On March 18, 1978, Gigi Arino interviewed antique shop owner, Mary B. Cooke (born November 13th, 1936 in Watertown, Wisconsin) in her antique shop in Las Vegas, Nevada. During this interview Mary discusses previous jobs, personal family history, education, and the growth and development of the city. She also expresses her opinions on the topic of welfare, healthcare and the condition of the hospitals in Las Vegas.

On March 5, 1980, Clark Ellsworth interviewed his grandmother, Emma Ellsworth (born 1902 in Payson, Utah) about her experiences in Southern Nevada. Ellsworth first talks about growing up in Utah and getting married before moving to Pioche, Nevada during the Great Depression. She also talks about bringing up a family in Las Vegas as well as her and her husband’s work in running Beneficial Life, a life insurance business, in Las Vegas. Ellsworth also talks about the Mormon churches in Las Vegas, the schools her children attended, and the number of grandchildren and great-grandchildren she had at the time.

Part 1: Interviewed by Stefani Evans. Myron G. Martin, President and CEO, and Donald D. Snyder, Chairman of the Board of Directors, share their memories of the founding of The Smith Center for the Performing Arts from the first non-for-profit foundation formed in 1996. The second iteration led by Snyder in 1999 brought in Martin--former Director of UNLV Performing Arts Center--and created a sustainable business plan for a center for the performing arts that would be accessible geographically and culturally for all segments of Nevada society. Here, Martin and Snyder recall how land, funding, and legislation for The Smith Center depended on the ""power of the project"" and the Snyder-Martin team's ability to overcome skeptics in the public, the Nevada Legislature, the Clark County Commission, the Las Vegas City Council, and the Don Reynolds Foundation. Martin and Snyder satisfied the various requirements for each organization and earned unanimous approval at each stop--in fact, the $50 million donation to The Smith Center was the largest the Don Reynolds Foundation had ever granted largest. That the approvals came on three consecutive days from competing municipal jurisdictions makes the accomplishment even sweeter. Subjects: Las Vegas, NV; Cultural center; Performing arts; The Smith Center for the Performing Arts; The Smith Center; Not-for-profit;; Nevada Legislature; Clark County Commission; Las Vegas City Council; The Don Reynolds Foundation; Fundraising; Planning; Endowment; Part 2: Interviewed by Stefani Evans. Martin, who was the youngest of three boys raised in suburban Houston, Texas, likes to say that in college at the University of North Texas he played for the Atlanta Braves and the Texas Rangers. So he did--as the organist. He earned a Bachelors of Music in piano, organ, and voice and an MBA from Golden Gate University. He came to Las Vegas after a fifteen-year career with the Baldwin Piano Company as executive director of the Liberace Foundation; he later became president of UNLV?s Performing Arts Center and in 1999 he became president of the Las Vegas Performing Arts Center Foundation. Here, Martin and Snyder recall the process whereby they hired architect David Schwarz of Washington, DC, to create The Smith Center's ""timeless, elegant"" look; creating a ""shared vocabulary"" by visiting 14 performing venues in 5 European countries; the City of Las Vegas's RFP that resulted in hiring Whiting-Turner Contracting Company; the exterior art/artists, significance of the bell tower, Founding Fifty(seven), and the ability of the theater to adapt from staging The Book of Mormon to staging a community funeral for two slain police officers. Subjects: The Smith Center; The Smith Center for the Performing Arts; Architecture; Fundraising; Acoustics; Public private partnerships; Request for proposals; Whiting-Turner; Theater Projects Group; vocabulary; Part 3: Interviewed by Stefani Evans. Author Jack Sheehan, joining this third session on The Smith Center in his role as Don Snyder's biographer, explains the way he envisions the place of The Smith Center in the larger context of Las Vegas. Martin and Snyder provide names for the group that grew out of the Call to Action meeting and founded the original Las Vegas Performing Arts Foundation. They share anecdotes of a 2005 trip, wherein they were joined by Las Vegas City Councilman Lawrence Weekly, City of Las Vegas Mayor Oscar Goodman, and consultant to the City of Las Vegas Dan Van Epp to visit City Place and the Kravis Center for Performing Arts in West Palm Beach as an example of a place where a performing arts center was a catalyst for revitalization in an area of underused and underutilized urban land. They discuss opening night, March 10, 2012, /From Dust To Dreams: Opening Night at the Smith Center For The Performing Arts/, which was produced broadcast live on national Public Broadcasting System (PBS) television stations, produced by George Stevens Jr. and directed and produced by Michael Stevens for The Stevens Company; hosted by Neil Patrick Harris; and featuring Jennifer Hudson, Willie Nelson, Merle Haggard, Emmylou Harris, Martina McBride, Carole King, Arturo Sandoval, Joshua Bell, Mavis Staples, Pat Monahan; American Ballet Theater dancers Marcello Gomes and Luciana Paris; also Broadway performers Brian Stokes Mitchell, Laura Osnes, Cheyenne Jackson, Sherie Rene Scott, Montego Glover, and Benjamin Walker. Martin describes how provisions of Nevada SB235--introduced March 6, 2017, signed into law by Governor Bob Sandoval, and became effective October 1, 2017--for the regulation of ticket sales to an athletic contest or live entertainment event affect The Smith Center ticket sales. They talk of providing 3,600 good construction jobs during the recession, of Discovery Childrens Museum, of future development plans for the entire 61-acre Symphony Park parcel, and of a second capital campaign to increase the endowment to $100 million to enable The Smith Center to be economically sustainable.

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Bud Weil worked as a disc jockey in Mexico after serving in the military during World War II. In 1947, he moved to Las Vegas to work at KLAS but after two days he was job hunting. His search landed him at KENO, a radio station owned by Max and Laura Belle Kelch. His was an interview show that afforded him entree to stars performing in town. The list of his favorite interviews includes Sophie Tucker, Sammy Davis, Jack Benny, The Mills Brother, Rosemary Clooney, Leno Home, Joey Lewis and many others. In 1955, he became restless, left the career in broadcasting, and joined Max Kelch as a partner in a new venture for Las Vegas - Musak. This enterprise took him to the doors of every business in town and shortly, he knew everybody. He uses that knowledge in this interview to talk about all aspects of life as the town grew over the years. Today he is a senior statesman of our town, enjoying everything about Las Vegas except the traffic.

Daryl Morris discusses growing up in Las Vegas and his love of acting.

Daryl Morris is a native of Las Vegas. Born in 1961, he is one of three sons born to Paula and Bobby Morris. He recalls his childhood of the 1960s and 1970s with great fondness of the fast friendships formed within the Jewish community. His day job is in insurance, but his great love is for acting. He tells of being smitten at the age of 11 and taking acting lessons as a youngster and then later studying with actor Jeff Goldblum. He has an impressive list of films in which he has appeared, including the opening scene of Mall Cop 2. He enjoys voice-over acting and teaching acting classes. He also tells about his Navy service, attending UNLV, and coming to settle in Las Vegas-the place he calls home. Daryl also participated in the January 31, 2016, Growing Up Jewish in Las Vegas panel discussion for the Southern Nevada Jewish Heritage Project.

In this interview, conducted for the 50th anniversary of UNLV, Marta Sorkin discusses her family and her experience moving to California, and then to Las Vegas. Sorkin worked at the James R. Dickinson Library at UNLV and later in Lied Library, helping to implement and update various databases, and create displays on current topics. She briefly discusses her involvement with Hillel and the Jewish Federation of Las Vegas.

Marta Sorkin begins by reminiscing about her childhood in Far Rockaway Long Island, New York. She details the life her parents lived, which set an example for Marta and her two siblings. Through hard work, advanced education, and involvement in causes that were important to them, they created the template by which Marta lives her life. Marta describes her early work history, which included modeling, sales, library work, and working part time in her father's dry-cleaning plant. She and her daughter were living with her parents for a time in California, and they visited Las Vegas on weekends. It was during one of those visits that Marta met her second husband-to-be. They eventually married and decided to settle in Las Vegas. In Las Vegas, Marta enrolled at UNLV, became involved with the Preservation Association of Clark County, and volunteered at the Jewish Federation of Las Vegas. In addition, she completed her BA and MA degrees at UNLV and started working at the university's library. She details her work there, including creating display cases, working in the reference section, doing research for students and faculty, and compiling interviews. Marta also describes the fundraisers she spearheaded to help raise money for the various societies she was involved with: non-events, pancake breakfasts, dinners, and dance and band performances. In her closing comments she mentions an interview she did for Ralph Roske's class and expresses her appreciation for the career she's had at UNLV.