Oral history interview with Carole Fisher conducted by Barbara Tabach on December 14, 2016 for the Southern Nevada Jewish Heritage Project. In this interview, Fisher discusses her family background and moving to Las Vegas, Nevada in 1979. Fisher talks about Nathan Adelson Hospice, programs that they provide for the Las Vegas senior community, and the increase of hospices in Las Vegas. She describes how Nathan Adelson Hospice is able to provide care for uninsured people, fundraising events they organize, and how their hospice differs from traditional hospital care. Lastly, Fisher discusses the significance of death in the Jewish religion.

Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.

Brief history of water in Las Vegas and overview of the water situation

In 1964, the year that Vincent Kethen was born, desegregation of Las Vegas schools began. Like many African-American children living in the Las Vegas Westside neighborhood, Vincent was bused out of his neighborhood in third grade to attend a white school. In his case, this meant attending John S. Park Elementary and later other predominantly white schools. He talks about these experiences. John S. Park was a neighborhood of manicured lawns, while the school bus and the classroom were places fraught with fisticuffs. The experience of growing up during that era are recalled. Vincent provides a sense of that it was like to reside in his home neighborhood and the onslaught of the drug culture altered gang-lead neighborhoods. Being bused had positive results he explains, such as athletics, which served as an equalizer. For Vincent, a solid upbringing, which included love of church and the chance to attend college, encouraged him to make good decisions about his future. He received a four-year degree and he returned to Las Vegas to "give back." For over a decade and a half, her has coached young basketball players and helped them see their options for a brighter future than they might otherwise have seen.