life in Bunkerville, Nevada.
On February 26, 1976, Gary Gione interviewed Stella Iaconis (born September 16th, 1910 in Italy) about her life in Southern Nevada. The two discuss Iaconis’ reasons for moving to Las Vegas as well as her childhood memories of Hooverville. Iaconis also talks about seeing the above-ground atomic tests in Southern Nevada from Los Angeles, and the drastic population growth that occurred after the construction of Hoover Dam.
On March 20, 1978, David Furbush interviewed Joanne Imprescia (born October 10th, 1927 in Keokek, Iowa) about her life as a hairdresser in Las Vegas, Nevada. Imprescia discusses the growth of Las Vegas and the local social climate of the fifties. The interview concludes with Imprescia explaining her experiences as a Las Vegas business owner and the hairdressing industry in Southern Nevada.
On February 21, 1980, collector Bob Bush interviewed porter and retired military man, Hugh E. Key (born on November 17th, 1919 in Fordyce, Arkansas) in Las Vegas, Nevada. This interview covers the life of a Las Vegas old-timer. Hugh Keys’ wife, Mrs. Key, is also present during the interview and offers a few remarks.
On February 28th, 1979, collector Richard Probst interviewed Louise Kirkwood (born December 13th, 1925 in Kemmerer, Wyoming) at her residence in North Las Vegas, Nevada. In the interview, Mrs. Kirkwood discusses moving to Nevada and raising her family. She also discusses recreation in Nevada and her involvement in church activities.
On February 28, 1980, Paul Gentle interviewed Luella Knuckles (b. 1910 in Impolla, Texas) about life as an African-American in Las Vegas, Nevada. Knuckles talks to Gentle about the conditions that African-Americans lived in and the discrimination they faced when first arriving to the city. Knuckles, in particular, spends a portion of the interview discussing the segregated layout of Las Vegas and the jobs and opportunities that were available for the black community in a segregated town. Moreover, she provides anecdotes about her deceased husband’s employment, their experience buying and repairing a property by themselves, and the changes in attitudes as the city desegregated. The conversation later focuses on the Church’s place in the African-American community, education and participation in church activities, and Knuckle’s personal love for books and Bible study.
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. Presented to the National Social Science Association, Reno, Nevada.
Bert Hood is celebrated in Las Vegas's gay history for his ownership of the Red Barn, one of our most famous gay bars. This is another of those serendipitous interviews I've conducted with someone I very much wanted to interview but didn't know how to find. Bert's in Las Vegas from Oklahoma City for just a short while visiting old friends, and I was lucky enough to have found him through Bill Schafer, president of the Southern Nevada Gay and Lesbian Historical Society. I want to thank you, Bert, for donating these two hours of your vacation time to me so I can preserve your stories for the gay community.
Breck Wall grew up tough and honed that toughness into solid business acumen. He also grew up talented and that talent took him to movie sets in Los Angeles and allowed him to produce shows in Dallas, New York, Tahoe, and Las Vegas. Though his family became nonexistent early in his life, he formed his own broad family from a group of faithful friends around the country. One special friendship makes this interview worth reading — the one with Jack Ruby. Wall's talent though is the primary reason that this interview is good history. He did many shows and had up to five running simultaneously. The creative process was the fun part that allowed him to produce Passion , Alias, and Night Beat among many others. Bottoms Up is his signature production and has been at several venues in Las Vegas for the past 40 years. Breck Wall is living a full and interesting life. A good example is a phone call from The London Times'. "Mr. Wall?" 1 said, "Yes." He said, "Are you aware that your best friend, Jack Ruby, just shot Oswald?" I said, "What" I was in shock. I said, "No I'm not." And I talked to him very briefly,and I hung up the phone." The phone continued to ring as calls came in from the Dallas Morning News, The Washington Post, The New York Times, etc, etc.
When farm-girl-turned-waitress, Margaret "Maggie" Price, came to Las Vegas from Ohio in 1950 with her husband, Francis "Frank" Price, she had no idea what was in store for her in the hot desert oasis. Maggie's career spanned a period of historical transformation in Las Vegas when Downtown was becoming overshadowed by the development on the Las Vegas Strip. Vaudeville and striptease acts were still alive, but the arrival of big-named acts, such as the Rat Pack, Barbara Streisand, and the King himself, Elvis Presley, were just beginning to take the lead. Organized crime was still a prominent part of the culture and brothels still operated somewhat openly. The three decades Maggie and Frank worked in Las Vegas provided them with front-row seats for the birth, transformation, and occasional death of numerous casinos, including the Sahara, the Flamingo, the Sands, the Dunes, the Tropicana, and the International. Initially going to work as a waitress at the El Rancho Vegas, Maggie