The D. Kenneth Richardson Papers on the Hughes Aircraft Company (1950-2011) contains correspondence, speeches, photographs, Hughes Aircraft Company executive meeting notes, and various publications from Hughes Aircraft Company and other aeronautical companies. Also included are published papers written by Richardson and a productivity study published by the Hughes Aircraft Company.
The Hank Castro Music Business Records document Hank Castro's career in the music industry in Las Vegas, Nevada from 1969 to 1990. The bulk of the collection consists of original audio recordings from the Las Vegas Recording Studio. The collection also contains legal documents, personal correspondence, and promotional material related to the Las Vegas Recording Studio (1971-1985), songwriter agreements, and sheet music (the majority of the lyrics written by Hank Castro) from artists represented by the Las Vegas Recording Studio and Castro's other companies.
The Kim Sisters material date from 1959 to 1966 and 1983. It consists of two scrapbooks and one folder of photocopied materials containing newspaper clippings about the appearances of the Kim Sisters muscial group throughout the United States as well as Italy, Germany, and Spain. It also includes two record album sleeves.
The Henry Kronberg Papers is comprised of photographs, newspaper clippings, and business records from 1945 to 2017 that document Henry Kronberg's business, Stoney's Pawn Shop, his personal life, and his involvement with the Jewish community in Las Vegas, Nevada. The collection also includes A Place of Hope, a documentary about the Warsaw Remembrance Garden at Temple Beth Sholom in Las Vegas featuring Kronberg.
The Jack Schofield Papers are comprised of Dr. Jack Lund Schofield's scrapbooks, photographs, and awards from 1968 to 2014. Dr. Schofield was a Nevada System of Higher Education (NSHE) regent, member of the Nevada legislature, and teacher. The scrapbooks document Schofield's involvement with the University of Nevada, Las Vegas (UNLV) Aerospace program from the 1960s to the 1990s. The awards and photographs are from NSHE and document Schofield's involvement as a regent.
The UNLV Libraries Collection on Claes Oldenburg's Flashlight sculpture is comprised primarily of correspondence, photographs, and information dating from approximately 1972 to 1981, and 2011 about the planning and installation of the Flashlight at the University of Nevada, Las Vegas (UNLV) campus. The materials include correspondence between Brock Dixon, Dean of Administration, and the sculpture grant committee, the National Endowment for the Arts, and sculptors considered for the job such as Richard Serra and Claes Oldenburg. The collection also includes photographs of Flashlight maquettes and installation on campus and postcards depicting the Flashlight on the UNLV campus. Also included is a written history of the commissioned sculpture, a UNLV News Center article about the sculpture from 2011, and an autographed copy of Claes Oldenburg: Large Scale Projects, 1977 to 1980.
Oral history interviews with Richard W. Bunker conducted by Stefani Evans and Claytee D. White on July 18 2017, July 21, 2017, and September 28, 2017 for the Building Las Vegas Oral History Project. In this interview, Bunker discusses the history behind a wide range of events that affected the daily lives of Southern Nevadans. He talks about his role in a consolidation attempt between the Clark County and Las Vegas, Nevada governmental structures that was halted by the courts in 1975. Bunker then recalls working as a member and Chair of the Nevada Gaming Control Board and his work with various casinos and hotels including Circus Circus, the Dunes, and the Aladdin. He discusses replacing key people at the Gaming Control Board, and the Federal Bureau of Investigation’s (FBI) Operation Yobo sting. He then speaks fondly of his longtime friends Jim Gibson, Judge Lloyd George, and Jim Joyce. Lastly, Bunker discusses water rights, supply, and management issues in Nevada as it relates to the Nevada Resort Association, Las Vegas Valley Water District, Southern Nevada Water Authority, and the Colorado River Commission.
Oral history interview with Ruben Acherman conducted by Monserrath Hernandez and Laurents Bañuelos-Benítez on July 18, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Acherman discusses growing up in Palmira, Colombia, where his father emigrated to from Romania. He talks about how accepted he felt in a Catholic community, moving to Cali, Colombia to study medicine, and describes completing his rural residency in San Pedro, Colombia. Acherman then recalls specializing in cardiology at the University of Southern California (USC). Later, Acherman explains why he chose to specialize in cardiology, his interests in pediatric cardiology, and his inability to continue studying due to the lack of financial stability and his immigration status. Acherman describes his move to the Summerlin residential community in Las Vegas, Nevada after being offered a position to work for Dr. Bill Evans in 2001, and compares the differences in health care between the United States and Columbia. Lastly, Acherman discusses his first balloon dilation procedure and talks about the illustrations he has created in cardiology textbooks.
Joan Massagli spent her childhood in the Tacoma, Washington area, singing three-part harmony—a member of a musically talented family that included five children and an aunt and uncle who raised all the kids to enjoy music. By high school in the early 1950s, she and her two older sisters were regulars on a local TV show. In 1956, the Sawyer Sisters act was formed and they were soon obtaining regular gigs in Las Vegas. Their popularity continued form 1957 to 1964 and they played many of the major hotels, usually as a warm up act for headliners that includes a list of names such as Roy Clark, Louis Prima, Shecky Greene, and Delia Reece. At first the Sawyer Sisters included older sister Nanette Susan and Joan. When Nanette quit to raise her family, youngest sister Kate stepped into what was called a "lively and lovely" trio. Joan met her future husband and musician Mark Tully Massagli, while performing in the early 1960s. Caring for ailing parents while working mostly in Las Vegas, the couple made Vegas home. Even after the Sawyer Sisters name faded from the Strip's marquees, Las Vegas remained home to the Massagli's, who raised their children here. Today they live in the Blue Diamond Village area and recall the changes that have occurred on the Las Vegas Strip—especially from an entertainer's point of view.