Search Results
Photographs of Bourbon Street signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 120 E Flamingo Rd
Sign owner: Carma LTD
Sign details: Bourbon Street is located between the Maxim and the Barbary Coast on the north side of Flamingo, stretching to the corner of Audrie and Flamingo. The building contains elements such as brick masonry, stucco and wrought iron grating. It is a smaller property compared to nearby plots such as Bally's or the Flamingo. Extending north a short distance for a structure of rooms and parking, the signage consists of wall signs on the east and west sides of the building, a main sign on the south side of the building, a sidewalk and window canopies, as well as a main pylon.
Sign condition: Structure 3 Surface 3 Lighting 3--notes: The entire facade of the building, as well as canopies are badly faded and in need of attention.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Headed west on Flamingo the first signage visible of the Bourbon Street is on the east face of the main building. A giant stucco arch, which runs the height of the building, is adorned at the very top with a round canopy. The canopy is divided into striped sections of red and white alternating panels, separated by gold aluminum polished raceways lined with incandescent bulbs. The canopy's underside is laden with incandescent bulbs. White channel letters reside on the surface of the building spelling out " Bourbon Street," with one word above the other. The letters are filled with white neon. Below the word "Street," the words "Hotel Casino," are spelled in channel letters and filled with red neon. Below the collection of channel letters and canopy, the majority of the space is occupied with an internally lit plastic screen with vinyl letters. Two small canopies flank the arch over two windows and also contain incandescent bulb raceways. The top edge of the building is gold polished raceways with incandescent bulbs. Along the south side of the building, long canopies are hung upon the top edge of the wall hanging over backlit plastic screens with vinyl letters. The middle of the building is an archway projected out into space creating an extension of the side of the building. The same canopy design seen on the east side of the building is seen at the top of the structure only larger in size. It is also treated with the same raceway and incandescent bulb design. "Bourbon Street" is spelled in al capital channel letters outlined in red neon and filled with incandescent bulbs. Above and below the text on the wall, white neon is bent into decorative, scrollwork patterns. The very top of the arch is crowned with a single internally lit spherical bulb. Below the text a cabinet with rounded top corners, houses channel letters filled with red neon. It is bordered with a raceway lined with incandescent bulbs. Projecting out on either side of this cabinet, along the face of the building, hanging over the sidewalk, is a canopy with an exoskeleton of raceways lined with incandescent bulbs. On the wall of the building, between the two top and bottom canopies, and on either side of the main entrance two small canopies hang over windows. They are treated the same as the window canopies on the east side of the building. On the west end of the property there is a small porte-cochere, and covered walkway that extends west to the end of the property. At a slightly higher elevation than the facade's canopy, the porte-cochere is a square design with the same external raceways and bulbs, the same can be said for the walkway extending to the edge of the property. The canopies look to be made of steel and painted to match the color scheme of the establishment. The underside of the porte-cochere is comprised of squared mirrored paneling illuminated with incandescent bulbs. On the west side of the building above the porte-cochere the same canopy and arch design can be seen but the text is more akin to the text on the south side of the building. The channel letters spell the text Bourbon Street in two lines. They are outlined in red neon and filled with incandescent bulbs. The text "Hotel Casino" is represented in channel letters filled with red neon. The only difference is the yellow neon design placed in between the two words. To the left of this sign, along the top edge of the building the canopy design picks up again hovering above a backlit sign message board. On the extreme west end of the property the main pylon sign faces east/west on the northeast corner. The sign basically consists of a large pole with a double-backed cabinet, crowned with the umbrella canopy shape seen throughout the property. The cabinet is of rectangular design with the corners cut out in a circular shape. The majority of the sign is occupied by the red neon bordered channel letters, which read "Bourbon Street". These are also filled with incandescent bulbs. The text "Hotel Casino" is spelled in channel letters and outlined on the interior with red neon. The left and right sides of the word "Street" are occupied with a channel scrollwork design lined with yellow neon. A channel pattern also separates the words "Hotel" and "Casino" This patterns appears to be like a flier de lie with its mirror image attached to it from the bottom. It too is filled with yellow neon. The face of the cabinet is lined with a raceway containing incandescent bulbs. The umbrella canopy occupies the top of the sign. It is fully realized in the round, with the exterior skeleton of the raceways with incandescent bulbs. The underside is also mirrored with incandescent bulbs spread across the surface. At the very top of the umbrella shape a streetlight puts the finishing touches on the sign. A small sign worth mentioning sits north of the main pylon at the edge of a small parking lot for the facility. It is a small back-lit cabinet denoting hotel registration and parking. The rectangular cabinet sits upon a small pole with a rounded section incorporated into its design. On the plastic portion of this rounded extension the words "Bourbon Street" are graphically painted along with the image of the red and white canopy.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Fiberglass; Glass
Sign - non-neon treatments: Paint
Sign animation: Oscillating, chasing
Notes: All the incandescent bulbs on the raceways that are visible, chase each from other top to bottom. The incandescent bulbs, which line the raceways on the umbrella shape on the main pylon, chase each other downward as well as around the border of the face of the sign. The underside of the umbrella is also encrusted with incandescent bulbs, which oscillate. The text on the pylon sign all light up simultaneously in an oscillating pattern, they then steady burn, then shut off. The main logo marquee seen on the south face of the building contains the same animation seen on the pylon sign as well. The small vertical raceways underneath the porte cochere also animate by chasing downward.
Sign environment: Headed west toward the strip on Flamingo, the defunct Maxim is almost invisible at night, while the first active property is the Bourbon Street. The main pylon resides directly across Audrie from the Battista's pylon, making a flanking neon gateway to northern bound travelers on Audrie.
Sign manufacturer: YESCO
Sign - date of installation: 1984-05
Sign - thematic influences: The theme of the Bourbon Street is evident in its name being influenced by the Mardi Gras party atmosphere of New Orleans. The new Orleans theme itself is reminiscent of turn of the century America. The canopies and brass railing are reminiscent of properties such as the Westward Ho, with its umbrellas, brass treatments and raceways as well. The pylon is reminiscent of a close neighbor in the Barbary Coast, with similar style 19th century block text, and color palette.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Chasing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Fiberglass; Glass; Paint
Mixed Content
Orientation manual of the Jewish Family Service Agency of Clark County, 1989
Date
Archival Collection
Description
The orientation manual of the Jewish Family Service Agency provides guidance for the duties of the board of directors, the operation of the agency, the organization chart, and staff listing. It also outlines the role of volunteers in the agency.
Text
Transcript of interview with Maxwell Kent "Tim" Hafen by Stefani Evans and Claytee White, September 14, 2016
Date
Archival Collection
Description
With so much emphasis put on the growth of Las Vegas and Henderson over the past thirty years, we often forget about the development of the others cities in the Valley. Expansive growth in Southern Nevada in the mid-twentieth century shows the region being one of the last bastions of agricultural existence, and Tim Hafen has been a major player in the development of the city of Pahrump. Born in St. George, Utah, and raised in Mesquite, Nevada, he graduated from Virgin Valley High School and attended Dixie College. Before the Bureau of Land Management (BLM) was called as such, his father introduced him to the working of the land through dairy and hay farming, where a young Tim decided he would never milk a cow again. His rejection of cow milking didn’t deter him from following the influence of his father after he married his wife, Eleanor, in 1951 and moved to Pahrump to become a cotton farmer. At that time, there were only 150 people in the area with a third of the population being from the Paiute tribe. Once the city was incorporated in 1964, he founded the Pahrump Valley Utility Company to get electricity to the area along with Amargosa Valley. Top crops at the time included cotton, alfalfa as well as wheat that were picked by Mexican farm laborers used under a yearlong contract with the Bracero program. vi In this interview, Hafen shares how he began his career in politics from getting called for grand jury in 1963. From 1966–1974, he was a member of the legislature, where he served two terms in the Old Capital building and held various positions such as Chairman of the State Board of Agriculture for twelve years and President of the Nevada Farm Bureau. He was speaker pro tem and Chairman of the taxation committee and decided to call it quits because of the Nixon scandal. Between 1974 and 1975 Hafen ended his political career, which he did before brothels began to come to the area later in the decade. In 1982, in the wake of the gasoline crisis, Hafen, like other Pahrump cotton farmers, could not afford to continue farming; he decided to shift from farming to development. His first development done was Cottonwoods at Hafen Ranch, which was on 160 acres of alluvial fan, non-farmable land; in 2000 he opened his second subdivision, Artesia at Hafen Ranch.
Text
Elissa Miller interview, March 3, 1980: transcript
Date
Archival Collection
Description
On March 3, 1980, Frank Fusco interviewed Elissa Miller (born October 29th, 1935 in San Francisco, California) at the University of Nevada, Las Vegas. In this interview, Mrs. Miller talks about her life in Virginia City and Reno, Nevada. She discusses the growth in Reno and the problems that came from that. She also speaks about living life in Virginia City, a much smaller town in Nevada. She talks about the people who live and work there, as well as some of the things the town is known for, such as the International Camel and Ostrich Races that are held annually.
Text
Transcript of interview with Priscilla Scalley by Claytee White, July 24, 2014
Date
Archival Collection
Description
Priscilla and Joe Scalley arrived in Las Vegas in 1972 with their two young daughters. Joe had just completed his residency in radiology and came to Las Vegas to practice at Sunrise Hospital, where he eventually became Southern Nevada’s first neuroradiologist. The couple took out two mortgages to buy their house at 2900 Justice Lane, in the Rancho Nevada Estates section of Ward 1. They were the second owners of the house, which had been built in 1967. In 1993, after their daughters had graduated from high school, the Scalleys sold the house and moved to Summerlin. Joe Scalley died in October 1994. After Joe died Priscilla became reacquainted with and married the father of one of her daughters’ childhood friends, Joel Jobst, who was also widowed. Joel was a nuclear physicist retired from the Nevada Test Site. Priscilla and Joel bought a vacation home in Montana, where they spent every summer. They celebrated 13 years of marriage before Joel passed in 2013. As a young mother Priscilla joined the West Charleston Elementary School Parent Teacher Association and eventually became president. She helped found the Friends of the Libraries when the Clark County Library District had only two libraries—Flamingo Library and West Charleston Library—and served as that group’s president. She also was active in Junior League of Las Vegas and was president 1983?84. In her early forties Priscilla became a travel agent, a career that kindled a passion for travel that still burns brightly. She also is interested in genealogy. Although she has traveled the world she yearns to take her daughters, sons in law, and grandchildren to Ireland, the land of her ancestors.
Text
Transcript of interview with Linda Lintner by Claytee White, February 12, 2013
Date
Archival Collection
Description
The daughter of a soldier, Linda Lintner and her mother traveled from North Carolina to Overton, Nevada to stay with Linda's grandparents when she was only six weeks old. After her father joined the family, they moved to Las Vegas where both her mother and her father started working at the Post Office. Linda attended local elementary and middle schools in the valley, and in due time, Rancho High School. In this interview, Linda shares not only her memories of growing up in Las Vegas but also fascinating stories about the almost decade long round the world sailing journey that she and her second husband began in 1986. In the course of the decade, Linda became a qualified diver, and expert sailor, and developed a lasting appreciation for the world, its oceans - and the skills you learn when you live on a boat with one other person for so very long. Since their return, Linda has been keeping busy, volunteering many hours with local veterans homes and the church - we are fortunate that she was able to spend time with our interviewer, too, to share her memories of growing up in Las Vegas.
Text
Eric Calvillo interview, June 18, 2019: transcript
Date
Archival Collection
Description
Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.
Text
Transcript of interview with Sally L. Jackson by Krista Jenkins, March 2, 1980
Date
Archival Collection
Description
On March 2, 1980, collector Krista Jenkins interviewed assistant manager, Sally L. Jackson, (born March 28th, 1932 in Culver City, California) in her home in Las Vegas, Nevada. The interview covers the social and environmental changes that have occurred in Las Vegas. Sally also discusses the hospitality industry and offers details on the local hotels, casinos, and nightclubs in Las Vegas, Nevada.
Text
Luella Knuckles interview, February 28, 1980: transcript
Date
Archival Collection
Description
On February 28, 1980, Paul Gentle interviewed Luella Knuckles (b. 1910 in Impolla, Texas) about life as an African-American in Las Vegas, Nevada. Knuckles talks to Gentle about the conditions that African-Americans lived in and the discrimination they faced when first arriving to the city. Knuckles, in particular, spends a portion of the interview discussing the segregated layout of Las Vegas and the jobs and opportunities that were available for the black community in a segregated town. Moreover, she provides anecdotes about her deceased husband’s employment, their experience buying and repairing a property by themselves, and the changes in attitudes as the city desegregated. The conversation later focuses on the Church’s place in the African-American community, education and participation in church activities, and Knuckle’s personal love for books and Bible study.
Text
Transcript of interview with Ivory Blue II by John Grygo, February 22, 2013
Date
Archival Collection
Description
Ivory H. Blue II was born and raised Las Vegas, specifically in the Westside neighborhood projects during the 1980s and 1990s. He describes his early childhood and what he remembers as a strong sense of community. Though grade school had its challenges, Ivory excelled in sciences and came under the watchful mentoring of Dr. Eugene McGaugh, a professor at UNLV. Ivory graduated with a master’s degree and has a long career already with NV Energy. Theresa Harris, Ivory’s mother, was from Hawthorne, Nevada and his father, Ivory Blue I, was originally from Edwards, Mississippi.
Text