On February 21, 1979, Dan Buress interviewed Bernice Johnson (born September 13, 1919 in Los Angeles, California) in her home in Las Vegas, Nevada. The two discuss Mrs. Johnson’s personal history and her reasons for moving to Las Vegas. Johnson describes moving between Southern California and Las Vegas while her husband worked for the railroad company. The interview concludes with Johnson recalling her memories of the Von Tobel family and the rapid population growth in Las Vegas after the construction of the Nevada Test Site.

Anne Kellogg's paternal family came to Las Vegas in the 1950s. Then in the late 1960s, her mother arrived to teach school. After her parents married, they set up their first home in John S. Park neighborhood and whenever they moved to a larger house it was within the John S. Park neighborhood. And her father's business office was always nearby. Childhood memories include John S. Park Elementary School being a "hub" for all the neighborhood children no matter where they attended school. There was jumping on the Schofield's trampoline, roller-skating to Odyssey Records, and using Strip hotel tennis courts to practice her game. The Strip was not important in daily life, but if she got good grades, she got to play the Midway at Circus Circus Casino. As an adult, Anne still sees John S. Park as a nice neighborhood that holds an important spot in Las Vegas history. In addition, she offers thoughts on the so-called Manhattanization of Las Vegas, Downtown rehab and the birth of the Arts District, and about retail and being a business owner in the community.

On November 1, 1979, Robert Maichle interviewed Marshall Mack Dawson (born 1938 in Las Vegas, Nevada) about his experiences living in Las Vegas. Dawson first talks about his early education, his family, and the Old Las Vegas Mormon Fort. He then describes the changes he has noticed over time, the atomic testing, the Helldorado parades, Red Rock, the development of the Strip, and the changes in the Downtown area. Dawson also discusses some of his work for Nevada Power, the early movie theaters, his opinions on journalism, and various other topics.

On March 18, 1978, Gigi Arino interviewed antique shop owner, Mary B. Cooke (born November 13th, 1936 in Watertown, Wisconsin) in her antique shop in Las Vegas, Nevada. During this interview Mary discusses previous jobs, personal family history, education, and the growth and development of the city. She also expresses her opinions on the topic of welfare, healthcare and the condition of the hospitals in Las Vegas.

Dennis Ortwein arrived in Las Vegas in 1956. He shares many details about growing up in Montana, his parents and siblings, his education, and the moment in time when he was offered an opportunity to work in Las Vegas. He also lays out the path his singing career took, starting with school plays, duets with his sister, and high school quartets. Once in Las Vegas, Dennis taught for a while, served as principal, and was involved in creating programs that helped integrate schools. He also talks about his church choir work, entertainment in early Las Vegas, above-ground testing at the Nevada Test Site, and anti-nuclear protests. Dennis served as lab school and student teaching coordinator in Nigeria. He offers several anecdotes and stories about the time he and his family spent there. After retiring early (age 53), Dennis acted as consultant to the Esmeralda County school board, executive director for the National Conference of Christians and Jews, and wrote a book. He is currently enjoying his singing career by appearing at conventions, in musicals, and at weddings and memorials.

Houghton Hoot Peterson played trombone in his high school band in northern Minnesota where he grew up. That same instrument would lead him to be a member of the highly regarded Air Force jazz band called Airmen of Note after enlistment. Then during a short tour at Nellis Air Force base, Hoot decided that the Las Vegas entertainment scene might have career opportunities for him. He moved to Las Vegas in 1962, an era of celebrity performers and tourists who enjoyed the crowds and nightlife. Hoot's point of view was as a musician in the band, most often a Strip relief band. But he also has tales of famous musicians and late night jam sessions. Hoot's career spanned 20 years. Eventually the Las Vegas scene for live musicians began to change. When times got tough for Hoot, he worked as a carpenter and at a music store. In this interview he discusses his fascinating past and offers advice for today's musicians.

In the signature line of Harry Fagel?s emails is a reads: Be the light in dark spaces. This illumines the person that Harry is both as a police officer and a poet in Las Vegas. Harry is native Las Vegan, who has served the community with the Las Vegas Metropolitan Police Department for nearly 30 years. He currently is a police lieutenant serving in Laughlin, Nevada. In addition, Fagel is a respected poet, writing both for the public and on commission. He performs in the local poetry scene. He also has showcased his poetry in two published books, released an album, and is a recipient of the Hilliard Endowment Grant from the University Nevada, Reno. Fagel is a graduate of the University of Nevada, Las Vegas, and currently lives in Henderson with his wife, Leilani and two sons, Sam and Jake. In this interview, Fagel discusses his family background, how his grandparents came to live in Las Vegas in the 1950s, as well as his relationships with both his mother and father. He recalls his early jobs which included working for his cousin Freddie Glusman?s restaurant Piero?s and for Circus Circus-long before becoming a policeman. His involvement with the Jewish community started young and he shares how it has evolved over the decades. In addition, Fagel reflects upon his career as a law enforcement officer, the progressiveness of the Las Vegas Metropolitan Police Department, and changes in relations between the police and communities, both locally and nationally. Lastly, Fagel talks in detail about his poetry, its dominant themes, and the local poetry scene.