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Tina and So Lin Kwan oral history interview

Identifier

OH-03805

Abstract

Oral history interview with Tina and So Lin Kwan conducted by Cecilia Winchell and Stefani Evans on November 6, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.

Tina Kwan and her mother, So Lin, discuss their family's history within Guangzhou, China and the United States. So Lin shares how her siblings immigrated to the United States and sponsored the rest of their family to join them in Las Vegas. Tina, So Lin's daughter, discusses her educational career pursuing medicine with degrees from the University of Nevada, Reno; the University of Arizona; and with a fellowship at Arkansas Children's Hospital before joining Children's Heart Center Nevada where she is a pediatric cardiologist. Tina and So Lin talk about the Kwan's restaurant, the Fortune Inn Restaurant, which was open for 15 years and closed in 2005. They also discuss Chinese superstitions and customs, diversity within Southern Nevada, anti-Asian discrimination, and learning English as a second language.

Archival Collection

Transcript of interview with Floyd Jenne by Ping Lee, March 10, 1981

Date

1981-03-10

Description

On March 10, 1981, Floyd Jenne (born June 6th, 1915 in Ogden, Utah) was interviewed by Ping Lee at the University of Nevada, Las Vegas. The interview covers Mr. Lee’s life as a police officer in Boulder City, Nevada. Mr. Lee also recalls going to school in McGill, Nevada and Ely, Nevada and working in Boulder City and Las Vegas, Nevada.

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Joseph Kine interview, March 02, 1976: transcript

Date

1976-03-02

Description

On March 2, 1976, collector Debbie Nesbit interviewed Joseph Kine (born November 16th, 1906 in Elkhart, Iowa) in his home in Boulder City, Nevada. In this interview, Mr. Kine discusses working at Hoover Dam (Boulder Dam) as a high scaler. He also speaks about living in Boulder City in its very beginnings as a town.

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Transcript of interview with Jackie Abell by Robert Stuart, April 03, 1976

Date

1976-04-03

Description

Robert Stuart interviews Jackie Abell (b. 1924) about her experiences growing up in Virginia City, Reno, and Overton, Nevada. She specifically discusses her experiences growing up on a ranch, railroading, above ground atomic testing, flooding, and wild animals.

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Brochure from the Molasky Group of Companies, approximately 2010

Date

2010

Archival Collection

Description

This brochure includes highlights of the Molasky Group of Companies, specializing in real estate development.

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Photographs of Peppermill signs, Las Vegas (Nev.), 2002

Date

2002
2017-09-21

Description

Photos show Peppermill signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 2985 S Las Vegas Blvd
Sign details: The Peppermill Inn Restaurant is located on the east side of Las Vegas Blvd, just north of the now defunct Silver City Casino. The actual establishment faces west toward the strip, separated from the traffic by the front parking lot. The lowrise brown clad establishment, boasts three specific pieces of signage on the exterior structure. In the parking lot near Las Vegas Blvd, a small two-sided, ground level cabinet, mirrors the aesthetics of the actual structure. Upon the west side of the building, the shingled roofline boasts channel letters filled with neon, as well as a more secluded sign on the north side of the building, toward the rear.
Sign condition: Structure 3 Surface 3 Lighting 3 The condition of the three different pieces of signage are all in different states of repair.
Sign form: Pylon; Fascia
Sign-specific description: The pylon sign, which sits near the street, is a miniature representation of the facade of the Peppermill establishment. Two square legs, constructed of mortared pieces of stone support the two-sided cabinet. The horizontal, rectangular cabinet sits on the pole, and faces north/south. The top edge of the sign is reminiscent of a roofline, with a low rise a-frame design. The grade is very little but exaggerated by the rectangular element rising off of the top edge covered in brown wooden shingles, which also cover the top edge's surface. The effect of the top's finishing is the resemblance of the roof of the Peppermill restaurant. Just below the peak of the "roof-like" element on the surface of the sign, a rectangular metal plate possesses text. The text is stamped out of the metal to reveal recessed negative spaces of fonts. An orange transparent material resides behind the plate, providing the hue for the internally lit apparatus. The text reads "24 Hours" in all capitals. Below the small rectangle, larger, white text runs the length of the sign. The internally lit, closed face, channel letters are in all capitals. In smaller text, along the bottom portion of the face the phrase "Coffee Shop & Lounge," runs the length of the text. The letters are orange, closed faced, internally lit. The actual structure of the restaurant, further east on the property is the model for the previously mentioned sign. The low-rise pitched roofline of the facility concludes at a lowrise rectangular cap. Along the western edge the roofs overhang, large white channel letters lined on the interior with pink neon spell "Peppermill" in all capital letters. Following the brown shingled roofline around the south side of the building, a third sign, not seen by the general public, faces south. A steel cabinet is the two-dimensional representation of both the outer pylon sign as well as the structure itself. A rust colored brown cabinet houses a dork brown steel face, with plastic letters for the advertising of the establishment. "Peppermill" is spelled in all capital letters. Below the top text a two lined, series of orange all capital text spells "Restaurant Lounge." It is apparent that wooden shingles were evident on the top the top edge of the cabinet which rises in the pitched front geometric shape seen on the pylon in the front and the architectural element in the structures center. Underneath the primary cabinet a smaller, horizontal, rectangular cabinet, sits centered underneath the It too is a rust colored brown cabinet, with a dark brown face. Text, as tall as the cabinet spells, "Open 24HRS" in orange plastic all capital letters.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The area surrounding the Peppermill contains several interesting properties making the entire area sort of a cove of history. Just to the north the deteriorating, and closed Silver City stands testament to the wave of constant change present on the strip. It is a reminder of the historical significance of the Peppermill and the fact that someday it might not be present at this location any more.
Sign manufacturer: YESCO
Sign - thematic influences: What is evident of the Peppermill theme works around the exterior appearance, and around the name itself. The brown wooden exterior, use of wooden shingles as adornments, and the major color palette all suggest the rustic, if not old west referenced, aesthetic.
Sign - artistic significance: This has become a statement of the "old Vegas" of the 1970s.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

North Las Vegas Library Photograph Collection on North Las Vegas, Nevada

Identifier

PH-00277

Abstract

The North Las Vegas Library Photograph Collection on North Las Vegas, Nevada (approximately 1905-1989) depicts life in Southern Nevada. The collection consists of over one thousand images dated from 1905 to 1989. The images consist of activities at Nellis Air Force Base, Southern Nevada politicians, celebrities, schools, churches, and city development.

Archival Collection

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter scrapbook: "Welcome to fabulous Las Vegas"

Date

2016 to 2017

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014).

Mixed Content

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter calendars

Date

2003

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text

Nanyu Tomiyasu interview, March 11, 1978: transcript

Date

1978-03-11

Description

On March 11, 1978, Sosuke Miyazawa interviewed Nanyu Tomiyasu (b. May 28, 1918 in Las Vegas, Nevada) about his family’s farm and their legacy as one of the pioneering families of the city. Tomiyasu begins by talking about what brought his family to Las Vegas, the city’s abundant water reservoir and his father’s farm. In particular, Tomiyasu discusses his father’s experiments with farming as one of the city’s early farmers, the transition into nursery farming and Japanese gardens. Moreover, he discusses his siblings, the local schools, their great quality, the successful students the city produced and the growth of school populations. Tomiyasu describes the large Japanese population and the Union Pacific Railroad that many of them worked on. He ends by discussing the change in architecture within the city, such as where old buildings stood and what they are used for now, the first Episcopal Church and the old Mormon Fort.

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