From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. Presented to the National Social Science Association, Reno, Nevada.

Charlotte Hill's arrival in Las Vegas was not an instant love affair. She had grown up in Cincinnati, Ohio, and in comparison Las Vegas "was the worst place I had ever been." The year was 1952. He husband had taken a job with the Sands casino. Over the next six decades Charlotte would become an honored volunteer and community activist. Her first organization was the Brownies as a mother and soon was involved with the Frontier Girl Scout Council, about which she shares a delightful story about cookie sales. In 1962, she was a charter member of the Home of the Good Shepherd. In 1972, she founded the Friends of Channel 10 and became innovative and active in fundraising for public broadcasting. By 1974, she was the United Way's first woman campaign chairperson, a quite successful one who helped exceed the one-million dollar goal during economically difficult times. Her other milestones included serving on Economic Opportunity Board, board of Boys and Girls Clubs of Las Vegas, as president of the Community College of southern Nevada Foundation and most recently being named to the Nevada State Board of Education. Charlotte's community efforts have made a difference in countless people's lives. She has been acknowledged numerous times, but counts the Alexis de Tocqueville Award from United Way of America as a crowning achievement. In addition to her volunteer work, she is a fashion consultant with the Carlisle Collection.

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.