Oral history interview with the Congregation Ner Tamid roundtable conducted by Barbara Tabach on September 21, 2016 for the Southern Nevada Jewish Heritage Project. In this interview, Rabbi Sanford Akselrad and five members of the congregation discuss the founding of Congregation Ner Tamid, the first reform synagogue in Las Vegas, Nevada, in 1974. They go into detail on how the synagogue was formed, the building-hopping they did until they built their current structure, and the funding it took to get to that point. The interviewees reveal a few donors, such as Morris Dalitz and Frank Sinatra, who helped to build their synagogue and school. The interview ends with meaningful stories and memories the members have relating to Congregation Ner Tamid.

Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.

Oral history interview with Lily Teo conducted by Stefani Evans on February 7, 2022 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Lily Teo discusses her upbringing in Singapore, her education, her religious beliefs, and converting from Buddhism to Catholicism. She talks about her husband, her early married years, and what life was like as a young mother of three children. Teo shares how she started a catering business to feed construction workers and was responsible for shopping for ingredients, preparing all meals and tea, and cooking the food on site in her temporary kitchen. She talks about her children, the faiths they practice and languages they speak including English, Malay, and Mandarin, and the customs and traditions they practice, such as celebrating Lunar New Year and other holidays. Lily's daughter, Stella, sits in on the interview and expands on her mother's recollections.

Oral history interview with Lupe Avelar conducted by Marcela Rodriguez-Campo and Maribel Estrada Calderón for the Latinx Voices of Southern Nevada Oral History Project. Lupe Avelar describes her life growing up in Durango, Mexico on a family farm and her immigration to New Mexico as a teen with her brother before returning back to Mexico. Lupe talks about her marriage to Eladio Avelar and how the couple eventually moved to California as well as her circumstances of moving to Las Vegas. Subjects discussed include: cotton fields; cotton farming.

Oral history interview with Diane Meireis conducted by Claytee D. White on November 06, 2017 for the Remembering 1 October Oral History Project. In this interview, Meireis discusses her experience at the 1 October shooting. She remembers hearing gunfire, the confusion in the crowd, and finding a safe place to hide. Meireis describes the collaboration of strangers, and feeling guilt for not being able to help others as she escaped the venue. Lastly, Meireis discusses her opinions of firearms.