In this interview, the Straus? discuss the joys of growing up in Las Vegas during the 1960s and 1970s, and the changes within the community over time, especially in educational opportunities. Both talk about Joyce Straus? career as artist and art educator, and the influence she had on their lives. They also remember Heidi?s father, Jay Sarno, and the impact he had on the local gaming industry. There is also discussion of the founding of Congregation Ner Tamid, the role of Jewish women?s philanthropy within the community, as well as the establishment of The Meadows School.
Las Vegas history 1953-1980. Migration to Las Vegas from Louisiana. Personal history: family, occupation(s), and education. Westside. Development of race relations in Las Vegas. Residential segregation. Discrimination of blacks: no better than the South. Inequality of employment opportunities. Development of the Strip. Black entertainers.
What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.
The UNLV Libraries Collection of Harrah's Entertainment Promotional Materials and Reports includes financial reports, prospectuses, joint proxy statements, annual reports, equity research, clippings, press releases, press kits, and promotional materials for Harrah's Entertainment dating from 1962 to 2009.
The Bill Moore Professional Papers are comprised of documents, designs, and promotional materials of show producer Bill Moore from 1950 to 2010. From the 1960s until the late 2000s, Moore and his partner George Arnold produced a variety of stage shows, from musicals and revues to his famous "on ice" productions like Nudes on Ice and Playgirls on Ice. Materials include three-dimensional set designs, photographic prints, financial records, promotional posters, and audio and video recordings of shows at casinos in Las Vegas, Laughlin, and Reno, Nevada, and Atlantic City, New Jersey.
Bob Arum is the founder and CEO of Top Rank boxing promotions company in Las Vegas, Nevada. Born in New York, Arum is a former attorney and a member of the International Boxing Hall of Fame. He promoted his first fight for Muhammad Ali in 1966 and moved Top Rank’s headquarters to Las Vegas in 1986. He has produced countless fights in the city and helped to make it “The Fight Capital of the World.” In this interview, Arum talks about the path that led him to a career in boxing promotion, from childhood in Brooklyn, New York, to education at New York University and Harvard Law School, and finally meeting Muhammad Ali while working at New York law firm. He discusses his work with Ali, as well as other boxers, including Marvin Hagler, Sugar Ray Leonard, Tommy Hearns, Roberto Durán, George Foreman, and Oscar De La Hoya, and the growth and evolution of the sport over the past forty years. In addition, Arum talks about the role of Judaism in his life, his involvement with the local Jewish community, and the importance of the Chabad movement.