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Stewart family real estate documents

Date

1900 to 1909

Archival Collection

Description

Stewart family real estate documents

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University of Nevada, Las Vegas (UNLV) 46th commencement program

Date

2009-05-09

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

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Sierra Club Toiyabe Chapter Records

Identifier

MS-00289

Abstract

The Sierra Club Toiyabe Chapter Records (1951 to 2021) are composed of files from Sierra Club officers and environmental activists in the Southern Nevada (formerly Las Vegas) Group of the Toiyabe Chapter. The collection documents the involvement of the Southern Nevada group in a variety of environmental concerns, such as air quality, transportation, urbanization, and nuclear issues, in which the chapter has expressed interest. The records are comprised of correspondence, memoranda, meeting minutes and agendas, newspapers, magazines, newsletters, pamphlets, press releases, legislation, recommendations, resolutions, and general information. Due to the group’s location in the heart of the Mojave Desert, the collection provides excellent case studies of significant changes in the post-World War II American environmental movement, notably the increased recognition of the worth of desert lands.

Archival Collection

Arnold Shaw Papers

Identifier

MS-00432

Abstract

The Arnold Shaw papers (1927-2006) contain correspondence, newspaper articles, journal entries, promotional materials, and photographs. Shaw was a prolific writer and his papers also include articles, short stories, plays, and biographies written by him. In addition there are proofreader's notes, research material, and scratch copies for each of his fourteen books. The collection also contains papers from the various vocal groups and companies under contract with Shaw's music company, Mansion Music. Sheet music, some of which was written and produced by Shaw, assorted printed materials, and sound reels are also included.

Archival Collection

Theta Theta Omega, 50th Golden Anniversary Gala (Monte Carlo Hotel)

Date

2015-04-18

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Ivy Leaf magazines and event souvenir programs file.

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Transcript of interview with Breck Wall by Claytee White, July 3, 2003

Date

2003-07-03

Archival Collection

Description

Breck Wall grew up tough and honed that toughness into solid business acumen. He also grew up talented and that talent took him to movie sets in Los Angeles and allowed him to produce shows in Dallas, New York, Tahoe, and Las Vegas. Though his family became nonexistent early in his life, he formed his own broad family from a group of faithful friends around the country. One special friendship makes this interview worth reading — the one with Jack Ruby. Wall's talent though is the primary reason that this interview is good history. He did many shows and had up to five running simultaneously. The creative process was the fun part that allowed him to produce Passion , Alias, and Night Beat among many others. Bottoms Up is his signature production and has been at several venues in Las Vegas for the past 40 years. Breck Wall is living a full and interesting life. A good example is a phone call from The London Times'. "Mr. Wall?" 1 said, "Yes." He said, "Are you aware that your best friend, Jack Ruby, just shot Oswald?" I said, "What" I was in shock. I said, "No I'm not." And I talked to him very briefly,and I hung up the phone." The phone continued to ring as calls came in from the Dallas Morning News, The Washington Post, The New York Times, etc, etc.

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Dorothy Eisenberg interview, March 8, 2017: transcript

Date

2017-03-08

Description

Multicultural advancements in Las Vegas cannot be mentioned without speaking on the monumental contributions of Dorothy Eisenberg. From 1971 to 1998, she was involved with over 25 local organizations and committees and had the honor of having an elementary school named after her. Eisenberg’s beginnings start in the midst of the all American melting pot experience though immigration. Her mother came to the United States from Russia at age twelve and her father from Austria at age sixteen to go upholstery school. Upon marriage, they settled down in Philadelphia after the World War II. They raised Dorothy and her siblings to contribute to the community despite the anti-Semitism that was displayed there on a regular basis. Signs that said, “No dogs and Jews allowed” were common place. After her first husband died, leaving her as a single mother of four little girls, she didn’t allow herself to be trampled by her circumstances by enrolling in Temple University to be a teacher at a time when the university had stigma towards older students. Upon her marriage to her second husband, the family moved to Las Vegas where she found a spiritual home for her family at Temple Beth Sholom, where her children went learned to deeply appreciate their Jewish heritage and attended Hebrew school. Having always been involved with politics in Philadelphia, she faced personal discrimination due to her religion when she was searching for organizations to involve her time. She eventually found a home with the League of Women Voters in 1965 and became involved with the Observers Corp and became aware of what was going on with the African American community from community based research and dialogue. She played a key role as president of the organization and faced heat for her involvement in the desegregation of sixth grade centers with the Kelly vs. Guinn decision in 1972 and was involved with the Welfare Rights Movement. She met Ruby Duncan and Jane Fonda, and she even showed up to the march with her daughters. Eisenberg was heavily involved with her namesake school through meetings with principals at least once a year, reading to students in the classroom, and bringing latkes to the school on Hanukkah. She continues the intergenerational legacy of educational involvement set forth by her parents with supporting her children, grandchildren and great grandchildren in the school as well. Dorothy Eisenberg is a true role model for Nevada and a pioneer for equal education in Las Vegas.

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Transcript of interview with Ina Porter by Claytee White, January 5, 2010

Date

2010-01-05

Archival Collection

Description

Ina Porter recalls the story of choosing to move to the John S. Park Neighborhood in the 1940s. She and her husband Burdell were accustom to paying cash for everything and needed to establish credit with Sears to purchase their $5000 home, which was not considered inexpensive. They were among the earlier homeowners and soon the neighborhood grew to include a Mormon Church that would become so integral to the Porter family's life and to the John S. Park community. Ina was born 1917 in the small southern Utah town of Kanab. She describes her youth and speaks of the Great Depression. Ina graduated from high school in 1935, married in 1936 and moved to Las Vegas, where there were jobs for her husband. Finding work after his graduation from college was not easy, but because he had been a bus driver he was able to secure a position driving a bus for the Union Pacific Railroad and later Greyhound Bus Line. Years later Ina, Burdell and their family were part of the fiber of the Joh

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Transcript of interview with Steven Liguori by Claytee White, January 20, 2010

Date

2010-01-20

Description

Steven Ligouri is an artist who is a born and raised Nevadan whose artistic creations can be enjoyed at such places as the Hoover Dam, where his famous High Scaler sits comfortably [above left photo]. The stories of this statue and others are included within this interview. Steve began mastering his trade as a youngster making jewelry with assistance of his father, Bruno Ligouri who owned a turquoise shop in Boulder City. Since his birth in 1962, Steve has lived in several locations: a family farm in North Las Vegas, John S. Park neighborhood, in Boulder City, and eventually back to John S. Park. Returning to the John S. Park neighborhood after a 22-year absence gives him the chance to reflect on the changes that have occurred. Steve fondly calls the neighborhood "home" and firmly believes it can reach its potential.

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Transcript of interview with Ronald Simone by Claytee White, May 5, 2009

Date

2009-05-05

Description

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

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