From the Nye County, Nevada Photograph Collection (PH-00221) -- Series IV. Pahrump, Nevada -- Subseries IV.F. Hafen Family. The award was presented by the Junior Chamber of Commerce for Governor Charles Russell. U.S. Secretary of Agriculture, Ezra Taft Benson, presented the award. U.S. Senator Molly Malone stands in the background with Beldon Katleman, owner of the El Rancho, at the El Rancho Hotel, Nevada.
The Las Vegas PRIDE Parade Records (2016-2017) contain administrative files that document how the Southern Nevada Association of PRIDE, Inc. (SNAPI) organized the 2016 and 2017 PRIDE parades in Las Vegas, Nevada. Materials include correspondence with event organizers, parade participant information, and PRIDE event guides.
Oral history interview with Janis Walker conducted by Claytee D. White on July 03, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Walker discusses her career as an African American showgirl in Las Vegas, Nevada during the 1970s and 1980s. Walker describes dancing in the MGM Grand Hotel and Casino productions of Hallelujah Hollywood and Jubilee!, and what the life of a showgirl was like. She also talks about the company manager at the MGM, "Fluff" LeCoque, her own children, her work at the time of the interview, and how entertainment in Las Vegas has changed.
Oral history interview with Loreta Monson conducted by Jon J. Howard on March 01, 1979 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Monson discusses moving to Las Vegas, Nevada from Utah for her husband's job. Monson also discusses the growth of Las Vegas over the years. She talks specifically about hotels and casinos. Finally, Monson briefly describes her family life.
The Johnny Eshow Haig Papers (1970-1990) are comprised of contracts, agreements, and correspondence of musician Johnny Haig, who worked as a trombone player and conductor at various hotels in Las Vegas, Nevada from 1955 until 2000. Additionally, the papers house extensive original music scores written by Haig. The papers primarily cover Haig’s later career in the 1970s and 1980s.